It stood out to me that several of the scenes implied political connotations. Hayley was waving her blue post-Brexit passport at the airport. Then, on the way back, on the plane the boys were chanting "leave means leave" as a part of a very flat joke. Finally, it seemed to push the traditionalist narrative that urges brits to stay home for Christmas in their small towns, not spending their hard-earned pounds on expensive lodging in Europe. Basically, this film works wonders for polarization. Apparently you are either staying in the moldy barn or exclusive luxury resort, no other options. Comedy is grotesque, I know, but this was a bit too far(right) for me.
The next big issue in question is complete absence of chemistry of James (Asa Butterfield) with female characters. It just seems like every kissing/make out scene is forced and awkward to the maximum. It could be a very interesting and inclusive representation of inexperienced young adults - however, it is not the character's quality, but rather actor's vibe. James and Geoff are both unbearable to watch and not solely because of their plot lines. It is just madly basic acting. In an attempt to show anxiety, Asa makes grimaces of fear and disgust, and in moments where a loving look and a slight smile is expected, he ends up with puppy eyes and a pirate grin. I did not enjoy his acting outside of the role of Otis.
The only thing I liked was the way Alex Jennings delivered his lines during the father-son conversation. This scene was the most heartfelt and kind. Two stars for that scene, one for Klaus, and another star goes for the ending - it was definitely surprising.
Unfortunately, the feeling of being cozy and charmed after watching a Christmas movie is becoming a commodity. Where did all the magic go?
The next big issue in question is complete absence of chemistry of James (Asa Butterfield) with female characters. It just seems like every kissing/make out scene is forced and awkward to the maximum. It could be a very interesting and inclusive representation of inexperienced young adults - however, it is not the character's quality, but rather actor's vibe. James and Geoff are both unbearable to watch and not solely because of their plot lines. It is just madly basic acting. In an attempt to show anxiety, Asa makes grimaces of fear and disgust, and in moments where a loving look and a slight smile is expected, he ends up with puppy eyes and a pirate grin. I did not enjoy his acting outside of the role of Otis.
The only thing I liked was the way Alex Jennings delivered his lines during the father-son conversation. This scene was the most heartfelt and kind. Two stars for that scene, one for Klaus, and another star goes for the ending - it was definitely surprising.
Unfortunately, the feeling of being cozy and charmed after watching a Christmas movie is becoming a commodity. Where did all the magic go?