1955's "Daniel Boone, Trail Blazer" was the second straight US production for Mexican director Ismael Rodriguez, filming south of the border like the preceding "The Beast of Hollow Mountain," unlike Burt Lancaster's "The Kentuckian," which was actually shot in Kentucky (working titles included "Adventures of Daniel Boone," "Attack on Boonesboro," and "Dan'l Boone"). Trucolor was a cheap outdoor process but it did add some gloss to the shopworn material, an aging Bruce Bennett almost too frail at age 49 to convincingly play the title role (rugged George O'Brien fit the bill in the 1936 "Daniel Boone"), while it's reassuring to find Boone's main nemesis Simon Girty again up to his fiendish old tricks, even if Kem Dibbs can't hold a candle to John Carradine's 1936 version. The slow pacing is further weakened by the nonacting presence of singer Faron Young, performing the same duties as in his feature debut for codirector Albert Gannaway, the still unreleased "Hidden Guns" pitting him against the ever ubiquitous Carradine, who could also be seen in "The Kentuckian!" This film's greatest asset is the solid presence of second billed Lon Chaney as Shawnee Chief Blackfish, blood brother to Daniel Boone, no stranger to sympathetic Native Americans since 1952's "Battles of Chief Pontiac," in which he played a dignified Ottawa chief (this may have had some bearing on his winning the part of Chingachgook in the Canadian-filmed TV series THE LAST OF THE MOHICANS). Blackfish spends much of the picture in thrall to Girty's deceptions, but a spectacular climax finds Boone finally proving himself in the eyes of his blood brother by using his murdered son's corpse. Claudio Brook would go on to a lengthy career in such cult items as "Samson in the Wax Museum," "The Bees," and the James Bond thriller "Licence to Kill."
Review of Daniel Boone, Trail Blazer
