Fiction is fiction and it would be too easy to pick holes in the believability or logic of this scenario - so let's not bother. But as a study of alienation within and outside of family structures this series finds its mark. Are there monsters? Yes, of course there are. Can we always recognise them? No. Should we fear them? Well, ideally we should not be living in fear, and if we have fears we should be able to talk about them, and there is the point, amply expressed in the family scenes and in the role of Danny's cousin, Aaron.
In the role of Danny, Lewis Gribben is astonishing. As he explores his new world, his fascination, confusion, horror and joy are palpable, and the scene in which he falls in love for the first time broke me - like 'Heartstopper' but for grown-ups.
My only criticisms are of the 'Night of the Hunter' sequence which forms a somewhat cliched climax, and the final resolution which seemed dubious. After all, when you've escaped one prison, and you've started to discover yourself, surely the last thing you need is another incarceration. But maybe I'm just cynical about families.
In the role of Danny, Lewis Gribben is astonishing. As he explores his new world, his fascination, confusion, horror and joy are palpable, and the scene in which he falls in love for the first time broke me - like 'Heartstopper' but for grown-ups.
My only criticisms are of the 'Night of the Hunter' sequence which forms a somewhat cliched climax, and the final resolution which seemed dubious. After all, when you've escaped one prison, and you've started to discover yourself, surely the last thing you need is another incarceration. But maybe I'm just cynical about families.