It's a refugee drama in a declining English village near Durham, England, set in 2016. It follows the experiences of the owner of the last little pub, The Old Oak, in a dying former mining town. T. J. Ballantyne (Dave Turner) is divorced, and his distant son no longer speaks to him. His pub is slowly dying along with the village when some Syrian refugees move into the town. T. J.'s only companion is a dog called Marra (Lola). Some of his regulars, like Vic (Chris McGlade), Charlie (Trevor Fox), and Eddy (Col Tait), are vicious racists, but T. J. provides some assistance to Laura (Claire Rodgerson), the woman heading the local refugee assistance efforts.
One of the refugees, Yara (Ebla Mari), is a skilled photographer who has learned good English in a refugee camp. Her mother, Fatima (Amna Al Ali), and three younger siblings are with her but speak little English. Her father, a tailor, is missing back in Syria is unknown.
The film follows the tension between the locals and newcomers and T. J.'s evolving relationship with both sides. "The Old Oak" contains no highly dramatic events, but relationships and thoughts about hope change as the story unfolds.
"The Old Oak" is a primarily gentle film about human relationships in an economically challenged community. Turner and Mari are outstanding, though Mari's character is a bit too saintly. Occasionally, the script gets a little didactic, slowing the pace. But it's a great story about refugee engagement in a small traditional village.
One of the refugees, Yara (Ebla Mari), is a skilled photographer who has learned good English in a refugee camp. Her mother, Fatima (Amna Al Ali), and three younger siblings are with her but speak little English. Her father, a tailor, is missing back in Syria is unknown.
The film follows the tension between the locals and newcomers and T. J.'s evolving relationship with both sides. "The Old Oak" contains no highly dramatic events, but relationships and thoughts about hope change as the story unfolds.
"The Old Oak" is a primarily gentle film about human relationships in an economically challenged community. Turner and Mari are outstanding, though Mari's character is a bit too saintly. Occasionally, the script gets a little didactic, slowing the pace. But it's a great story about refugee engagement in a small traditional village.