Words really won't do justice how good this episode is, particularly its last 20 or so minutes.
It's strange; I adore 'The Bear' but, based off of Season 1, it has the capacity to produce an episode that is so far beyond its average quality that it's borderline miraculous. The Bear is a brilliant show. But this episode? An absolute hall-of-famer.
The penultimate episode of last season, the 20-minute one-shotter? One of the finest episodes of television ever. That isn't to say that 'The Bear' isn't great outside of these anomalous episodes. But every once in a while, the show decides to suddenly fire on all cylinders and deliver some of the most intensely dramatic sequences ever committed to screen. And when it does this, it's hard to think of many shows that have ever done it better.
I sometimes refer to 'The Bear' as a drama-comedy that is infused with a somewhat uniquely claustrophobic tension. 'Fishes' catapults that description into the stratosphere and pulls off an episode that will almost certainly make you shiver with dread. You cannot watch this without feeling uncomfortable.
The ensemble is great. I always refer to Carmine as the heart of the show but this episode proves that it can transcend him. 'The Bear' isn't carried by a protagonist, if it ever was. It is carried by incredible writing and wondrous filmmaking. I adored this. I really hope we find our way back to another episode with the Berzattos if there is to be a Season 3.
Side Note: It would be unfair to call this episode all-out tension without at least mentioning the hilarity of the Faks and the tug-at-your-heartstrings look into Richie's ex-marriage. And a big shoutout to Bob Odenkirk. Love that guy. This show really can do it all.
It's strange; I adore 'The Bear' but, based off of Season 1, it has the capacity to produce an episode that is so far beyond its average quality that it's borderline miraculous. The Bear is a brilliant show. But this episode? An absolute hall-of-famer.
The penultimate episode of last season, the 20-minute one-shotter? One of the finest episodes of television ever. That isn't to say that 'The Bear' isn't great outside of these anomalous episodes. But every once in a while, the show decides to suddenly fire on all cylinders and deliver some of the most intensely dramatic sequences ever committed to screen. And when it does this, it's hard to think of many shows that have ever done it better.
I sometimes refer to 'The Bear' as a drama-comedy that is infused with a somewhat uniquely claustrophobic tension. 'Fishes' catapults that description into the stratosphere and pulls off an episode that will almost certainly make you shiver with dread. You cannot watch this without feeling uncomfortable.
The ensemble is great. I always refer to Carmine as the heart of the show but this episode proves that it can transcend him. 'The Bear' isn't carried by a protagonist, if it ever was. It is carried by incredible writing and wondrous filmmaking. I adored this. I really hope we find our way back to another episode with the Berzattos if there is to be a Season 3.
Side Note: It would be unfair to call this episode all-out tension without at least mentioning the hilarity of the Faks and the tug-at-your-heartstrings look into Richie's ex-marriage. And a big shoutout to Bob Odenkirk. Love that guy. This show really can do it all.