Love and Curses (1938) Poster

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7/10
A cute send-off of old melodramas
planktonrules8 January 2013
The Looney Tunes cartoons we all know and love today were mostly made from the early 40s through the 1950s. However, the studio had been making cartoons long before this. Unfortunately, most of their output during the 1930s was pretty saccharine--with lots of cute singing animals and the like. Fortunately, this one is pretty good and lacks the cutesy look of previous outings.

This film is a parody of the old melodramas made in the early years of film as well as which were performed by traveling companies in local theaters. The characters are all caricatures--complete with a villain in mustache (much like Snidely Whiplash), a manly hero and a damsel in distress. However, it begins in the present time of 1938--with an elderly couple reminiscing about how they met. At this time, the old story is enacted--complete with a lot of corny but funny jokes. Not a great film but for the time, pretty good stuff from Looney Tunes. And, in case you want to see it, it's included as a special feature with the film "Gold Digger in Paris"--an odd but enjoyable musical starring Rudy Vallee.
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7/10
Melodramatic love
TheLittleSongbird21 May 2019
Animation was a big part of my life as a child, almost as dear to my heart as music (classical music and opera in my case) was. Whether it was Disney, Looney Tunes, Hanna Barbera or Tom and Jerry, and still love it whether it's film, television or cartoons. With my horizons broadened to include more obscure animation and foreign animation and with wider knowledge of what studios, directors etc. love it even more so and have even more appreciation for it.

'Love and Curses' is hardly a classic and don't exactly love it. At the same time, it is fascinating for its premise of parodying melodramas and is quite well done, it is hardly a curse. Despite its low rating, actually consider 'Love and Curses' one of Cal Dalton/Ben Hardaway's better efforts, which are a fairly mixed bag and can be on the corny and saccharine side. This can be very corny and not everything has held up well, but there is not an awful lot here that is too sugary sweet, which is a good thing.

Sure, 'Love and Curses', even for parodying melodramas, does have too much of an over-familiar vibe. Have seen a lot of cartoons reminiscent of melodramas or with melodramatic elements with hit and miss execution, early Terrytoons being a primary example, and plot-wise there is not an awful lot that's different. It is silly and very predictable in terms of story, though at least there is signs of a story and there is energy.

The content when there is humour is more amusing than hilarious, and parts are very of the time.

Having said that, 'Love and Curses' has a good deal to recommend and is not a bad cartoon. there are far better cartoons that are funnier and with more memorable characters, but it is not deserving of its relative obscurity status. he animation is very good. It's colourful in a sumptuous way, meticulous in background detail, crisp, beautifully drawn and fluid in movement. Carl Stalling's music is outstanding. Lush, characterful and adds a lot to what is going on.

Characters are caricatures and very deliberately archetypal, but are entertaining and at least have personality if not perhaps distinction. The very colourfully characterised villain in particular, which is apt because in melodramas the villain often is more interesting than the lead character(s). 'Love and Curses' does amuse and even with its corniness and predictability it is lively in pace and has its fair share of charm and affectionate nostalgia. Cannot fault the voice acting, with Mel Blanc with the most to do showing why he deserved/deserves to be so highly regarded.

Concluding, decent. 7/10
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8/10
Ah, ye olde melodramas!
llltdesq19 May 2002
This short is a takeoff on the old melodramas, where the hero is forthright and true, stalwart and brave, with the IQ of a grape, the heroine bats her eyes and sighs either lovingly or sorrowfully, depending on the scene and the villain is truly despicable and hissable. This is an excellent cartoon for its time. Just don't watch it and also watch The Dover Boys as well, or Love and Curses will pale in comparison. Well worth looking for. Recommended, especially for the ending.
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8/10
"What Roger St. Clair wants, Roger St. Clair . . . "
oscaralbert5 December 2016
Warning: Spoilers
" . . . takes," threatens the villain of LOVE AND CURSES, an uncannily accurate allegorical prophecy about the U.S. 2016 Presidential Election released by Warner Bros. in the 1930s. As White House Resident-Elect Donald J. Rump's Military Academy bunk mates have testified, the 13-year-old Rump first vowed to become U.S. Groper-in-Chief as his bare butt was reddened through a public paddling for his 1959 hair code violation. By the 1980s, Rump's Obsession with the White House had made him the Laughing Stock of New York High Society. He was lampooned way back then by Doonesbury cartoonist Gary Trudeau. However, the quote above from the villainous Roger is a paraphrase of Rump's future "Let's Play Doctor!" ACCESS HOLLYWO0D confession tape. When a 70-year-old Roger finally kidnap's Harold's wife Emily for good at the close of LOVE AND CURSES, you can almost hear a mob of mindless Rumpsters Rasping Rebel Yells of "Lock her up! Lock her up! Lock her up!" Obviously, the Looney Tuners mean to portray Roger as a Corrupt Capitalist One Per Center, since they show him driving his town's first automobile in the 1890s. A Word to the Wise, particularly Women: Kindle Margaret Atwood's classic book THE HANDMAID'S TAIL immediately to learn what's in store for you under the coming Rump\Scents Reign of Terror!
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