2022 model Ozan Açiktan movie.
'Kal', the last link of Açiktan's Netflix trilogy, returns to the frames and colors we remember from Açiktan 'Silsile'.
Burak Deniz's natural acting is magnificent in scenes that flow one after another for 100 minutes, connected by sharp cuts and soft dialogues.
For the last 30 years, especially for people who want to get rid of the rural stories that come one after the other in our 'Art-house' / 'festival' cinema and watch the stories of the people they meet every day in the cinema, Açiktan is like a space whose cinema has been saved.
Although he clearly describes all the characters and event cycles in the story he tells, he has also made his mark in this movie, Açiktan, who loves question marks with his brilliance from Hitchcock's admiration.
The end of the movie will be criticized by those who are not familiar with the movie Açiktan. Fortunately, Açiktan is one of our sane filmmakers who do not listen to such empty types/criticisms.
Just like in Silsile, the art team included every place where the movie takes place, every area that is in the background in the frames, into the story.
The music choices of the movie are also great.
It is a very good choice that there is no garish like HDR/Dolby Vision in the 4K movie, so they didn't overshadow the natural light choices in the movie.
The sound problem that Turkish cinema could not solve has never been a minus for Açiktan cinema. The film, which was mixed with Dolby Digital 7.1, was released as Dolby Digital Plus 5.1 on Netflix.
He was openly a name that I was always curious about his next project, and with KAL I learned that this will be the case in the future.
'Kal', the last link of Açiktan's Netflix trilogy, returns to the frames and colors we remember from Açiktan 'Silsile'.
Burak Deniz's natural acting is magnificent in scenes that flow one after another for 100 minutes, connected by sharp cuts and soft dialogues.
For the last 30 years, especially for people who want to get rid of the rural stories that come one after the other in our 'Art-house' / 'festival' cinema and watch the stories of the people they meet every day in the cinema, Açiktan is like a space whose cinema has been saved.
Although he clearly describes all the characters and event cycles in the story he tells, he has also made his mark in this movie, Açiktan, who loves question marks with his brilliance from Hitchcock's admiration.
The end of the movie will be criticized by those who are not familiar with the movie Açiktan. Fortunately, Açiktan is one of our sane filmmakers who do not listen to such empty types/criticisms.
Just like in Silsile, the art team included every place where the movie takes place, every area that is in the background in the frames, into the story.
The music choices of the movie are also great.
It is a very good choice that there is no garish like HDR/Dolby Vision in the 4K movie, so they didn't overshadow the natural light choices in the movie.
The sound problem that Turkish cinema could not solve has never been a minus for Açiktan cinema. The film, which was mixed with Dolby Digital 7.1, was released as Dolby Digital Plus 5.1 on Netflix.
He was openly a name that I was always curious about his next project, and with KAL I learned that this will be the case in the future.