'Indiana Jones and the Dial of Destiny' (or Indiana Jones 5) comes 42 years after the original, and while not in the same league as 'Raiders' or 'Last Crusade', it is up there with 'Temple of Doom'. This film is directed by Mangold ('Logan' and 'Ford v Ferrari'), who knows how to film a car/train chase. This time, it's 1969 and we have an older Indy (Ford) trying to find the eponymous "dial" (more like an ancient ballerina box) with his goddaughter, Helena (Waller-Bridge).
She brings some good humour and a nice presence to balance Indy, as well as another pre-teen offsider, Teddy (Ididore), while Voller (Mikkelsen) and Klaber (Holbrook) are good as the modern-day Nazi bad guys. There's a few slow moments early on (aside from the opening train scene), but the film really hits it's stride in the 2nd & 3rd acts.
As with most Indiana Jones films, you have to suspend a bit of disbelief, but the plot-point for the final act is pretty dumb. There's a few cameos, the iconic score from John Williams, some good wise-cracks and a mostly-satisfying ending. Mostly though, it feels comfortable and a mostly-exciting adventure film, as it should be.
She brings some good humour and a nice presence to balance Indy, as well as another pre-teen offsider, Teddy (Ididore), while Voller (Mikkelsen) and Klaber (Holbrook) are good as the modern-day Nazi bad guys. There's a few slow moments early on (aside from the opening train scene), but the film really hits it's stride in the 2nd & 3rd acts.
As with most Indiana Jones films, you have to suspend a bit of disbelief, but the plot-point for the final act is pretty dumb. There's a few cameos, the iconic score from John Williams, some good wise-cracks and a mostly-satisfying ending. Mostly though, it feels comfortable and a mostly-exciting adventure film, as it should be.