Young Ironsides (1932) Poster

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7/10
While far from Charley's best work, it's got some wonderful moments
planktonrules8 December 2007
Warning: Spoilers
Charley Chase was directed by his brother, James Parrot in this pleasant little Hal Roach Studios short. James often directed Charley, and Charley himself directed a large number of films as well--all under his real name ('Charles Parrott'). While Charley appeared in well over 200 shorts (many of which were silents), he never starred in any feature-length films. However, today he's mostly forgotten even though he was well liked and famous in his day. Much of this might be because was working at the same studio as Laurel and Hardy as well as the Little Rascals and these teams tended to get better scripts and were the "glamour" stars with Roach. Despite this, Charley's films are still quite generally funny--though they vary tremendously in quality.

Here, Charley advertises that he'll do ANYTHING for $1000 and a rich family hires him to stop their beautiful but headstrong daughter from entering a beauty pageant. Her parents think this will harm their good name so Charely is sent to blunder into the competition to stop her. The problem is, he meets her on the train there and has no idea she is his quarry and eventually tells her why he's headed to the beach.

Along the way, there are the usual mix-ups and silliness you'd expect in a Chase film, though there were two scenes in particular that made me laugh. The first, one that humorless politically correct-types won't appreciate, is when he professes his affection for the girl as they enter a tunnel. When they re-emerge, Billy Gilbert has switched places with the lady and Gilbert's reaction to this profession of love is priceless and I laughed out loud. Also along much the same vein, I liked the scene where Charley lost his clothes and was forced to run around in drag (you just had to see it).

Overall, a slightly better than average film from Chase and one that will probably make you chuckle.
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9/10
What would the Vanderbilts say?
boblipton28 June 2007
Muriel Evans has decided to defy family convention and take part in a beauty contest in Oceanside and her parents have hired "Fearless" who turns out to be timid Charley Chase to find her and stop her.

This is one of Charley's better sound shorts in which Thelma Todd does not appear. It's strengthened by some nice location shooting in Oceanside, California, some nice supporting physical comedy by Heinie Conklin and most of all, by leading lady, Muriel Evans, who looks to be having a lot of fun -- her reaction shots to Charley's gag with the asparagus are priceless. The entire thing is directed by Charley's brother, James Parrott and it looks to have been a very enjoyable shoot for everyone.
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Big Laughs from Chase Comedy
Michael_Elliott7 September 2010
Young Ironsides (1932)

*** (out of 4)

Very funny short has a couple of rich parents hiring "Fearless" (Charley Chase) to track down their daughter who is going out to California to enter a beauty contest. The parents fear this will ruin their reputation so Chase goes after the girl and gets some help from someone who he doesn't realize is actually the daughter. This isn't a masterpiece of comedy but there are enough big laughs here to make it worth viewing. THe more Chase films I see, silent or sound, the more I begin to feel he's perhaps the most underrated comedian from this era. Once again he does a masterful job at playing that lovable loser and some of the best moments happen early on as he tries playing tough only to get scared by a mouse as well as a fake tiger. The high pitched scream from Chase is priceless and will certainly have you laughing. The ending has Chase in drag, which was pretty funny as is another sequence aboard a train when Chase goes to whisper some sweet words to the lady only to end up in a dark tunnel. Muriel Evans plays the girl and is incredibly charming and extremely good looking as well. Heinie Conklin has a funny bit as a house detective and Billy Gilbert has a quick role. Paulette Goddard plays one of the beauty pageant entries as well.
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The "Fearless" Rabbit at work
bbhlthph6 August 2007
This 20 minute short B/W slapstick comedy featuring Charlie Chase and typical of its period (1932), was revived recently on TCM to fill the gap left when a 93 minute film was allotted a 2 hour time-slot. Charlie was extremely prolific from the time of the first world war until his death in 1940. IMDb lists an almost incredible number of films which he wrote, produced or directed, in addition to over 250 in which he acted; sometimes (as in Tilly's Punctured Romance and Sons of the Desert) with top stars such as Charlie Chaplin or Laurel and Hardy. Probably because his best roles came only in shorts produced after the end of silent era, he never achieved the same public recognition as comedians who rose to the top before talkies were introduced; and it is not easy to purchase copies of any of his films today (although at least two DVD collections released through Kino incorporate some of his work). TCM deserve our thanks when they provide valuable opportunities to see such almost unknown films today. Perhaps we can also ask them to revive Old Ironsides (1926) so that we can all appreciate the irony in the title of this film! Whilst in general I am not a lover of slapstick comedy I certainly enjoyed watching this film - but my main reason for submitting these User Comments is to discuss the problem of how a viewer should approach the problem of rating a film of this type. It is analogous to the problem of rating places for eating out. To apply the same evaluation scale to an epicurean restaurant, a businessmen's lunch place, a family restaurant or a late evening snack bar makes very little sense. All have a role to play but it seems reasonable to recognise that the modest inexpensive establishment should not be eligible for as high a rating as the epicurean restaurant. On the other hand because one may expect to spend $100 at an epicurean restaurant and no more than $10 in a snack bar, it is unreasonable to suggest that whilst the former should be rated on a scale of 1-10, the latter is not eligible for more than 1. To provide useful guidance for readers looking for the best snack bar would require these to be rated at least on a scale of say 1-6.

With IMDb movie ratings, my rule of thumb is to restrict ratings of more than 7 to major films which would normally have an experienced cast, an extended production schedule and a relatively generous budget. This means that lesser films will very seldom be rated at more than 6 (near perfection for a film of its type). I would always down-rate very short films, films with anti-social elements (this is very hard to assess without becoming censorious, which must always be avoided), films created in digital form that cannot be adequately converted for large screen viewing, films that are clearly exploitive, and films with historical, scientific or documentary inaccuracies that are presented as factual depictions. These principles seem to me to be basic absolutes. Beyond this the film-script, the direction, the acting, the wardrobe and sets, the cinematography and the soundtrack all have to be assessed, but these are all areas where personal judgments come in and wide discrepancies will arise between one viewer and the next. When all these considerations are applied to Young Ironsides I find myself judging it against a potential maximum rating of seven and I am giving it an IMDb rating of four - fully recognising that someone following the same procedure who enjoys slapstick comedy much more than I do would probably rate it at five or six. When I compare this with its current IMDb user rating of 7.1 (based on 23 ratings), it seems clear that most reviewers do not accept my approach of setting a ceiling for the rating that is appropriate for all but the most ambitious productions, and I must also recognise that I have not always followed the principles I have attempted to outline here when I have been particularly impressed by some relatively minor film. But if we rate all films by the same criteria, 20 minute shorts should be as eligible for Oscars as major studio productions. Is this what we want?

Are these comments helpful and can we please have some more users discussing how they deal with these problems?
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