Pandore (2022– )
9/10
Superbly acted and produced drama, subtle twists,
1 May 2024
Shakespeare would have been proud of this. The story line moves across several concepts, nicely up to date. Even the introductory music and cartoons are clever. But it is the way each idea gets examined or tested and, moreover, the timing of each piece of action that is impressive.

The two main characters sink steadily in their respective lives, one obsessively following her instinct and ruining her career in the process; the other toughing out increasing missteps but losing a family.

On top, throughout, there is the fight for freedom for females from male misbehaviour. This is shown in a number of ways throughout the show. And, understated, low-grade political ineptness bordering on corruption.

At the beginning, an offender is freed and one wonders if the victim will be further attacked - move on! Punches are neither pulled nor glorified: a horrific moment is marvellously shown "endlessly" in the rear view mirror of a car; the beautiful assistant in love with the politician describes her possible future.

I do agree with another commentator that the "rescuing a girl in jail" by pressuring a Saudi Prince is totally unbelievable - ridiculous - the writers should have found another way.
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