A promising start with few good lines placing Patricia Clarkson as an ever so dangerous killing machine, all turns out to be a chit-chat machine.
Little action and literary in every scene "scared" three heads of an autonomous CIA unit have virtually no understanding of how spy network functions. It is reflection of passing the buck and spying on each other. It is not even politics but shameless executives holding on to top positions.
Patricia is actually old and while she delivers calmly all the lines, hard action should not be expected. She is a master strategist (nobody else can compete) and ruthless killer (with scissors). She "remains still" and has pieces on the board to lure the mole in the unit!!!
Lydia west has a good role but she is not the best suited. Other actors are weak and really disappointed at the casting process.
Lydia in 90% of times is in same pair of jeans (!!) and Patricia always has some kind of "glow" on her face. Basic needs to be set right.
Why can't there be a logical end!! Netflix probably wanted a "limited budget" series with usual fillers.
Little action and literary in every scene "scared" three heads of an autonomous CIA unit have virtually no understanding of how spy network functions. It is reflection of passing the buck and spying on each other. It is not even politics but shameless executives holding on to top positions.
Patricia is actually old and while she delivers calmly all the lines, hard action should not be expected. She is a master strategist (nobody else can compete) and ruthless killer (with scissors). She "remains still" and has pieces on the board to lure the mole in the unit!!!
Lydia west has a good role but she is not the best suited. Other actors are weak and really disappointed at the casting process.
Lydia in 90% of times is in same pair of jeans (!!) and Patricia always has some kind of "glow" on her face. Basic needs to be set right.
Why can't there be a logical end!! Netflix probably wanted a "limited budget" series with usual fillers.