The "Lux Aeterna" (18+) is one more cinematic experiment from Gaspar Noé. Noe gained the worldwide fame in 2002, thanks to the scandalous film "Irreversibility" with Monica Bellucci and Vincent Cassel.
"Lux Aeterna" grew out of a collaboration between Saint Laurent and Gaspar Noé, the master of light and audience reactions, it is a surreal and hysterically beautiful narrative of a day on the set of a film about the Inquisition in the underground aesthetics of the 1990s. The shimmering light and quotes from Dostoevsky, Godard, Fassbinder and other iconic figures add contrasts to the film.
Two icons of French cinema of the last decades, Beatrice Dalle and Charlotte Gainsbourg, are the driving mechanisms of the film. At first, they improvise in the dialogue, where they are ironic and exaggerative, but they tell about the creative underside of almost any film or production, and later they heat up emotional tension to the level of the atrocities of the Inquisition or hellish cauldrons. The aesthetic is amazing: crosses and bonfires, Charlotte in a Saint Laurent dress and the insane energy of Beatrice, covering even the madness of light and music at the end of the film. Beatrice is the witch in this story: charismatic, bright, even weird and uncomfortable for others, and the film within the film is her brainchild, which others are trying to appropriate.
The film turned out to be stylish and a bit provocative: about fashion and its victims, about vices and the fact that not everything is so simple with them, and, finally, about human selfishness. A neon beam pierces the "Lux Aeterna" with the truth that witches have a hard time even in the 21st century, because the crowd is always ready to lynch.
"Lux Aeterna" grew out of a collaboration between Saint Laurent and Gaspar Noé, the master of light and audience reactions, it is a surreal and hysterically beautiful narrative of a day on the set of a film about the Inquisition in the underground aesthetics of the 1990s. The shimmering light and quotes from Dostoevsky, Godard, Fassbinder and other iconic figures add contrasts to the film.
Two icons of French cinema of the last decades, Beatrice Dalle and Charlotte Gainsbourg, are the driving mechanisms of the film. At first, they improvise in the dialogue, where they are ironic and exaggerative, but they tell about the creative underside of almost any film or production, and later they heat up emotional tension to the level of the atrocities of the Inquisition or hellish cauldrons. The aesthetic is amazing: crosses and bonfires, Charlotte in a Saint Laurent dress and the insane energy of Beatrice, covering even the madness of light and music at the end of the film. Beatrice is the witch in this story: charismatic, bright, even weird and uncomfortable for others, and the film within the film is her brainchild, which others are trying to appropriate.
The film turned out to be stylish and a bit provocative: about fashion and its victims, about vices and the fact that not everything is so simple with them, and, finally, about human selfishness. A neon beam pierces the "Lux Aeterna" with the truth that witches have a hard time even in the 21st century, because the crowd is always ready to lynch.