Boris Karloff runs a nightclub, unaware that his wife and one of his employees keep ducking into a closet for some reason ... wink wink, nod nod. Lew Ayres plays a drunken customer; his mother (Hedda Hopper) killed his father because she thought he was fooling around. Mae Clarke, who sings/dances at the nightclub, takes a shine to Ayres, which ticks off her current suitor (George Raft). There is a running gag involving the doorman (Clarence Muse) trying to phone his wife, who has been hospitalized.
This is essentially it. The film takes place over a few nights, so don't expect a soap opera. Jack LaRue shows up as a torpedo, Robert Emmett O'Connor plays a cop for the one millionth time, Byron Foulger plays a really, really, really gay customer, and Louise Beavers is onscreen for all of about five seconds.
It's interesting that the New York State censor board ordered some dialogue and scenes removed (notably at the climax), but the lines and scenes were intact in the version I saw.
Clarke is perky, adorable, and looks very cute in shorts. Muse comes off best as the most tragic figure in the film. The ending is crazy. Worth a look.
This is essentially it. The film takes place over a few nights, so don't expect a soap opera. Jack LaRue shows up as a torpedo, Robert Emmett O'Connor plays a cop for the one millionth time, Byron Foulger plays a really, really, really gay customer, and Louise Beavers is onscreen for all of about five seconds.
It's interesting that the New York State censor board ordered some dialogue and scenes removed (notably at the climax), but the lines and scenes were intact in the version I saw.
Clarke is perky, adorable, and looks very cute in shorts. Muse comes off best as the most tragic figure in the film. The ending is crazy. Worth a look.