This film has wonderful photography and staging. I had already read the book, but I still found the film very hard to follow because of the brutal editing. Moreover, the young Aliide is so different in appearance (much too glamorous) from the old one we see at the beginning, that it is hard to connect them.
It is also unclear that Linda (Aliide's niece) has been trafficked from Siberia to sex-slavery in Berlin by a pair of thugs. Her escape from their clutches in an Estonian town south of Tallinn is very muddled.
Aliide saves her own skin by sacrificing her sister and niece (Linda) to the soviet Russians, while harbouring a Nazi sympathiser. It is poetic justice that she ends up protecting her niece from the new kind of Russian threat: sex-slave traffickers.
I'm sure that just an extra 5-10 minutes could have elucidated the plot.
It is such a pity that the script does not match the indoor photography that recalls Tarkovsky and early Bergman .
It is also unclear that Linda (Aliide's niece) has been trafficked from Siberia to sex-slavery in Berlin by a pair of thugs. Her escape from their clutches in an Estonian town south of Tallinn is very muddled.
Aliide saves her own skin by sacrificing her sister and niece (Linda) to the soviet Russians, while harbouring a Nazi sympathiser. It is poetic justice that she ends up protecting her niece from the new kind of Russian threat: sex-slave traffickers.
I'm sure that just an extra 5-10 minutes could have elucidated the plot.
It is such a pity that the script does not match the indoor photography that recalls Tarkovsky and early Bergman .