Mae West is back to her sassy self. I shouldn't say "back" because she never left off being sassy. Mae West began her career by finding a character she liked and faithfully sticking with it; and it can't be said that it was someone else's doing. Mae West wrote the scripts she performed. She wrote "Night After Night," "She Done Him Wrong," "I'm No Angel," and "Belle of the Nineties," and she was the same character in all of them--just a different name.
"Belle of the Nineties," like "She Done Him Wrong," took place in the late 19th century. Ruby Carter (Mae West) was a club performer in St. Louis dating a boxer named Kid Tiger (Roger Pryor). When a ploy by Kid Tiger's manager broke them up, she took her talents to New Orleans. Ruby was just like every other Mae West character: a vamp. She was smart, sassy, sexy, witty, flirtatious, and ALL the men wanted her. Mae's characters never break a sweat, never lose, and are never in a hurry. She's too cool for any of that.
In New Orleans Ruby had a contract with Ace Lamont (John Miljan) to perform at his Sensation House. Ruby packed the place. She had to deal with Ace as well as the throng of panting men who paid to see her. Her chief suitor besides Ace was Brooks Claybourne (John Mack Brown). He lavished her with expensive jewelry in hopes of winning her heart. She entertained the compliments and charms of them all, but she didn't give her heart to any of them.
Things were rather easy going until Tiger Kid came to New Orleans for a fight. He hooked up with Ace, who was bad news, and he saw Ruby again after their break up. It was anybody's guess how things were going to turn out, but Ruby would be the victor no matter what.
I think I liked this movie more than the previous two Mae West movies because the vamping was tempered more to focus on the scheming aspects of the plot. Instead of this being so much about the men who desired her (they were still there, just not as heavily as "She Done Him Wrong" and "I'm No Angel"), it was a little of the men who desired her and more of the scheming men in her life (principally Ace). It played out rather nicely.
Free on Odnoklassniki.
"Belle of the Nineties," like "She Done Him Wrong," took place in the late 19th century. Ruby Carter (Mae West) was a club performer in St. Louis dating a boxer named Kid Tiger (Roger Pryor). When a ploy by Kid Tiger's manager broke them up, she took her talents to New Orleans. Ruby was just like every other Mae West character: a vamp. She was smart, sassy, sexy, witty, flirtatious, and ALL the men wanted her. Mae's characters never break a sweat, never lose, and are never in a hurry. She's too cool for any of that.
In New Orleans Ruby had a contract with Ace Lamont (John Miljan) to perform at his Sensation House. Ruby packed the place. She had to deal with Ace as well as the throng of panting men who paid to see her. Her chief suitor besides Ace was Brooks Claybourne (John Mack Brown). He lavished her with expensive jewelry in hopes of winning her heart. She entertained the compliments and charms of them all, but she didn't give her heart to any of them.
Things were rather easy going until Tiger Kid came to New Orleans for a fight. He hooked up with Ace, who was bad news, and he saw Ruby again after their break up. It was anybody's guess how things were going to turn out, but Ruby would be the victor no matter what.
I think I liked this movie more than the previous two Mae West movies because the vamping was tempered more to focus on the scheming aspects of the plot. Instead of this being so much about the men who desired her (they were still there, just not as heavily as "She Done Him Wrong" and "I'm No Angel"), it was a little of the men who desired her and more of the scheming men in her life (principally Ace). It played out rather nicely.
Free on Odnoklassniki.