Cassidy of Bar 20 (1938) Poster

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8/10
A good Hopalong entry, with one standout performance
PaulCurt12 January 2003
I picked up a few of the Image Entertainment "Hopalong Cassidy" DVDs owing to a friend's research for a magazine article...I had seen numerous examples of Boyd's excellent acting and wanted to see if watching whole "Hopalong" features would be rewarding. As I had hoped, the features are very good.

One expects a certain level of acting in B movies...better than a high-school stage play, but less depth than major movie characters. B movie performances usually have enough personality to explain what a character is doing at the time...but not enough to account for what the character is like, off-screen. It's one of the excellences of Boyd's acting; you feel that he is just as honest and competent and well-meaning before the movie starts, and in scenes where he does not appear. Most of the other characters are not so well-written or well-played, that one considers their backstory.

The exception in this movie is Gertrude Hoffman as Ma Caffrey, a crusty old general-store manager. At first she appears to be a typical comic-relief gun-totin' old lady, who thinks one of Hoppy's partners looks like her dead husband. Later she talks to that partner, who's been ordered by the court to help around the store. She says:

"Jeff's a good boy. Ain't scared to stand behind a gun and shoot for what's right. Jeff's pa was a Federal Marshal; got killed fightin' for the gov'ment. Yep, fell dead right where you're standing. I've tried to learn Jeff right from wrong. Clay Allison wouldn't be where he is today if it weren't for my Jeff. Allison's round-up crew'll be here today. Fightin' men from the border; they're a bad lot; al's bring trouble." ...and in that brief minute or so you COMPLETELY believe her and her grief for her husband and her disappointment in her son, working for Mr. Allison (who's the villain of the film). It's an A-picture performance...the sort of thing that wins "Best Supporting Actress" nominations if the movie is "respectable" enough. It's plain the actress thought the part through; her every line implies her past and her ongoing relationship with her townspeople and her son.

Is this worthwhile if a person doesn't care for the Western genre? Not really. Is it worth showing to young actors as an example of doing a lot with a small part? Yes, certainly! Does it demonstrate once again that not all low-budget movies have second-rate casts? Sure!
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8/10
A pleasant little tale of love and danger with the men of the fabled Bar 20
louisgodena29 June 2004
Not the greatest Hopalong Cassidy movie, but not a bad effort. After a hard roundup the men of the Bar 20 head into town for some fun. That is all except "Hoppy" (he tells the rest of the boys "I'll see you back here in two weeks, and be practically sober!") and "Pappy" (enjoyingly played by Frank Darien in his only appearance in the Cassidy series). Later joined by "Lucky" the trio have a series of adventures which commence with their being arrested by a crooked landowner. Also prominent is an unusual love story, a curmudgeonly storekeeper, and of course the usual romance involving "Lucky" (Charles Hayden) which ends in plenty of action. Light-hearted and fast-moving throughout.
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6/10
Pretty typical...but with a new and not particularly wonderful sidekick
planktonrules5 October 2020
The formula for nearly every Hopalong Cassidy film is that Hoppy be accompanied by two sidekicks....and old cuss and a young handsome guy. Originally, the old cuss was Windy, played by George 'Gabby' Hayes. But after a contract dispute with Paramount, Hayes went on to Republic Studios...where he became the regular sidekick for Roy Rogers and also played second fiddle to a few others. This means that they needed a new old geezer...and they experimented with a few until they ultimately settled on Andy Clyde, who played 'California' is more than half the Cassidy films. In "Cassidy of Bar 20", the studio experimented with a new guy....Frank Darien as 'Pappy'. He wasn't bad but didn't distinguish himself...so Paramount kept trying.

The plot to "Cassidy of Bar 20" is pretty typical...a baddie, Clay Allison, wants to control everything and is trying to drive poor Nora and her outfit out of business. What made this a bit different is that long ago, Nora and Hoppy were a number...which is surprising for the normally asexual cowboy. In his films, he nearly always left the loving to his young sidekick, Lucky or Jimmy or whoever.

So is this any good? Yes. But it really isn't that special and there are several logical problems with the script. Worth seeing but not especially memorable.
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6/10
The 3 mesquiteers love 'em and leave 'em
weezeralfalfa27 December 2018
Warning: Spoilers
I have taken the liberty of stealing an appropriate label(The 3 Mesquiteers) for the 3 wandering friends: Hopalong Cassidy(Bill Boyd), Lucky(Russel Hayden), and Pappy(Frank Darien) from Republic Pictures of the same era...... On the surface, just another of the very familiar plot of a grasping cattle baron trying to swallow his smaller neighbors, by hook or by crook(usually murder, or bankruptcy by rustling). Robert Fisk, as Clay Allison, is the cattle baron, with his double X brand. He wants the next door T.D. rancho, from whom he has been stealing unbranded cattle. This ranch is owned by spinster Nora Blake, who happens to be Hoppy's long suffering girlfriend, and by old Tom Dillon, whose 19 year old daughter, Mary, also takes a part in tending to the ranch, being much more of a tomboy than Nora, who seems to mostly stick around the ranch house. Clay's evident strategy is to steal enough cattle to make the T.D. Rancho unprofitable, while intimidating any of their hired hands. Hence, hey haven't had a roundup for 3 years. Later, Clay decides to speed things up by shooting Tom in the back, after he refuses to sell, and blaming the deed on one of his wranglers: Jeff, who witnessed the shooting. Jeff is the son of Ma Caffrey, who runs the town general store, and doesn't seem to know about his association with Clay, whom she hates. Ma is the most interesting character in the film, by my reckoning, followed by Mary. Both are tough as nails. Strangely, the town jail is housed in the back of Ma's store, rather than its usual place, in the back of the sheriff's office. Given the nature of the present sheriff(played by Ed Cassidy), who appears to be a puppet of Clay, perhaps the jail is safer in Ma's store. The jail cell has another striking peculiarity: It has a trap door that heads to a pitch black room, and eventually just outside the jail wall, where there is another trap door. Naturally, I'm curious how this trap door arrangement came to be situated in the jail?! The tunnel is used by Pappy, who discovers it while sweeping out the cell, and bravely feels his way to the other side, where he discovers the exit door, and finds his mule, to ride out to the T.D. Rancho. Later, it's discovered by Jeff, who is accused by his mother(Ma) of shooting Tom, even though she suspects it was Clay. Tom is afraid of telling on Clay, but claims his own innocence. Jeff nearly shot dead Lucky, at Clay's order, stopped only by Mary shooting at him. In jail, Jeff traverses the secret tunnel and opens the outside door, near where Clay happens to be standing. They exchange some words, then Clay shoots Jeff, who staggers back through the tunnel and appears at the jail entrance, where he says a few words to Ma before expiring. Now, Ma finds the casing for a 44 caliber, 40 grain bullet near Jeff's hand, before he slumped back down the tunnel. She sold this type of bullet, which could be used in rifles and pistols of the time, to Clay, who said he wanted to use it in his pistol. Hence, Ma thought she had found the 'smoking gun' evidence to implicate Clay in Jeff's murder. But, why would Jeff have the casing in his hand??. Makes no sense!.......In court, the 3 Mesquiteers plead guilty to Clay's charge of cutting his fence, and trespassing on his range. Hoppy's idea is to try to wranglea sentence of them working off their fines by working for Clay, so that they can examine the brand, or lack there of, on the cattle on his range, and so he can get better acquainted with his workmen. Strangely, after considerable hesitation, Clay agreed to this arrangement.Toward the end, Clay and his gang of Texas gunslingers ride out to the T.D. Rancho ranch house with the intent of shooting Hoppy, whom they assume is there. But , Hoppy holds them off until Lucky arrives with a gang of Hoppy's wranglers, who chase Clay's bunch back to town(Why didn't they go to Clay's ranch?). They hole up in Ma's store, waiting for Hoppy's bunch to arrive. The latter find hiding places and shoot at Clay's bunch. Pappy tells Hoppy about the secret tunnel, and Hoppy feels his way to the inside trap door. When he emerges, Clay is about to shoot Ma, when Hoppy shoots him. Lucky then storms the front door, and Clay's gang give up........ During the film, Hoppy had renued his flirtation with Nora, while Mary took a liking to Lucky, whose life she had saved. Pappy reminded Ma of her dead husband. But, in the end, The 3 Mesquiteers said ado to the women folk, riding into the sunset toward their next adventure.........Incidentally, Clay Allison was the name of a notorious cattleman on the western frontier who was credited with shooting a number of men........See the film at YouTube.
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6/10
Cassidy of Bar 20
coltras351 March 2024
When bad-guys begin harassing the townsfolk, Hoppy's (William Boyd) former gal Nora Blake (Nora Lane) sends him a plea for help. Hoppy is the boss of Bar 20 ranch in Texas, so he rides down the Camino Real in the New Mexico cattle country near Alamogordo.

Before he and his saddlemates, "Lucky" Jenkins (Russell Hayden) and "Pappy (Frank Darien), can reach her ranch, they are stopped by Clay Allison (Robert Fiske), a cattle-rustler who is in almost complete control of the district, and wants to extend his holdings by seizing Nora's cattle and driving her out.

The plot portion where Hopalong and co. Volunteer to wrangle horses for bad guy cattleman instead of paying fine and going prison is unusual and makes a change from a straightforward Hopalong taking on the crooked cattleman. There's nice cinematography, lush mountain scenery and some good action, well at least in the finale.
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8/10
Surprisingly good Hopalong Cassidy feature film
Jim Tritten14 August 2018
Its been a long time since I watched a Hopalong feature film. This one kind of surprised me. The plot was more complex than the average horse opera. The acting is what you would expect of this type genre and funding. There were some surprisingly well-done shots by the camera as well. All in all, much higher rated than those who said it lacked this and that. Not a great movie, but one I would submit is about as good as it gets for this type movie. Hoppy actually has a serious interest in the girl ... but still rides off into the sunset with his buddies and his horse.
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5/10
History with Hoppy
bkoganbing15 March 2017
Cassidy Of Bar 20 has two things unique in the series. I only recall one other time that actual personality from the old west is in a Hoppy movie as a character. One was a later Belle Starr story and in this one Clay Allison makes an appearance. However the real Allison assuredly no boy scout was not anything like the rat we see in this film.

The other is that Frank Darien makes his one and only appearance as the old timer sidekick for Hoppy. There were a few before producer Harry Sherman settled on Andy Clyde after Gabby Hayes left. He was just simply Pappy and he rode a mule. He never really took and I can see why Sherman just used him once and that was that.

Allison is making trouble for small ranchers like John Elliott and his wife who had some history with Hoppy sends for him. Allison is played by Robert Fiske and he's not got much in the way of character. He does a couple of cold blooded murders in Cassidy Of Bar 20 and pays in the end.

Hoppy fans should like this. Belle Starr made out better in a Hoppy movie, Clay Allison far worse.
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5/10
A lesser Hoppy outing. Poor plot.
chipe18 April 2015
This is one of the worst Hoppy films. The plot was unbelievable and weak. The comic sidekick (Frank Darien as Pappy) was also among the worst in the series. ***Spoliers.***

Hoppy is out to help his girl friend whose ranch is being rustled and preyed upon by local rustlers-land grabbers, led by Clay Allison. For no good workable reason (from my viewpoint) Hoppy lets himself get arrested and imprisoned for trespassing (or whatever), and then he convinces Allison to put Hoppy on parole and work his time out at Allison's ranch. In short order, Hoppy sees Allison's men maybe rustling Nora's cattle. So Hoppy rides off to see Nora. (What about his parole agreement?) Meanwhile, Fred is the only witness to see Allison shoot Nora's partner (or foreman) dead. For no real good reason that I could see, Fred's mom suspects her son as involved in the murder and has the son placed in jail! None of this really matters because Allison finally decides to have his gang descend on Hoppy and everyone else at Nora's ranch, but they are beaten back and Allison is killed.

Not much of a good plot.
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4/10
Imaginative publicity, dull movie!
JohnHowardReid6 February 2018
Warning: Spoilers
Attractively photographed (Russell Harlan) but lifeless Hopalong Cassidy. All the action occurs in the space of two or three minutes at the finale. Not that it's over-exciting anyway! The rest of the film is very, very dull.

At least Cassidy of Bar 20, unimpressive as the feature itself might be, made a fine trailer. Running a mere 137 feet (that's exactly 1½ minutes), this preview is much the usual "thriller", containing plenty of action - fast-riding cowboys, gun-play, comedy and romance.

To quote Paramount publicity: "Opens with thrilling scene of cowboys riding across the range... amusing scene as Cassidy and Darien are held up by Margaret Marquis... dramatic scene between Nora Lane and Boyd... thrilling interlude as Boyd threatens men in store... cowboys riding to the round-up of killers... introduction of all players in characteristic poses... and many other exciting scenes."

Oh, yeah? Well where are these "many exciting scenes"! On the cutting-room floor or simply in the press book editor's imagination?
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