I Yam What I Yam (1933) Poster

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7/10
A Different Olive Oyl
ccthemovieman-13 September 2007
This second-ever Popeye cartoon still offers some things which look and sound strange for those of us who have seen a lot of other Popeye efforts, especially from the later '30s to the '60s. Bonnie Poe, instead of the customary Mae Questel, did the early voice of Olive Oyl. Speaking of Olive, she was subservient to Popeye early on and by 1960, Popeye had to work hard to keep winning her over. For instance, the first scene in this cartoon is Popeye, Olive and Wimpy in a boat crossing the ocean (?) and Olive is doing the rowing while Popeye just sings. Wimpy eats fish, not hamburgers.

Anyway, the story in "early settler" one in which the trio lands, Popeye belts some big trees which magically produced a log cabin (complete with chimney!) and then the Indians, disguised as trees, attack the cabin. Olive fights them off while Wimpy keeps eating. (I wonder when he began with his trademark hamburgers?)

Nothing really super-funny in here, but I did laugh near the end when Popeye clobbered the huge chief, changing him from a big, violent monster to the peace-loving Ghandi.

"Ohh, my hero," Olive croons.
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8/10
Popeye meets the Indians
TheLittleSongbird31 August 2018
Dave Fleischer was responsible for many gems. Ones that were amusing and charming, though over-cuteness did come through in some efforts and the stories were always pretty thin, with appealing characters, outstanding music and visuals that were inventive and with innovative animation techniques.

'I Yam What I Yam' is not quite one of the best Popeye cartoons to me. It is extremely well done though and has a lot going for it. Have always enjoyed many of the Popeye cartoons a good deal and like Popeye very much, Fleischer's efforts were always well animated and scored with lots of entertainment value and great chemistry between the characters. 'I Yam What I Yam' has much of what makes the Popeye series so appealing in its prime era and does nothing to waste the main characters or make them less interesting. It is another nice change of pace, with a different setting and the absence of Bluto.

The story is an interesting and beautifully paced one, never being dull, if formulaic (not uncommon with the Popeye cartoons). The material make it even more entertaining, 'I Yam What I Yam' is non-stop fast-paced fun, avoiding the trap of repetition.

All the characters are great, though Olive Oyl is a bit underused and her material not as great as the rest. There is a lot of energy here and while 'I Yam What I Yam' is somewhat politically incorrect it's not offensive, not to me that is. The Gandhi caricature is a strange one but works within the setting. Popeye is always amusing and likeable and Wimpy likewise.

Furthermore, the animation is beautifully drawn and with enough visual detail to not make it cluttered or static and lively and smooth movement. The music is also outstanding, lots of merry energy and lush orchestration, adding a lot to the action and making the impact even better without being too cartoonish. Fleischer's direction is always accomplished and his style is all over it.

Voice acting is dynamic and of very good quality, Bonnie Poe doesn't quite fit Olivr but William Costello is fine as Popeye and Charles Lawrence is even better.

Overall, strong effort. 8/10 Bethany Cox
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7/10
Brimming with funny gags but marred by racism
RJV27 November 2001
Warning: Spoilers
(POSSIBLE SPOILER)I YAM WHAT I YAM was the first official Popeye cartoon released by Max Fleischer's animation studio. (Popeye's debut cartoon POPEYE THE SAILOR was officially released as a Betty Boop cartoon.) As one expects in a Fleischer cartoon, wild and inventive gags preponderate. One highlight: Popeye assaults a thunderbolt at sea, causing it to drown while yelling for help and thus ending a rainstorm.

As voiced by William Costello, Popeye is a tough, boisterous character no one in their right mind would mess around with. However, he lacks warmth and humor. Jack Mercer would provide these desirable qualities when he became the voice of Popeye. Mae Questel hasn't yet perfected her voice characterization of Olive Oyl. Here she speaks in a relatively subdued manner. Nevertheless, Questel conveys a quirky charm.

What hurts I YAM WHAT I YAM for contemporary audiences is its regressive attitude toward American Indians. Not only are they depicted as savage brutes, but Popeye cavalierly disposes of them. Also offensive is a gag where Popeye turns the Chief into Gandhi. This bit implies that American Indians and Asian Indians are indistinguishable from each other on account of their dark skin.

I YAM WHAT I YAM is truly a product of this time. For sociological scholars, it epitomizes white American attitudes toward darker skinned peoples. For cartoon scholars, it exemplifies Popeye's formative stage in animation.
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Early Popeye with a most unusual caricature (Spoiler Alert!)
llltdesq24 August 2002
Warning: Spoilers
This is the second Popeye Fleischer Studios made and the characters are still being developed and aren't totally the characters most would think of as Popeye, Olive and Wimpy. Most notably different are their voice characterizations. Wimpy is actually the most starkly different, without the cultured tonal quality. The most memorable scene deals with a somewhat atypical caricature. Like the other studios, Fleischer used caricatures of the famous in their cartoons as a way of creating a hook for audience attention. More often than not, these were movie and/or radio stars, although the occasional politician showed up from time to time. Here, though, the Fleischers used Gandhi, familiar to Americans from newsreels. I suspect that the contrast from the violence in the cartoon to the most decidedly non-violent Gandhi was a large factor in the gag (an American Indian changed to an Indian from India probably factors in as well). This cartoon is probably dated by the joke and half the audience today probably doesn't get it anyway. Which is sad, because it is a fun little cartoon. Well worth watching. Recommended.
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7/10
The second Popeye cartoon is pretty good...but nothing particularly special either.
planktonrules14 September 2009
Warning: Spoilers
This is the second Popeye short, though the first where he gets top billing. In the first cartoon, POPEYE THE SAILOR, it's under the banner of a Betty Boop cartoon, but here he's back and without Betty.

The film begins with Popeye making Olive Oyl row their boat as he stands lookout and Wimpy catches and eats raw fish. Soon they come to land and Popeye builds a cabin for them in typical Popeye fashion. However, hostile American Indians are nearby and attack--so it's up to our hero to beat the snot out of them.

Overall, this is a very typical Popeye cartoon aside from a few little differences. First, Bonnie Poe did the voice of Olive, not Mae Questel (who did her voice for most of the cartoons). This was true of the first dozen or so Popeye cartoons and her voice here is very similar to Questel's--though in the previous film it was quite different (much, much deeper). Second, the ending was rather surprising and probably politically incorrect. When Popeye slugs the Indian chief, his clothes fly off and he looks the spitting image of Gandhi!! I assume most Indians would find this at least tacky to say the least and I was surprised to see that as early as 1933 Gandhi was already world famous and recognized.

Good animation and a fairly conventional story, there are no huge surprises (aside from the Gandhi scene) and the film is watchable and well made.
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7/10
At a time when most of America was too "P.C." to question . . .
tadpole-596-91825616 July 2019
Warning: Spoilers
. . . "Native Americans'" seemingly permanent sense of privilege, umbrage and entitlement, the folks behind "Popeye" bravely assail several Sacred Cows with I YAM WHAT I YAM. This animated short begins with America's favorite sailor--along with his sidekicks "Wimpy" and "Olive"--recreating the voyage of the Mayflower, infamous leaks and all. Moving efficiently from explorer to pioneer mode, Popeye soon takes advantage of America's bountiful forests to carve out a cabin from the Wilderness. However, the sore loser posers try to thwart the hallmarks of USA Civilization at every turn as I YAM WHAT I YAM continues. Though Popeye gratuitously demonstrates the drawbacks of their antiquated bow-and-arrow "hunting" system to them, these malingering miscreants fail to learn his lesson. The Paramount Movie Studio suggests that they're just in it for the money, as contact with pioneer Popeye turns a quartet of mercenaries into cold, hard cash. Paramount later points out that these so-called "indigenous people" are Johnny-come-latelies compared to the actual native life forms (such as the ducks), by transforming the Chief U.S. "Indian" into the most famous Asian "Indian" This is a clear reference to the Asian land bridge upon which anthropologists have proven that these Sooner immigrants traipsed over into our American Homeland.
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7/10
Good Old Cartoon
jeremycrimsonfox21 December 2021
In this short, named after what would become one of Popeye's signature catchphrases, he, Olive Oyl, and Wimpy (who makes his on-screen debut in this short) row to land and set up a cabin. However, while the sailor man hunts for duck for dinner, he soon finds a tribe of native americans attacking him and the log cabin.

While it is nothing special, you have to understand this is the second Popeye cartoon ever made (the first being a Betty Boop cartoon). While some may find native americans as antagonists to be politically incorrect, I thought it was done in a comedic style (besides, there are other media that portray native Americans as savages, both in and after the year this was made), as Popeye uses his strength and brains (one he twists the nose of using his twister punch, three others he bends the arrows of so they shoot their rear ends, which have targets on them as part of the punchline, when he gets the ducks). This has a good story and voice acting, and is worth checking out.
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5/10
The Founding of a Nation
Hitchcoc25 July 2019
Popeye, Olive, and Wimpy cross the Atlantic and encounter the native population. Of course, there is massive stereotyping here and the Indians are really plains Indians. It has some entertaining moments but it's all old tired cliches.
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2 Popeye shorts
Michael_Elliott28 February 2008
I Yam What I Yam (1933)

**** (out of 4)

Second film in the series has Popeye, Olive Oyl and Wimpy landing on an island when they're attacked by Indians. There are several funny moments here including a great scene where Popeye goes duck hunting and the Indian coins is another great gag. The spoof of Ghandi also works quite nicely in this politically incorrect short.

Blow Me Down! (1933)

**** (out of 4)

Popeye travels to Mexico to see Olive Oyl who's working in a Mexican bar when Bluto shows up to start trouble. Once again we get some great humor with a lot of in coming in the politically incorrect form. The scene where a Mexican bandit shoots Popeye in the head only to have to bullet fly back and hit him is great as is the scene where Popeye and Bluto have a shooting contest.
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