Following his turn as the infamous Simon Templar but before the likes of Lord Brett Sinclair and 007, Roger Moore starred in the little-known Crossplot. A hugely entertaining late 60s Bond-esque clone that plays like a feature-length ITC drama crossed with a Hitchcockian thriller even if the writing is nothing special and often exceptionally convoluted. Still, the film has an undeniable charm to its antics, largely thanks to Moore's natural panache and delightful cast; on a personal note seeing Francis Matthews in anything delights me greatly. Ripping along at a breakneck pace, Crossplot is certainly a product of its time but with noble ambitions by director Alvin Rakoff, an upbeat Barry-esque score by Stanley Black and hilarious moments of havoc, the film is a mild-mannered mini triumph from Moore's then ongoing bid to play 007.
Review of Crossplot
