'Killers of the Flower Moon' is Scorsese's 3rd 3-hour-plus film in the past 10 years, and the 10th film directed by him starring Robert De Niro, and 6th film starring Leonardo DiCaprio. This film proves a case of "if it isn't broke, don't fix it". While not necessarily an "epic", it is a very well put together story, set just in the 1920s in Oklahoma, where Ernest (DiCaprio) is returning from WWI to live with his uncle, Hale (De Niro) and brother Byron (Shepherd). They're the white folk trying to cash in on the Native Americans who have found oil and are becoming rich - the Osage people.
Rather than focusing solely on white men subjugating the native population, the film does well to establish a few key characters to follow over a number of years and watch their (unfortunately true) stories unfold. Critical to this is Mollie (Gladstone), an Osage woman, who Ernest falls in love with and marries. What happens to her and her extended family over the course of the film is both tragic and hard-to-believe, but also sadly within the realms of human evil.
The film is helped by Gladstone delivering an excellent performance that holds everything together and acts as a benchmark for the other characters. DiCaprio is also good, but this is arguably De Niro's best performance in the last 15 years, as he plays a subtle hand as the seemingly benevolent Hale, as his true intentions are slowly revealed. The supporting cast are good, including Millie's sisters and the FBI/lawyers when they finally come into play in the final third. It's well-paced, with a good wrap-up and at no point did I feel bored. Probably not Scorsese's best ever, but up there with 'Casino', 'Raging Bull' and 'Gangs of New York'.
Rather than focusing solely on white men subjugating the native population, the film does well to establish a few key characters to follow over a number of years and watch their (unfortunately true) stories unfold. Critical to this is Mollie (Gladstone), an Osage woman, who Ernest falls in love with and marries. What happens to her and her extended family over the course of the film is both tragic and hard-to-believe, but also sadly within the realms of human evil.
The film is helped by Gladstone delivering an excellent performance that holds everything together and acts as a benchmark for the other characters. DiCaprio is also good, but this is arguably De Niro's best performance in the last 15 years, as he plays a subtle hand as the seemingly benevolent Hale, as his true intentions are slowly revealed. The supporting cast are good, including Millie's sisters and the FBI/lawyers when they finally come into play in the final third. It's well-paced, with a good wrap-up and at no point did I feel bored. Probably not Scorsese's best ever, but up there with 'Casino', 'Raging Bull' and 'Gangs of New York'.