Beware of haters from Mordor!
In "Rings of Power", just the way they captured the life and times of disparate races - Elves, Dwarves, Humans, Orcs - and creatures galore from Tolkien's literary Second Age of Middle-Earth was a testament to the screenplay writers' sheer determination to make this series a resounding success.
I loved every frame, and am now surprisingly confused about which scene I should start praising. As with most breathtaking undertakings of this kind, I shall endeavor to start at the very beginning. The creation myth Tolkien crafted in his book "The Silmarillion" found admirable translation in "Rings of Power".
Episodes 1 and 2, namely "A Shadow of the Past" and "Adrift" respectively, were directed by J. A. Bayona, who brought excellence to bear on each frame. Writers J. D. Payne, Patrick McKay, and Gennifer Hutchison did superb work scripting the magnificence I saw on screen this night.
Bear McCreary's musical scoring was stirring, warm, chilling, and brilliant. He captured the soul of this franchise and that's saying something after what Howard Shore did with the original trilogy, and "The Hobbit" movies that came after.
Aaron Morton, Alex Disenhof, and Oscar Faura created enormously high standards for cinematography with their work in "Rings of Power" - such sweeping panoramas and intimate close-ups. The production design and editing teams deserve their weight in gold for their work in helping bring this story to life. The art direction and set decoration teams did superb work. Hair-makeup, sound effects, and stunts were outstanding. Kate Hawley's costume design was exemplary - every stitch and hem was on point.
As for the CGI and VFX teams, they were the de facto hobbits from the Aragorn-crowned scene in "Return of the King". According to Variety, they used "20 VFX studios, nearly 10,000 VFX shots to revive Middle-earth". This crew certainly bows to no-one but we shall bow to them.
Galadriel, played by Morfydd Clark, was outstanding - her performance redefined so much about this iconic and inspiring character. In just two episodes, Clark proved to be the Wonder Woman of the Tolkien-verse. Her acting also paid due homage to Cate Blanchett's take on the character.
As for Sauron, he is a particularly significant character in the Tolkien-verse. In connection to him, we are yet to see what actor Bridie Sisson will be bringing to the series. Perhaps some sort of religious devotee or ritual summoner? Sisson lived up to that 'aura', as witnessed in the trailer. Future epis may reveal Sauron's true identity.
Poppy Proudfellow, played by Megan Richards, was remarkable. Elanor "Nori" Brandyfoot, played by Markella Kavenagh, was great. Some 'new Frodo and Sam' vibes with those two, only Harfoots instead of Hobbits.
The stranger, potentially Gandalf (!), played by Daniel Weyman, was intriguing - his performance was rife with mystery and magic. Fans know the true origins of Gandalf, and wizards like him. They are not exactly human. Future epis will reveal more, I'm sure.
Celebrimbor, played by Charles Edwards, was good. Theo, played by Tyroe Muhafidin, was also good. Elrond, played by Robert Aramayo, was superb - so many subtle and skillful throwbacks to Hugo Weaving's acting in the original trilogy. Arondir, played by Ismael Cruz Cordova, was amazing. Bronwyn, played by Nazanin Boniadi, was good. Thondir, played by Fabian McCallum, was also good. Halbrand, played by Charlie Vickers, was noteworthy.
Sadoc Burrows, played by Lenny Henry, was memorable. Malva, played by Thusitha Jayasundera, was quite good. Marigold Brandyfoot, played by Sara Zwangobani, was great. Rowan, played by Ian Blackburn, was notable. High King Gil-galad, played by Benjamin Walker, was quite good. Princess Disa, played by Sophia Nomvete, was superb. Prince Durin IV, played by Owain Arthur, was exceptional - his 16-piece beard transformation was itself a lesson in hair-makeup excellence.
We saw what turmoil the villain at the start of this epic, namely Morgoth, brought to bear. We also saw how his tyranny and power-lust influenced and inspired the rise of his devoted servant, the sorcerer Sauron, he who was responsible for later forging the One Ring, which mastered the titular rings of power smithed by Celebrimbor.
All other cast and crew did enchanting work in "LOTR: Rings Of Power"
In "Rings of Power", just the way they captured the life and times of disparate races - Elves, Dwarves, Humans, Orcs - and creatures galore from Tolkien's literary Second Age of Middle-Earth was a testament to the screenplay writers' sheer determination to make this series a resounding success.
I loved every frame, and am now surprisingly confused about which scene I should start praising. As with most breathtaking undertakings of this kind, I shall endeavor to start at the very beginning. The creation myth Tolkien crafted in his book "The Silmarillion" found admirable translation in "Rings of Power".
Episodes 1 and 2, namely "A Shadow of the Past" and "Adrift" respectively, were directed by J. A. Bayona, who brought excellence to bear on each frame. Writers J. D. Payne, Patrick McKay, and Gennifer Hutchison did superb work scripting the magnificence I saw on screen this night.
Bear McCreary's musical scoring was stirring, warm, chilling, and brilliant. He captured the soul of this franchise and that's saying something after what Howard Shore did with the original trilogy, and "The Hobbit" movies that came after.
Aaron Morton, Alex Disenhof, and Oscar Faura created enormously high standards for cinematography with their work in "Rings of Power" - such sweeping panoramas and intimate close-ups. The production design and editing teams deserve their weight in gold for their work in helping bring this story to life. The art direction and set decoration teams did superb work. Hair-makeup, sound effects, and stunts were outstanding. Kate Hawley's costume design was exemplary - every stitch and hem was on point.
As for the CGI and VFX teams, they were the de facto hobbits from the Aragorn-crowned scene in "Return of the King". According to Variety, they used "20 VFX studios, nearly 10,000 VFX shots to revive Middle-earth". This crew certainly bows to no-one but we shall bow to them.
Galadriel, played by Morfydd Clark, was outstanding - her performance redefined so much about this iconic and inspiring character. In just two episodes, Clark proved to be the Wonder Woman of the Tolkien-verse. Her acting also paid due homage to Cate Blanchett's take on the character.
As for Sauron, he is a particularly significant character in the Tolkien-verse. In connection to him, we are yet to see what actor Bridie Sisson will be bringing to the series. Perhaps some sort of religious devotee or ritual summoner? Sisson lived up to that 'aura', as witnessed in the trailer. Future epis may reveal Sauron's true identity.
Poppy Proudfellow, played by Megan Richards, was remarkable. Elanor "Nori" Brandyfoot, played by Markella Kavenagh, was great. Some 'new Frodo and Sam' vibes with those two, only Harfoots instead of Hobbits.
The stranger, potentially Gandalf (!), played by Daniel Weyman, was intriguing - his performance was rife with mystery and magic. Fans know the true origins of Gandalf, and wizards like him. They are not exactly human. Future epis will reveal more, I'm sure.
Celebrimbor, played by Charles Edwards, was good. Theo, played by Tyroe Muhafidin, was also good. Elrond, played by Robert Aramayo, was superb - so many subtle and skillful throwbacks to Hugo Weaving's acting in the original trilogy. Arondir, played by Ismael Cruz Cordova, was amazing. Bronwyn, played by Nazanin Boniadi, was good. Thondir, played by Fabian McCallum, was also good. Halbrand, played by Charlie Vickers, was noteworthy.
Sadoc Burrows, played by Lenny Henry, was memorable. Malva, played by Thusitha Jayasundera, was quite good. Marigold Brandyfoot, played by Sara Zwangobani, was great. Rowan, played by Ian Blackburn, was notable. High King Gil-galad, played by Benjamin Walker, was quite good. Princess Disa, played by Sophia Nomvete, was superb. Prince Durin IV, played by Owain Arthur, was exceptional - his 16-piece beard transformation was itself a lesson in hair-makeup excellence.
We saw what turmoil the villain at the start of this epic, namely Morgoth, brought to bear. We also saw how his tyranny and power-lust influenced and inspired the rise of his devoted servant, the sorcerer Sauron, he who was responsible for later forging the One Ring, which mastered the titular rings of power smithed by Celebrimbor.
All other cast and crew did enchanting work in "LOTR: Rings Of Power"