John Wayne built his career around Western and war movies, which makes it difficult for his fans to claim a favorite. True Grit, The Man Who Shot Liberty Valance, Rio Bravo, and The Searchers are prominent favorites for good reason. However, Wayne’s The Sons of Katie Elder is a severely underrated project in his filmography.
‘The Sons of Katie Elder’ ramped up John Wayne’s collaboration with Henry Hathaway L-r: John Wayne as John Elder, Dean Martin as Tom Elder, Earl Holliman as Matt Elder, and Michael Anderson Jr. as Bud Elder | Paramount Pictures/Sunset Boulevard/Corbis via Getty Images
Wayne and director Henry Hathaway first collaborated in 1941’s The Shepherd of the Hills. Together, they made another five feature films, next working on 1957’s Legend of the Lost alongside Sophia Loren. Wayne and Hathaway followed up with North to Alaska in 1960, Circus World with Rita Hayworth in 1964, and 1969’s True Grit.
‘The Sons of Katie Elder’ ramped up John Wayne’s collaboration with Henry Hathaway L-r: John Wayne as John Elder, Dean Martin as Tom Elder, Earl Holliman as Matt Elder, and Michael Anderson Jr. as Bud Elder | Paramount Pictures/Sunset Boulevard/Corbis via Getty Images
Wayne and director Henry Hathaway first collaborated in 1941’s The Shepherd of the Hills. Together, they made another five feature films, next working on 1957’s Legend of the Lost alongside Sophia Loren. Wayne and Hathaway followed up with North to Alaska in 1960, Circus World with Rita Hayworth in 1964, and 1969’s True Grit.
- 3/6/2023
- by Jeff Nelson
- Showbiz Cheat Sheet
The already-incredible line-up for the 2016 New York Film Festival just got even more promising. Ang Lee‘s Billy Lynn’s Long Halftime Walk will hold its world premiere at the festival on October 14th, the NY Times confirmed today. The adaptation of Ben Fountain‘s Iraq War novel, with a script by Simon Beaufoy (Slumdog Millionaire), follows a teenage soldier who survives a battle in Iraq and then is brought home for a victory lap before returning.
Lee has shot the film at 120 frames per second in 4K and native 3D, giving it unprecedented clarity for a feature film, which also means the screening will be held in a relatively small 300-seat theater at AMC Lincoln Square, one of the few with the technology to present it that way. While it’s expected that this Lincoln Square theater will play the film when it arrives in theaters, it may be...
Lee has shot the film at 120 frames per second in 4K and native 3D, giving it unprecedented clarity for a feature film, which also means the screening will be held in a relatively small 300-seat theater at AMC Lincoln Square, one of the few with the technology to present it that way. While it’s expected that this Lincoln Square theater will play the film when it arrives in theaters, it may be...
- 8/22/2016
- by Jordan Raup
- The Film Stage
The Film Society of Lincoln Center has announced the Retrospective section of the 54th New York Film Festival, an ambitious two-part lineup that is both headlined and directly inspired by Bertrand Tavernier’s documentary “My Journey Through French Cinema.” Nyff will screen Tavernier’s doc — which clocks in at a hefty and informative 190 minutes — along with a selection of French classics that feature prominently in the film. Additionally, Nyff will play home to a 12-film exploration of the films of Henry Hathaway, one of Tavernier’s favorite American directors. What follows is a feast of French cinema and a crash course in the works of Hathaway.
Read More: New York Film Festival Announces James Gray’s ‘The Lost City of Z’ As Closing Night Selection
Highlights of the “A Brief Journey Through French Cinema” section, as it’s being quite charmingly billed, include Jean Renoir’s revolutionary epic “La Marsellaise,...
Read More: New York Film Festival Announces James Gray’s ‘The Lost City of Z’ As Closing Night Selection
Highlights of the “A Brief Journey Through French Cinema” section, as it’s being quite charmingly billed, include Jean Renoir’s revolutionary epic “La Marsellaise,...
- 8/19/2016
- by Kate Erbland
- Indiewire
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