Every scene is a cheap action shot of victimhood, bullying, and some awe-stuck hero worship.
The writer read about the Karpman Drama Triangle and applied it, with no sense of the real world, what constitutes real drama, holding short & long term drama throughout the film, tension between characters over time, what arguing characters really want.
All of the cheap drama is done with in seconds, so the camera often focuses on the bully at the end of the scene, or a helpless face, or hero worshipping faces (as if that's what the viewer wants to see). There is no sense of real drama and friction as mentioned, and you don't care about the characters.
The writer read about the Karpman Drama Triangle and applied it, with no sense of the real world, what constitutes real drama, holding short & long term drama throughout the film, tension between characters over time, what arguing characters really want.
All of the cheap drama is done with in seconds, so the camera often focuses on the bully at the end of the scene, or a helpless face, or hero worshipping faces (as if that's what the viewer wants to see). There is no sense of real drama and friction as mentioned, and you don't care about the characters.