My encounters with director Alejandro González Iñárritu have consistently left me feeling enriched. From the impactful "Amores Perros" to the haunting "21 Grams" and the sprawling drama of "Babel," his films have always made a lasting impression. What truly strikes me is the subtle yet captivating cinematography, which carries a gritty yet strangely comforting vibe.
When I watched "Birdman," I noticed the shift from longtime cinematographer Rodrigo Prieto to Emmanuel Lubezki. Lubezki's seamless camerawork added a new layer, capturing the intimacy of the characters as they navigated the bustling backstage corridors. The constant movement made me feel like an invisible observer, creating a sense of both confinement and fascination.
Throughout the film, I couldn't help but think of classic movies like "All That Jazz" and "Brazil." There was the raw energy of theater reminiscent of "All That Jazz," mixed with the quest for self-respect akin to "Brazil." Norton's performance felt like a natural extension of his character from "Fight Club," while Keaton's portrayal was brimming with a compelling urgency.
However, amidst the stellar performances, I found Emma Stone's portrayal somewhat lacking, possibly due to my own weariness with her recent roles.
"Birdman" shines in many aspects, though it occasionally delves into overt social commentary and self-referentiality, echoing the habits of some modern action-hero directors. Nonetheless, my enjoyment of the film remained largely intact, fueled by the enduring impact of cinematic brilliance.
When I watched "Birdman," I noticed the shift from longtime cinematographer Rodrigo Prieto to Emmanuel Lubezki. Lubezki's seamless camerawork added a new layer, capturing the intimacy of the characters as they navigated the bustling backstage corridors. The constant movement made me feel like an invisible observer, creating a sense of both confinement and fascination.
Throughout the film, I couldn't help but think of classic movies like "All That Jazz" and "Brazil." There was the raw energy of theater reminiscent of "All That Jazz," mixed with the quest for self-respect akin to "Brazil." Norton's performance felt like a natural extension of his character from "Fight Club," while Keaton's portrayal was brimming with a compelling urgency.
However, amidst the stellar performances, I found Emma Stone's portrayal somewhat lacking, possibly due to my own weariness with her recent roles.
"Birdman" shines in many aspects, though it occasionally delves into overt social commentary and self-referentiality, echoing the habits of some modern action-hero directors. Nonetheless, my enjoyment of the film remained largely intact, fueled by the enduring impact of cinematic brilliance.