There's only one thing more sensational and fascinating than a gruesome murder case, and that's an unsolved gruesome murder case! Why are authors and filmmakers still inspired by Jack the Ripper, the Zodiac Killer, and - of course - the Black Dahlia? Well, probably because we can't stand the idea that someone capable of committing such cruel and gruesome crimes is still walking around free and unpunished (even though that's highly unlikely since these cold cases are almost a century old).
Black Dahlia is the nickname given to the unfortunate Elizabeth Short. She was a young girl who moved from Maine to California to find success and happiness, but - during the turbulent WWII years - all she got were a few difficult years and ultimately a tragic death. Elizabeth's corpse was so barbarically mutilated that the case deployed a huge police investigation and massive media attention, but the culprit was never identified.
"Who is the Black Dahlia" is something between a documentary and a fictional crime/thriller, but rest assured, it's an excellent film and absorbing from start to finish. The narrative structure is sublime with, told in parallel, sequences revolving around the slow-moving police search and flashbacks showing Elizabeth's daily struggles. The letters to her grandmother, in which she writes that everything is going swell in LA even though she's suffering, are harrowing. The film isn't entirely accurate or truthful, but it's respectful, overall well-researched, and - do I daresay - hundreds of times better than Brian De Palma's 2006 effort.
Black Dahlia is the nickname given to the unfortunate Elizabeth Short. She was a young girl who moved from Maine to California to find success and happiness, but - during the turbulent WWII years - all she got were a few difficult years and ultimately a tragic death. Elizabeth's corpse was so barbarically mutilated that the case deployed a huge police investigation and massive media attention, but the culprit was never identified.
"Who is the Black Dahlia" is something between a documentary and a fictional crime/thriller, but rest assured, it's an excellent film and absorbing from start to finish. The narrative structure is sublime with, told in parallel, sequences revolving around the slow-moving police search and flashbacks showing Elizabeth's daily struggles. The letters to her grandmother, in which she writes that everything is going swell in LA even though she's suffering, are harrowing. The film isn't entirely accurate or truthful, but it's respectful, overall well-researched, and - do I daresay - hundreds of times better than Brian De Palma's 2006 effort.