Checked this one out because of the 'heavyweight' cast, but sad to report the script and screenplay don't match the talent on show.
A badly aging John Travolta headlines with typical aplomb as a smalltown redneck sheriff, with Matt's bro Kevin Dillon also putting in a decent turn as the film's pivotal catalyst to disaster. However, it's the oft underrated Stephen Dorff who steals the show as a New Orleans mafia enforcer. Dorff is off the hook and carries his weighty bad guy role with typically sinister yet cool-calculated nastiness. He will keep you watching if nothing much else will.
The story itself however is a letdown. It's slow, lacking in tension, originality and continuity, while you really have to shake your head at Travolta's continual failures to connect the dots.
On the plus side there are some decent shootouts, driving scenes and reasonable character development, but the bottomline is this is a rather predictable, low-budget b-movie that fails to ignite, or be quirky/original enough to push it into 'cult' movie territory like an early Cohen Brothers flick for example.
In summation then a one-watch rainy night film at best. Y'all come back now y'hear...
A badly aging John Travolta headlines with typical aplomb as a smalltown redneck sheriff, with Matt's bro Kevin Dillon also putting in a decent turn as the film's pivotal catalyst to disaster. However, it's the oft underrated Stephen Dorff who steals the show as a New Orleans mafia enforcer. Dorff is off the hook and carries his weighty bad guy role with typically sinister yet cool-calculated nastiness. He will keep you watching if nothing much else will.
The story itself however is a letdown. It's slow, lacking in tension, originality and continuity, while you really have to shake your head at Travolta's continual failures to connect the dots.
On the plus side there are some decent shootouts, driving scenes and reasonable character development, but the bottomline is this is a rather predictable, low-budget b-movie that fails to ignite, or be quirky/original enough to push it into 'cult' movie territory like an early Cohen Brothers flick for example.
In summation then a one-watch rainy night film at best. Y'all come back now y'hear...