And If it says Richard Widmark on the cast, you know he's going to play a top general, and even more ridiculously than in "The Swarm". Here, Burt Lancaster--playing the mad-dove equivalent of his mad-hawk general from "Seven Days in May"--hijacks a nuclear missile silo, demanding the President (Charles Durning, uncannily resembling the present-day Bill Clinton) as hostage, and threatens to launch it if the government doesn't release the secret memo of why we went to Vietnam.
The whole "Ironic patriotism" is laid on a little too thickly, as if the German filmmakers were trying a little too hard to make an American Picture, but the real problem is director Robert Aldrich: The ex-Baby Jane director didn't quite survive the 70's ("The Longest Yard", "The Choirboys"), the Aldrich touch was never elegant or subtle, and the opening "heist" scenes of hijacking the silo are spoiled by turning Lancaster's partners-in-crime into foul-mouthed cliche' thugs. Also, for almost half the film, Aldrich tries to borrow Brian dePalma's trick of split-screening parallel plots and phone conversations, but doesn't seem to understand how dePalma used them for "suspense"--Here, he just lets things play out like we're watching the movie on dual security cameras, or a film-school editing assignment of "How would you intercut these two scenes to make it more exciting.?"
Stil, worth a watch if it comes your way.
The whole "Ironic patriotism" is laid on a little too thickly, as if the German filmmakers were trying a little too hard to make an American Picture, but the real problem is director Robert Aldrich: The ex-Baby Jane director didn't quite survive the 70's ("The Longest Yard", "The Choirboys"), the Aldrich touch was never elegant or subtle, and the opening "heist" scenes of hijacking the silo are spoiled by turning Lancaster's partners-in-crime into foul-mouthed cliche' thugs. Also, for almost half the film, Aldrich tries to borrow Brian dePalma's trick of split-screening parallel plots and phone conversations, but doesn't seem to understand how dePalma used them for "suspense"--Here, he just lets things play out like we're watching the movie on dual security cameras, or a film-school editing assignment of "How would you intercut these two scenes to make it more exciting.?"
Stil, worth a watch if it comes your way.