"The Story of Alexander Graham Bell" (1939), directed by Irving Cummings, is a classic biographical film that harkens back to the filmmaking style of its time, showcasing both its strengths and limitations. Much like other films of that era, it stands out for its professionalism and a top-notch cast, but it also incorporates a degree of naiveté, romanticism, and perhaps a touch of sentimentality, not always staying true to historical facts.
What surprised me the most about this work was the small but memorable role of Henry Fonda. His portrayal of Thomas Watson, a friend of Graham Bell, is simply impeccable; even his yawns seem authentic. Portraying a seemingly lazy character, focused on eating and sleeping, is a remarkable feat for Fonda, as it's not easy to create empathy for such a person, especially when contrasted with the energetic, brilliant, and ambitious Graham Bell portrayed by Don Ameche (in a solid performance). Loretta Young also shines, as usual, with her charming performance.
However, the script leaves gaps in explaining the deep friendship between these two friends, leaving room for the viewer's imagination. Initially, it even seems like Watson could be Bell's brother, both facing financial difficulties yet always dressed impeccably with well-groomed faces. These are typical characteristics of Hollywood cinema of that time, and while they may seem somewhat implausible, they contribute to the film's charm.
Well-deserved praise also goes to the black-and-white cinematography, one of the film's highlights, courtesy of the talented Leon Shamroy, one of Hollywood's best cinematographers. For those without overly high expectations, "The Story of Alexander Graham Bell" can be an enjoyable pastime, a journey to a bygone era of cinema, filled with nostalgia and talent.
What surprised me the most about this work was the small but memorable role of Henry Fonda. His portrayal of Thomas Watson, a friend of Graham Bell, is simply impeccable; even his yawns seem authentic. Portraying a seemingly lazy character, focused on eating and sleeping, is a remarkable feat for Fonda, as it's not easy to create empathy for such a person, especially when contrasted with the energetic, brilliant, and ambitious Graham Bell portrayed by Don Ameche (in a solid performance). Loretta Young also shines, as usual, with her charming performance.
However, the script leaves gaps in explaining the deep friendship between these two friends, leaving room for the viewer's imagination. Initially, it even seems like Watson could be Bell's brother, both facing financial difficulties yet always dressed impeccably with well-groomed faces. These are typical characteristics of Hollywood cinema of that time, and while they may seem somewhat implausible, they contribute to the film's charm.
Well-deserved praise also goes to the black-and-white cinematography, one of the film's highlights, courtesy of the talented Leon Shamroy, one of Hollywood's best cinematographers. For those without overly high expectations, "The Story of Alexander Graham Bell" can be an enjoyable pastime, a journey to a bygone era of cinema, filled with nostalgia and talent.