Completely engaging, intellectually and physically: Escheresque.dimensions illustrating the interplay of physically encoded inertia, a.k.a. Fate, and relative free will versus two sets of authoritarian factors, religion and politics . All of that cleanly embellished by stunning architectural scenes, inside, and, because Philip K Dick is the source, inside inside, plus metropolitan outside, as a canvas for human connections between Damon's and Blunt's bodily physiognomy in nearly constant motion and their very personal faces. The script manifests its most authentic responsibilities, by not handing you the story, so, through to the very last frames, you really aren't sure what Emily Blunt, in particular, is going to do about the puzzle that is her life but doesn't provide the usual "answers."
This one's a keeper; I will buy it for my collection and, for special occasions, watch it again.
This one's a keeper; I will buy it for my collection and, for special occasions, watch it again.