9/10
A near-perfect film.
10 April 2023
I knew almost nothing about this film or its director upon going it, but by the end, I was blown away. After about 20 minutes, I stopped paying attention to the story and focused instead on the mysticism of the whole affair. Zhuangzhuang crafts so many memorable scenes of religious and cultural rituals, including sacrifices and funerals, and these scenes are directed in the most mysterious way possible. Whether you're referring to the layered sound design which is full of haunting drones, mantras, and music choices, the visually striking cinematography which has a handful of striking set pieces, contrasts vibrant colors against endless grass hills, or pares cross-dissolves with the photography, this film is so aesthetically in my wheelhouse I just have to love it. Even the more grounded scenes are shot and framed very well and make for a nice bridge in between the mystical scenes. With that being said, I'm surprised I ultimately decided not to give this film a perfect rating. I think this was due to a slight disconnect I began to feel towards the end since the film was counting on me being more invested in the characters than I actually was. Which isn't to say I didn't care about the characters at all, but focusing most of my attention on the stylistic elements didn't exactly do the ending much favors. Still though, it's a great film and I'll definitely keep an eye out for Zhuangzhuang's other films.
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