I wish I knew more about Director Alan Dwan: I enjoyed watching the only two films I can distinctly connect to him: TENNESSEE'S PARTNER, with an in form Ronald Reagan, and SLIGHTLY SCARLETT, with John Payne - neither exceptional, both well made.
The same characteristics of fine visual composition, adroit close-ups, and generally pleasant/effective cinematography are brought to DRIFTWOOD under the experienced hand of the great John Alton. My sole qualms lie with the rather uneven script - still, Dwan wisely elected to keep it short, which leaves the quick-minded viewer to fill the blanks (the not so quick will understandably give DRIFTWOOD a low assessment!)
Still, the best part of DRIFTWOOD is the acting: in rampant form with MIRACLE ON 34TH STREET and TOMORROW IS FOREVER fresh entries on her CV, Natalie Wood steals the show with her innocent child's in your face truth-telling approach, having learned many biblical quotes from her grandfather, who dies in her presence at the beginning. A miracle collie dog joins her from a crashed aircraft and she miraculously lands up in the local doctor's house... none other than the kind, handsome Dean Jagger, with beautiful Ruth Warrick at his side, and spinster Charlotte Greenwood ready to impart her surface bitterness, which really conceals a heart of gold. Last, but by no means least, the wonderful Walter Brennan, the only actor to have won three Best Supporting Oscars (but sadly these days the target of a smear campaign labeling him "the most evil man in Hollywood," among other cowardly efforts condemning his opposition to the civil rights movement, as if all should think the same).
DRIFTWOOD deserves praise for its kindhearted, positive approach. I have only just discovered it but hope to rewatch it, and not just once. 8/10.
The same characteristics of fine visual composition, adroit close-ups, and generally pleasant/effective cinematography are brought to DRIFTWOOD under the experienced hand of the great John Alton. My sole qualms lie with the rather uneven script - still, Dwan wisely elected to keep it short, which leaves the quick-minded viewer to fill the blanks (the not so quick will understandably give DRIFTWOOD a low assessment!)
Still, the best part of DRIFTWOOD is the acting: in rampant form with MIRACLE ON 34TH STREET and TOMORROW IS FOREVER fresh entries on her CV, Natalie Wood steals the show with her innocent child's in your face truth-telling approach, having learned many biblical quotes from her grandfather, who dies in her presence at the beginning. A miracle collie dog joins her from a crashed aircraft and she miraculously lands up in the local doctor's house... none other than the kind, handsome Dean Jagger, with beautiful Ruth Warrick at his side, and spinster Charlotte Greenwood ready to impart her surface bitterness, which really conceals a heart of gold. Last, but by no means least, the wonderful Walter Brennan, the only actor to have won three Best Supporting Oscars (but sadly these days the target of a smear campaign labeling him "the most evil man in Hollywood," among other cowardly efforts condemning his opposition to the civil rights movement, as if all should think the same).
DRIFTWOOD deserves praise for its kindhearted, positive approach. I have only just discovered it but hope to rewatch it, and not just once. 8/10.