Actuary Donald O'Connor misplaces a decimal point and doesn't get the promotion at the insurance firm. He wanders the parks of Hartford. Lew Parker waylays him and impressed by his ability to predict when slot machines will pay off and how to dance -- all done by mathematics, of course -- he takes him back to Walter Catlett's carnival, where he becomes a hit.
Parker was in the Broadway show, but nothing else. They even used all-new musical numbers, despite some sprightly Harry Revel tunes. The loose and simple plot is an opportunity stage dance numbers choreographed by Louis Da Pron (who plays a dancing bartender in the first number). The movie version's songs aren't much to write home about, but O'Connor's confident hoofing, Parker's fast-talking patter, and the charms of Olga San Juan, Martha Stewart -- not that one! -- and Patricia Dane help to make this a very pleasant musical.
Parker was in the Broadway show, but nothing else. They even used all-new musical numbers, despite some sprightly Harry Revel tunes. The loose and simple plot is an opportunity stage dance numbers choreographed by Louis Da Pron (who plays a dancing bartender in the first number). The movie version's songs aren't much to write home about, but O'Connor's confident hoofing, Parker's fast-talking patter, and the charms of Olga San Juan, Martha Stewart -- not that one! -- and Patricia Dane help to make this a very pleasant musical.