Pucker Up.
A chubadub... pardon... a sweet young man is ready for his career as an engineer to take off, but he lands in the hospital with jaundice and hepatitis-A before he can start his job. He's not contagious - that's hepatitis-B - as the nurse keeps telling people, but e'erbody is terrified to go near him, regardless. The cute little nurse ends up taking breaks at his quiet bedside because she's worked to death. Everything she does is cute to him. Lee Woo-Je (True Beauty) is patient Jang Hyeok and Chae Soo-Bin (Love in the Moonlight) is nurse Jung Da-Eun.
He's discharged against his will. Finally, he plucks up the courage to call nurse Da-Eun. To his surprise she tells him to come over. He's overjoyed! He can't wait to help her out. He cooks for her. He sees things that need to bedone, like the light bulb that is out, and he takes care of it immediately. She's quite touched by his attentiveness.
He swears he'll lose weight. He will reinvent himself. Next we see a svelte Jang Ki-Yong (My Mister-9.5, The Atypical Family) as Jang Hyeok exercising. Hyeok has to work. An opportunity comes up for work that will better his career - in Seoul. The commute is sour - it's murder. He has a lot less time with his cutie. They start to fall apart under the heavy stress of work. At his new job, he is forced to put up with coworker, Han Bo-Yeong (Krystal from The Heirs-7.3 & Crazy Love-7.8). She's hotting up the place, but she's messy and eccentric, and he's been teamed up with her. His work will be as good as hers is. Their results are linked.
The light bulb's out. The light bulb's on. The light bulb's blinking. It's sort of a status indicator of Da-Eun in the relationship. S&S is a tasty little study in irony that teaches us to treasure the people in our lives. There's nice camera work and cutting. The directing and acting are solid. Kim Mi-kyung, the ubiquitous mother, makes an appearance. I don't know how she does it. She's in everything.
Hyeok's life twists like taffy until things start to pull apart. When things happen, sometimes they happen fast. Sometimes they happen gradually but it seems fast to the person that has only been tasting the sweeter things of life, unawares. The film's decisive end has been building the whole time, but it zings the viewer and Hyeok. Gravel in his mouth, he won't hit the ground running again for awhile.
For the record, I got luv for the chubadubs. Gimme a teddy bear with a good heart over a perfect, but empty, body every day of the week.
QUOTE📢
If you miss a cab you can wait for the next one. If you lose a person they're lost for good.
〰🖍 IMHO
🎬7 📝7 🎭7.4 💓5 🦋3 🌞4 🎨6 🎵/🔊5 😅3 😭4 🤔6 💤3 🔚8
Age 14+f💣 and other colorful linguistics + adult situations
Re-📺? It's worth 1 watch, not sure about a 2nd.
🕹
A chubadub... pardon... a sweet young man is ready for his career as an engineer to take off, but he lands in the hospital with jaundice and hepatitis-A before he can start his job. He's not contagious - that's hepatitis-B - as the nurse keeps telling people, but e'erbody is terrified to go near him, regardless. The cute little nurse ends up taking breaks at his quiet bedside because she's worked to death. Everything she does is cute to him. Lee Woo-Je (True Beauty) is patient Jang Hyeok and Chae Soo-Bin (Love in the Moonlight) is nurse Jung Da-Eun.
He's discharged against his will. Finally, he plucks up the courage to call nurse Da-Eun. To his surprise she tells him to come over. He's overjoyed! He can't wait to help her out. He cooks for her. He sees things that need to bedone, like the light bulb that is out, and he takes care of it immediately. She's quite touched by his attentiveness.
He swears he'll lose weight. He will reinvent himself. Next we see a svelte Jang Ki-Yong (My Mister-9.5, The Atypical Family) as Jang Hyeok exercising. Hyeok has to work. An opportunity comes up for work that will better his career - in Seoul. The commute is sour - it's murder. He has a lot less time with his cutie. They start to fall apart under the heavy stress of work. At his new job, he is forced to put up with coworker, Han Bo-Yeong (Krystal from The Heirs-7.3 & Crazy Love-7.8). She's hotting up the place, but she's messy and eccentric, and he's been teamed up with her. His work will be as good as hers is. Their results are linked.
The light bulb's out. The light bulb's on. The light bulb's blinking. It's sort of a status indicator of Da-Eun in the relationship. S&S is a tasty little study in irony that teaches us to treasure the people in our lives. There's nice camera work and cutting. The directing and acting are solid. Kim Mi-kyung, the ubiquitous mother, makes an appearance. I don't know how she does it. She's in everything.
Hyeok's life twists like taffy until things start to pull apart. When things happen, sometimes they happen fast. Sometimes they happen gradually but it seems fast to the person that has only been tasting the sweeter things of life, unawares. The film's decisive end has been building the whole time, but it zings the viewer and Hyeok. Gravel in his mouth, he won't hit the ground running again for awhile.
For the record, I got luv for the chubadubs. Gimme a teddy bear with a good heart over a perfect, but empty, body every day of the week.
QUOTE📢
If you miss a cab you can wait for the next one. If you lose a person they're lost for good.
〰🖍 IMHO
🎬7 📝7 🎭7.4 💓5 🦋3 🌞4 🎨6 🎵/🔊5 😅3 😭4 🤔6 💤3 🔚8
Age 14+f💣 and other colorful linguistics + adult situations
Re-📺? It's worth 1 watch, not sure about a 2nd.
🕹