In this beautiful film by Martin Scorsese, we delve into the story of Ernest Burkhart (DiCaprio), a World War I veteran who allies himself with his uncle William Hale (De Niro), setting off an intricate game of interests. Hale, self-proclaimed "King," sees in Ernest the key to consolidating wealth in his family. The plot unfolds, revealing a complex relationship between Ernest and Mollie (Gladstone), one of the Osage sisters who holds vast fortune.
The film stands out for its atmosphere laden with apprehension, immersing Mollie in justified paranoia, where trusting white people becomes an impossibility. The narrative highlights Ernest's moral fragility, portrayed masterfully by DiCaprio, while William Hale weaves a web of endless deaths. Mollie, personifying personal tragedy and the victims of genocide, emerges as the emotional epicenter.
A misstep manifests in the casting of Lily Gladstone for the role of Mollie Kyle. Unknown to me, this actress, despite being acclaimed by most critics, did not effectively convey the sorrows experienced by Mollie in my perception. I consider it an error her nomination for the Best Actress Oscar for this role; her victory was considered certain, but she was rightfully defeated by Emma Stone. Furthermore, her beautiful face starkly contrasts with the ugliness of the real Mollie. Compounding the issue, the age disparity, with Lily being 12 years younger than DiCaprio, contrasts with historical reality, where Mollie was six years older than Ernest.
The screenplay not only shines through its captivating plot but above all by the respectful and genuine way it approaches the cultural richness of the Osage people. The eminent director, renowned for his fascination with diverse cultures, dedicated himself to close collaboration with members of the tribe. Scorsese not only positions these tribe members in front of the cameras but also integrates them backstage, promoting genuine and enriching collaboration. This commitment aimed to ensure that the representation of their history and beliefs would shine through with accuracy and reverence. In this sense, the work is not just a cinematic account but a delicate tapestry woven with threads of authenticity and respect, where every detail reflects the filmmaker's dedication to narrative fidelity.
Scorsese, with his singular ability, distances himself from any judgment or prejudice, revealing the people's beliefs in an authentic and reverent manner. A poignant example of this respectful approach is his portrayal of the owl, a sacred creature in Osage culture. Often associated with death and the spiritual realm, Scorsese seamlessly intertwines this conviction into the film's plot.
At the 44-minute mark, one of the most sublime moments of the film unfolds: Byron Burkhart, Ernest's brother, rises from an outdoor bed and enters the house. The camera, flowing without cuts, follows Byron, keeping him off-screen as it traverses various rooms until stopping in front of Lizzie Q, Mollie's mother. Only at this moment does a cut occur, revealing a window. It is there that an owl appears and perches, then leaps into the room and flies towards the camera, occupying the entire screen. In this exquisite cinematic passage, Scorsese not only narrates but transcends, weaving an engaging visual narrative that celebrates the spiritual richness of Osage culture. Every camera movement, every subtle transition, culminates in this masterful moment where the owl, a revered symbol, assumes its importance in the narrative, adding a layer of meaning that resonates beyond the screen.
Mollie stands out not only as a central figure but also as a symbol encompassing profound dimensions within the plot. The dramatic epicenter of the narrative is the love story between her and Ernest. This romance delineates Mollie's emotional journey in grappling with the magnitude of events. Gradually, she also comes to understand the role played by her husband in the destruction of her family.
The plot unveils intricate layers of the human psyche, showing how Mollie reacts to devastating circumstances. She personifies the victims of the genocide systematically perpetrated by white settlers against the Osage, standing out as a symbol of suffering, especially within the context of her own family. The narrative goes beyond, unmasking the supposedly peaceful and well-intentioned facade of white men, notably Ernest and his uncle Hale, and revealing an underlying diabolical process.
Mollie's story transcends not only her personal journey but also reflects the shared fate of many other genocide victims. The film thus rises above mere entertainment, evolving into a significant platform for reflection on profound social issues such as genocide, racial prejudice, and the persistent systematic dehumanization in contemporary society.
Exploring his distinctive technique of alternating between narrators, the director leaves a unique mark on the screenplay, providing the opportunity for a character, at a singular moment, to detail their meticulous strategy and the feelings involved in carrying out an evil deed. Narrative mastery is further revealed when the chronology of the story is occasionally disrupted, transporting viewers to specific events, such as the shocking murder of one of the sisters. This method not only adds complexity to the plot but also intensifies the coldness and cruelty of the act, introducing extra dimensions of horror to the narrative, broadening its scope.
By adopting this non-linear approach, the filmmaker constructs a narrative that transcends mere event recounting, evolving into a profound exploration of the human psyche under extreme circumstances. The alternation of perspectives allows the audience to understand not only the events themselves but also the motives and emotional complexities driving the characters' actions.
Furthermore, the screenplay cleverly utilizes the technique to create constant suspense, keeping viewers on the edge of their seats, eager to discover the next unfolding of this intricate plot. Immersion into the characters' minds, guided by the unconventional narrative, transforms the cinematic experience into an emotionally engaging and intellectually stimulating journey.
In summary, Martin Scorsese's unique approach in "Killers of the Flower Moon," through the alternation of narrators and breaking of linearity, not only enriches the narrative with emotional depth but also intensifies the complexity of the events portrayed. The courageous exploration of violence and its consequences proves to be a cinematic masterpiece that challenges conventions, leaving an indelible mark on the viewer's mind.
Exploring themes of significant historical and social importance, the film reveals remarkable coherence in its narrative, introducing a memorable scene in cinema. In this context, a documentary references the impactful massacre of Tulsa, a dark episode that spanned two days, witnessing the brutality of a crowd of racists against the Black population of an urban district. The result was devastating, with hundreds of fatalities and thousands injured, sadly reflecting historical neglect.
As is characteristic of his approach, Martin Scorsese does not hesitate to depict violence in an explicit manner, when necessary for the verisimilitude and impact of the narrative. The brutality inflicted upon the members of the Osage community is presented without filters, revealing the animalistic nature of the perpetrators and the dark depths of the plot. Scorsese's skillful direction not only exposes the physical horrors but also delves into the emotional and social repercussions unleashed by these cruel acts.
The filmmaker strategically employs plongée angles, seeking to highlight the vulnerability of the Osage and provide a deeper impact on the viewer. Scorsese, also an admirer of contra plongée angles, makes a notable mistake in a crucial scene: near the end, Ernest, recently arrested and committed to the authorities, is forced to stand before them. This is a slip from the experienced filmmaker, considering that Ernest is in a submissive position, knowing deep down that he will be judged and condemned for his crimes. Thus, it would be more appropriate to employ the plongée angle to highlight the protagonist's situation before the authorities. The choice of contra plongée, while resulting in a beautiful shot, serves to emphasize a situation that does not align with the narrative reality. This is evidence that even an experienced and talented filmmaker like Scorsese is not exempt from making mistakes.
Upon concluding the film, Scorsese adds a touch of authenticity by presenting the title initially in Osage language characters. This gesture not only lends tangible authenticity to the narrative but also represents a reverent homage to Osage culture, giving it the deserved spotlight in the cinematic scene and solidifying the importance of this work as a respectful and careful testament to the cultural and spiritual riches of the Osage.
Ultimately, "Killers of the Flower Moon" emerges as a masterpiece of contemporary cinema, transcending the boundaries of entertainment to become a powerful platform for reflection and awareness. Under Martin Scorsese's skillful direction, the narrative unfolds, revealing complex layers of human drama and exploring profound issues of justice, prejudice, and revenge. With stunning cinematography, exceptional performances, and an engaging screenplay, the film captures the essence of the Osage genocide, rescuing the memory of the victims and providing a moving tribute to the resilience of the Osage people.
The film stands out for its atmosphere laden with apprehension, immersing Mollie in justified paranoia, where trusting white people becomes an impossibility. The narrative highlights Ernest's moral fragility, portrayed masterfully by DiCaprio, while William Hale weaves a web of endless deaths. Mollie, personifying personal tragedy and the victims of genocide, emerges as the emotional epicenter.
A misstep manifests in the casting of Lily Gladstone for the role of Mollie Kyle. Unknown to me, this actress, despite being acclaimed by most critics, did not effectively convey the sorrows experienced by Mollie in my perception. I consider it an error her nomination for the Best Actress Oscar for this role; her victory was considered certain, but she was rightfully defeated by Emma Stone. Furthermore, her beautiful face starkly contrasts with the ugliness of the real Mollie. Compounding the issue, the age disparity, with Lily being 12 years younger than DiCaprio, contrasts with historical reality, where Mollie was six years older than Ernest.
The screenplay not only shines through its captivating plot but above all by the respectful and genuine way it approaches the cultural richness of the Osage people. The eminent director, renowned for his fascination with diverse cultures, dedicated himself to close collaboration with members of the tribe. Scorsese not only positions these tribe members in front of the cameras but also integrates them backstage, promoting genuine and enriching collaboration. This commitment aimed to ensure that the representation of their history and beliefs would shine through with accuracy and reverence. In this sense, the work is not just a cinematic account but a delicate tapestry woven with threads of authenticity and respect, where every detail reflects the filmmaker's dedication to narrative fidelity.
Scorsese, with his singular ability, distances himself from any judgment or prejudice, revealing the people's beliefs in an authentic and reverent manner. A poignant example of this respectful approach is his portrayal of the owl, a sacred creature in Osage culture. Often associated with death and the spiritual realm, Scorsese seamlessly intertwines this conviction into the film's plot.
At the 44-minute mark, one of the most sublime moments of the film unfolds: Byron Burkhart, Ernest's brother, rises from an outdoor bed and enters the house. The camera, flowing without cuts, follows Byron, keeping him off-screen as it traverses various rooms until stopping in front of Lizzie Q, Mollie's mother. Only at this moment does a cut occur, revealing a window. It is there that an owl appears and perches, then leaps into the room and flies towards the camera, occupying the entire screen. In this exquisite cinematic passage, Scorsese not only narrates but transcends, weaving an engaging visual narrative that celebrates the spiritual richness of Osage culture. Every camera movement, every subtle transition, culminates in this masterful moment where the owl, a revered symbol, assumes its importance in the narrative, adding a layer of meaning that resonates beyond the screen.
Mollie stands out not only as a central figure but also as a symbol encompassing profound dimensions within the plot. The dramatic epicenter of the narrative is the love story between her and Ernest. This romance delineates Mollie's emotional journey in grappling with the magnitude of events. Gradually, she also comes to understand the role played by her husband in the destruction of her family.
The plot unveils intricate layers of the human psyche, showing how Mollie reacts to devastating circumstances. She personifies the victims of the genocide systematically perpetrated by white settlers against the Osage, standing out as a symbol of suffering, especially within the context of her own family. The narrative goes beyond, unmasking the supposedly peaceful and well-intentioned facade of white men, notably Ernest and his uncle Hale, and revealing an underlying diabolical process.
Mollie's story transcends not only her personal journey but also reflects the shared fate of many other genocide victims. The film thus rises above mere entertainment, evolving into a significant platform for reflection on profound social issues such as genocide, racial prejudice, and the persistent systematic dehumanization in contemporary society.
Exploring his distinctive technique of alternating between narrators, the director leaves a unique mark on the screenplay, providing the opportunity for a character, at a singular moment, to detail their meticulous strategy and the feelings involved in carrying out an evil deed. Narrative mastery is further revealed when the chronology of the story is occasionally disrupted, transporting viewers to specific events, such as the shocking murder of one of the sisters. This method not only adds complexity to the plot but also intensifies the coldness and cruelty of the act, introducing extra dimensions of horror to the narrative, broadening its scope.
By adopting this non-linear approach, the filmmaker constructs a narrative that transcends mere event recounting, evolving into a profound exploration of the human psyche under extreme circumstances. The alternation of perspectives allows the audience to understand not only the events themselves but also the motives and emotional complexities driving the characters' actions.
Furthermore, the screenplay cleverly utilizes the technique to create constant suspense, keeping viewers on the edge of their seats, eager to discover the next unfolding of this intricate plot. Immersion into the characters' minds, guided by the unconventional narrative, transforms the cinematic experience into an emotionally engaging and intellectually stimulating journey.
In summary, Martin Scorsese's unique approach in "Killers of the Flower Moon," through the alternation of narrators and breaking of linearity, not only enriches the narrative with emotional depth but also intensifies the complexity of the events portrayed. The courageous exploration of violence and its consequences proves to be a cinematic masterpiece that challenges conventions, leaving an indelible mark on the viewer's mind.
Exploring themes of significant historical and social importance, the film reveals remarkable coherence in its narrative, introducing a memorable scene in cinema. In this context, a documentary references the impactful massacre of Tulsa, a dark episode that spanned two days, witnessing the brutality of a crowd of racists against the Black population of an urban district. The result was devastating, with hundreds of fatalities and thousands injured, sadly reflecting historical neglect.
As is characteristic of his approach, Martin Scorsese does not hesitate to depict violence in an explicit manner, when necessary for the verisimilitude and impact of the narrative. The brutality inflicted upon the members of the Osage community is presented without filters, revealing the animalistic nature of the perpetrators and the dark depths of the plot. Scorsese's skillful direction not only exposes the physical horrors but also delves into the emotional and social repercussions unleashed by these cruel acts.
The filmmaker strategically employs plongée angles, seeking to highlight the vulnerability of the Osage and provide a deeper impact on the viewer. Scorsese, also an admirer of contra plongée angles, makes a notable mistake in a crucial scene: near the end, Ernest, recently arrested and committed to the authorities, is forced to stand before them. This is a slip from the experienced filmmaker, considering that Ernest is in a submissive position, knowing deep down that he will be judged and condemned for his crimes. Thus, it would be more appropriate to employ the plongée angle to highlight the protagonist's situation before the authorities. The choice of contra plongée, while resulting in a beautiful shot, serves to emphasize a situation that does not align with the narrative reality. This is evidence that even an experienced and talented filmmaker like Scorsese is not exempt from making mistakes.
Upon concluding the film, Scorsese adds a touch of authenticity by presenting the title initially in Osage language characters. This gesture not only lends tangible authenticity to the narrative but also represents a reverent homage to Osage culture, giving it the deserved spotlight in the cinematic scene and solidifying the importance of this work as a respectful and careful testament to the cultural and spiritual riches of the Osage.
Ultimately, "Killers of the Flower Moon" emerges as a masterpiece of contemporary cinema, transcending the boundaries of entertainment to become a powerful platform for reflection and awareness. Under Martin Scorsese's skillful direction, the narrative unfolds, revealing complex layers of human drama and exploring profound issues of justice, prejudice, and revenge. With stunning cinematography, exceptional performances, and an engaging screenplay, the film captures the essence of the Osage genocide, rescuing the memory of the victims and providing a moving tribute to the resilience of the Osage people.