The Panther's Claw (1942) Poster

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6/10
Good-natured mystery with a kitty
csteidler4 September 2011
Byron Foulger stars as Everett Digberry, a mild-mannered wigmaker for theatrical folks who, in the film's opening scene, is picked up by the cops climbing out of a cemetery late at night. Taken downtown, he finds a number of acquaintances in the commissioner's office; all of them, like him, have received mysterious letters demanding money and signed only with a panther's paw print.

Sidney Blackmer investigates as police commissioner Thatcher Colt with suavity and humor. He is ably assisted by Ricki Vallin as Anthony Abbot. (Somewhat bizarrely, the original story is also credited to "Anthony Abbot," the pen name of a mystery writer who was not the first to insert "himself" into a story.)

The mystery plot holds interest but doesn't create a huge amount of suspense, although it does take a few interesting turns, including one major shift that arguably renders the film's title misleading (but catchy!).

I would like to know, having watched these characters spend no little time looking over wigs, if Mr. Digberry is correct when he tells the commissioner, "One wigmaker can usually tell another's knot."
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5/10
Good, but awkward comedy mystery thriller
dbborroughs26 January 2008
A milquetoast of a man is caught climbing out of a cemetery late one night. Its transpires that he had left 1000 dollars on a grave, in response to a letter sent to him warning of death if did not do so. When he and the copes return to the grave the money is gone. The cops haul the man in to the precinct for trespass and other charges. It transpires that the note is one of many that has been sent to a group of people in the hopes of extorting cash. Murder and mayhem follow.

Low budget PRC special is an odd mix of comedy and mystery. Its a mix that doesn't fully work since the comedy tends to over power the mystery at the most in opportune times. Part of the problem is that the very good Byron Foulger, a supporting stalwart has been pushed to the fore as our milquetoast lead. There is nothing wrong with Foulger in the lead, its just that decades of playing similar roles, usually for comic effect undercuts some of the tension.(I'm guessing this may play better on a second viewing when the flaws might be forgiven or at lest accepted). I know the film was also hurt for me by the cheapness of the sets which included numerous rear screen projections which result in a couple of screens where people just seem to be standing in front of a wall instead of being somewhere.

Worth a look in an undemanding mood.
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6/10
Byron Foulger makes this one worth seeing...
planktonrules22 September 2014
"The Panther's Claw" is a B-movie from tiny PRC--a tiny studio that made a ton of cheap low-budgeted Bs. While this film isn't that much different from the norm for PRC, it is, inexplicably, more enjoyable than most of their output. Now I am NOT saying it's an especially well made film--it's full of plot holes and the ending is one giant plot hole! But, despite all this, it is fun to watch and much of it is because of the inexplicable choice for a main suspect in this murder mystery.

When the film begins, a very mousy man, Everett Digbury (Byron Foulger) is caught climbing over the wall from the cemetery. According to Digbury, he HAD to go to the place to drop off extortion money from an unknown person who calls them self 'The Panther'. However, the cop insists on taking Digbury downtown and he's treated like a criminal! Fortunately, the Chief of Police isn't as stupid as the rest of the cops and he feels sorry for Digbury and feels that he is a victim of a crime--not some evil perpetrator. However, over time, this confidence is shaken as several times murders occur and all the evidence points to poor old Digbury!

As I mentioned above, seeing one of the meekest men in all of Hollywood playing a guy who MIGHT be a multiple murderer and extortionist is pretty funny. Additionally, despite a few plot holes, the script actually is pretty good--particularly when it comes to snappy dialog. Although this is far from a great film, it is entertaining and fans of old B-mysteries would surely enjoy this one.
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This is a funny movie
steve0504 September 2001
I was very happy to be able to buy this movie and watch it last weekend. I last saw this movie over 30 years ago. I remember it being good, and I was not disapponted. It has a fairly good mystery, but what makes this movie special is that it's very funny. It has several scenes which I think are classic. The line up scene is hilarious. Byron Foulger gives a great comedic performance.
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6/10
A Red Herring That is Yellow!!!
kidboots29 June 2011
Warning: Spoilers
Adolphe Menjou was perfect as the well dressed detective about town, Thatcher Colt in "The Circus Queen Murder" (1933) (there was also an earlier one, "Night Club Lady" (1932)). Unfortunately, that was it until PRC resurrected the elegant detective in an unusually good "who done it" (for them!!!) with the debonair Sidney Blackmer. PRC may have had the reputation as the cheapest of the cheap but it did produce the occasional interesting movie ie "Baby Face Morgan", "Strange Illusion" and "The Mask of Diijon", even the very intriguingly titled "I Ring Doorbells"!!

A man is picked up acting suspiciously in a cemetery, he claims he was delivering a $1,000 as per instructions. When he is taken to the police station it seems he is not the only recipient of a black mail letter - from the Black Panther!!! They are all connected with an opera company and have all had trouble with a bombastic baritone named Lombardi - prima donna Nina Politza has been pestered by him so much she books a ticket to South America!!

Oddly, all fingers point to Mr. Digberry!! Yes, it's Byron Foulger!! At his best playing "nervous nelly" characters and I must admit I have never seen him play such a large part before. His nervous librarian in "Quiet Please, Murder" (Sidney Blackmer was also in that) is more what I am used to. He is in the same vein as Johnny Arthur - he even bears a resemblance to him as well!! Having the movie revolve around Foulger added to the suspense - he does have a portable typewriter with a dodgy H and the policeman sees a cat in the flat that could have been used to make the Panther's mark!! The police think he is the blackmailing mastermind who has sent himself a letter to appear like a victim - and the surprise of the movie is that they are right as Mr. Digberry confesses!! He did write the letters so he could use the excuse when his wife found out there was $1,000 missing from their bank account!! He gave the money to Nina, who wasn't as wealthy as everyone believed but when she turns up dead - he doesn't have a very good explanation!!

Sidney Blackmer bought polish and class to Thatcher Colt, it is just a pity he was relegated to the sidelines while Foulger took centre stage. And according to literary descriptions, Blackmer was Colt to a T, even though in this movie his lip reading technique, which made the character stand out is not used. Unfortunately, his offsider, instead of being the beautiful and efficient Miss Kelly, was crusty D.A. Bill Dougherty (Herbert Rawlinson).

Recommended.
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7/10
Entertaining for a Sunday Afternoon
susanctoo3 April 2016
This is a cute blend of comedy and mystery as others have said. It is at least as good as a modern TV sitcom. I thought Byron Foulger did a great job as the suspicious character who just might be a bad guy. He is so addled being questioned by the police and so scared of his wife and 5 daughters it makes for a sympathetic and charming hero. The plot slowly bumps along with plenty of red herrings thrown around and more humour stirred in with the stereotyped black elevator operator doing the step and fetch it style humour good for a little chuckle. If hubby who really does not like B and W movies stayed interested, then that is enough to recommend it.
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5/10
"This sounds like a third degree among those movie who-dunits, doesn't it?"
classicsoncall24 July 2008
Warning: Spoilers
Producers Releasing Corporation was known for it's cheap sets and low production values; "The Panther's Claw" probably falls in the middle tier of their low budget offerings. What I found most amusing about this picture is the choice of it's title, purporting to be some great mystery a la the symbolism of a sleek black cat. Instead, the panther's claw belongs to a common house cat named Gomer, and when all is said and done, the 'claw' becomes virtually a throw away in the solving of the murder mystery at the center of the story. In fact, Gomer doesn't even show up for the end of the picture, his purpose having been served about mid way through.

The story itself is actually decent enough, with Sidney Blackmer in the role of Police Commissioner Thatcher Colt. His character might have been Charlie Chan, Mr. Wong or Bulldog Drummond in any of those detective flicks from the same era, and he acquits himself rather well via a low key manner and methodical police work. He manages to fend off the aggressive D.A. who wants to arrest an innocent man in the murder of a famous opera star, thereby clearing a milquetoast of a man named Digberry (Byron Foulger), who's been implicated in the murder by coincidence and a rather elaborate frame up. You never get the impression that Digberry might be a legitimate suspect, with an early hint offered by a Digberry lookalike who slinks around the corridors of his apartment without showing his face. Like the Charlie Chan films, this one offers a red herring or two to keep the viewer guessing, and the murderer could actually have been any of them depending on the script writer.

The opening credits dedicate the picture to the members of the New York City Police Department, and on that score it was a reasonable tribute. There was a fair amount of detective work that went into the solving of the crime on the part of Commissioner Colt, and a lot of information was packed into the seventy minute run time. This was the first picture I watched out of a two hundred fifty movie DVD set I picked up quite reasonably from Mill Creek Entertainment as part of their Mystery Collection, and it wasn't a bad way to get started. Only two hundred forty nine more to go.
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6/10
okay suspense film....
ksf-29 December 2018
When people start getting letters instructing them to leave money in public places ( or else!), the police get them together to figure out how to catch "the panther". Sydney Blackmer is Commissioner Colt, and the cops spend a LONG time bugging Mister Digberry (Byron Foulger), even putting him in a police line-up, when there is no witness. They realize he is yet another citizen falling for this scheme, like opera singer Nina Politza, played by Gerta Rozan. Check out Rozan's trivia on imdb... she had an interesting response when her part was cut from a film. The story is pretty slow, light-weight and linear. no surprises, no depth to the characters. Another very long scene between the singer and Enrico Lombardi, a minor, upper-class character who may or may not be involved in any of this. They seem to spend a lot of time on scenes that aren't important to the plot; they should have spent more time on developing the plot rather than filming all these minor scenes that have nothing to do with the story. As usual, in the old black and white films, the police are chasing their own tail rather than find the right suspect. Rick Vallin and John Ince play supporting roles as coppers. Ince was one of the three Ince brothers, all successful stars in holly-weird. Picture quality is just terrible, but it'll do. Directed by William Beaudine, who had directed a bunch of the Bowery Boys films. this one is very okay. meh.
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5/10
PRC's Thatcher Colt
kevinolzak7 March 2014
Anthony Abbot's fictional detective, Police Commissioner Thatcher Colt, inspired only two little known Columbia features, 1932's "The Night Club Lady" and 1933's "The Circus Queen Murder," so after a decade's passing, Poverty Row's PRC took a crack at the character with "The Panther's Claw," intended to be only the first in a new series that came to naught. Replacing two-time Colt Adolphe Menjou with dependable Sidney Blackmer (an excellent choice), the often comic story is derived from Abbot's 1940 short story, "About the Perfect Crime of Mr. Digberry." In keeping Digberry (Byron Foulger) at the forefront, Blackmer's Colt is reduced in stature, conducting a too leisurely investigation as other annoying suspects get an abundance of screen time until he comes on strong at the end. Sadly missing from this PRC Colt are his faithful assistant Miss Kelly, delightfully portrayed by Ruthelma Stevens, and his unique lip reading abilities, which at least made him stand out from his inspiration, Van Dine's Philo Vance. Speaking of which, this would be the screen finale of Thatcher Colt, just as PRC also brought Philo Vance to his end, in a three picture series from 1947. Both characters suffered the same fate on television, as neither were ever revived for small screen incarnations. In hindsight, I believe that PRC was not only better than Monogram with mysteries (Charlie Chan), but also the horror genre, as their stories usually wasted no time getting underway; feel free to disagree.
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6/10
That's "Entertainment"
drystyx16 July 2011
The war years saw a lot of "pretty good" movies, relatively innocuous stories, usually good entertainment, the sort one would rat 4-7, with a few poorly directed slow moving ones a little less.

And it's unfortunate that movie makers post 1965 sought to emulate the slow pace dull ones. It would take 30 years for film makers to learn their mistakes. Such was their incompetence. A man on the street could have done better than 98% of producers, directors, and writers from 1965-1995; it was truly the error of "rich kids and children with the silver spoon" at the reins.

But these war years were full of fairly safe vehicles. Some were smartly done, like this murder mystery.

We have a mystery here that begins with the comedy and affable personalities first, then goes into the plot, and that's what makes the atmosphere style murder mystery work.

This is expertly done, and could be used for a film class to show how to make a film. It is "Entertainment".
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3/10
The Last Words in Boredom!
JohnHowardReid20 October 2008
A thoroughly disappointing noir is Producers Releasing Corp's The Panther's Claw (1942), the last of three movies featuring Thatcher Colt. The first two, both starring Adolphe Menjou as Colt, have been screened by TCM – and marvelous they are too. So I was really looking forward to the third, even though Sidney Blackmer is no Menjou. But it turns out that, although top-billed, Blackmer is not the star after all. It's Byron Foulger, of all people, who enjoys the lion's share of the action, as he plays the title character in Anthony Abbot's story, "The Perfect Crime of Mr Digberry", upon which the film is based. Now Mr Foulger is a neat-as-a-pin Milquetoast and I really enjoy him in small doses. As a lead, however, he tends to way out-stay his welcome. Unfortunately, aside from Blackmer, Rick Vallin (as his assistant), Herbert Rawlinson (as the D.A.) and Frank Darien (in a small role as a wig-maker), the support players are even less beguiling. Martin Mooney's talky, dialogue-bound screenplay doesn't help either, while P.R.C.'s notoriously sparse production values and Bill Beaudine's disinterested direction provide the last words in boredom.
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10/10
Funny Funny movie during WWII
1969VIETNAM17 May 2021
A real pick me up funny movie during 1942. The US is involved in WWII with Japan and the Nazi idiots in Europe. So the American people went to the movies to laugh, this movie makes me laugh in 2021. Byron is the perfect scape goat for this leading role. God Bless America !
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6/10
Amusing half-baked mystery
ingemar-415 May 2019
This movie works mainly thanks to Byron Foulger as the shy and insecure Everett P. Digberry. Around him revolves a somewhat diffuse plot, and the straight man Sidney Blackmer as Police Commissioner Thatcher Colt, sturdy as a rock, a good contrast to the fragile Digberry. Both are good character actors who stand out among a cast that is otherwise anonymous or downright bad.

And that summarizes the movie pretty far. Digberry's confused reasoning, how he messes up his situation, is pretty fun. The plot overall is not so good with several plot holes. Two characters are annoying, and shows the age of the movie: Thornton Edwards makes the cliché italian Enrico Lombardi, and Billy Mitchell is downright embarassing as the cliché black man Nicodemus J. Brown, complete with "black language". I guess that was acceptable back then.

This sounds like a pretty bad movie, but it is worth watching for the best actors. But it also loses some stars due to a weak plot and some less enjoyable characters.
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5/10
The Panther's Claw? More like The Kitten's Paw
bensonmum29 July 2015
A seemingly innocent, harmless man, Everett P. Digberry (Byron Foulger), gets caught up in blackmail, extortion, and murder. The DA suspects Mr. Digberry isn't as innocent as he appears. Can the police find the real criminal before the DA presses charges?

The Panther's Claw is a very misleading title, evoking menace and horror. A more apt title (both literally and figuratively) would be The Kitten's Paw. The movie is more of a comedy with some weak mystery elements (I knew the killer's identity the moment he appeared on screen) than harrowing as title would lead you to believe.

Despite the misleading title, The Panther's Claw is a decent little movie. Fortunately, some of the comedy works and at times is quite funny. Most of the credit has to go to Byron Foulger (I just wrote about him and his appearance in Honey West). He's good. The best I can say about the rest of the cast is they're serviceable. No one really stands out. Being a PRC film, it has that dark and dirty look I've come to expect. Lighting must have been beyond PRC's limited budgets. And the sets look as if they were furnished from a local second-hand store. The movie is only 70 minutes long and, generally, flows well. Unfortunately, there are a couple of plot points that left me scratching my head. Like, how did the killer's suit end up in Digberry's closet? Or, why wasn't Digberry more forthright and honest with the police from the beginning? Would have saved himself a lot of trouble. But in the end, this isn't brain surgery and it's enjoyable enough to deserve at least a 5/10.
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Amusingly Different Whodunit
dougdoepke22 December 2019
No need to recap the well-reviewed plot beyond that grabber opening scene.

Is it possible that the meekest character actor in Hollywood, Byron Foulger, is actually a slick and clever murderer. Anyway, it looks that way in Claw, even as his Digberry (great name) fumbles around with the cops in scene after scene. From the way he looks and acts, could it be that he's guilty of anything more than an overdue parking ticket. But then, it turns out in the first part he really is the Black Panther or should I say the white kitty. It's a clever premise, using addled actor Foulger as chief suspect as events unfold. In fact, he gets more screen time than even top-billed Blackmer. There should be a special place in Hollywood heaven for unheralded talents like his.

Anyway, it's a generally entertaining little flick from budget-minded PRC. Blackmer turns in a faintly bemused turn as the police commissioner and I like the way he's nagged by the lynch-minded DA (Rawlinson) that sets up an unusual and well-handled conflict. On the downside are a number of plot holes (as others point out), along with an embarrassing turn by Edwards as a hammy Italian, and Mitchell as a stereotypically silly Black of that comedic period. Nevertheless, there's enough imagination and upper-billed acting to lift this little flick beyond the strictly ordinary.
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6/10
Not well put together
Kingslaay10 April 2023
Despite an interesting premise, The Panther's Claw falls short due to the poor way this story and film is directed. Part of the value of the murder mystery is nicely putting it together for the audience to show how it all fits together. While the mystery made sense in the end I still found inconsistencies in this story. For example, the final scene shows the Commissioner just using his deduction to arrive at the true murderer. But this was deduction at best, the witness was killed off and there was no clear evidence and pitfall to reveal the culprit.

What if the murderer denied it all and laughed it off? Then what? He could have strolled out of the office. The silly fact of him then trying to physically escape is ludicrous storytelling and theatrics. I feel if was better thought out and better put together you would have a stronger film.
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4/10
Calling Inspector Clouseau!
mark.waltz31 January 2013
Warning: Spoilers
The misleading title features no panther (pink or otherwise), only the cute kitty-cat of milquetoast Byron Foulger accused of murdering an aging opera star. There are plenty of other suspects, but circumstances point to him, having himself set up a fake blackmail scheme to fool his (unseen) wife in regards to their joint bank account. He is first seen at his mother's grave, staring at her stone with a hysterical limerick written on it. There really isn't much plot, but it's pretty entertaining with Sidney Blackmer as the main cop on the case and some confusion concerning Foulger's constant disappearance and sudden reappearance which make his comings and goings seem suspicious. PRC has had some pretty rare classics (or pretty rotten cinema) and shouldn't be taken for art. But if you compare these low-budget films to early television dramas, you'll find them to be compact entertainment, worthy of non-pretentious storytelling and not overloaded with frills that sometimes are out of place.
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1941 Very funny mystery, murder and more
ctyankee111 January 2017
In the beginning of the movie there is a page dedicating the movie to the New York Police: "This picture dedicated to the New York Police Department with its thousands of loyal and courageous men for meritorious service to its community."

A man named Digberry/Byron Foulge is seen climbing out on a cemetery wall by a policeman late at night. The policeman asked what he was doing in the cemetery. Digberry gives the policeman a story that is like suspicious and kind of funny that he is brought to the police station and questioned.

The story goes on from there that Digberry got a letter from a anonymous person to leave money on a grave. He claims he paid the money because he has a wife and 5 daughter on vacation who will be coming home and he does not want them frightened or anything bad happen to them. Other people that know each other got a similar letter with a paw print on it and days later Digberry got direction as to where and when he was to leave the money.

A woman is murdered and 3 men are considered suspect. One of the clues is a wig. Digberry is a wig maker and there is another man that made a wig for a man. The hair of the wig was found in the dead woman's hand.

There are lots of funny scenes. What I thought was interesting is the way the police investigated. They were very clever and alert as to what was said and what they saw and the way people responded. Good police work.

Good mystery, lots of humor and nice for a black and white picture made in 1942 you can watch for free on Youtube https://www.youtube.com/watch?v=9OY6ddm8zy0
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Better than expected
searchanddestroy-124 November 2023
I don't say FAR better, but only better, because it is after all a William Beaudine's film, a grade B and Z director who was a brilliant film maker during the silent era, directing WC Fields' and Mary Pickford's pictures. It is nearly a shame, painful to see the downfall of this once upon a time good Hollywood pioneer. This comedy crime drama, thriller, is very agreeable, full of suspense with a worth ending, very unexpected. So, it's a petty good mystery yarn. It is short, of course, but not so boring, despite the talking scenes. I have really seen worse from Beaudine. I prefer this movie to LASSIE adventures films, also made by Bill Beaudine.
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The Perfect Murder Mystery For Insomniacs...
azathothpwiggins5 August 2021
A group of people are being blackmailed by someone calling himself "The Panther". Police Commissioner, Thatcher Colt (Sydney Blackmer) quickly deduces that they're all connected to a certain opera company.

Murder ensues.

Directed by schlock auteur William Beaudine, THE PANTHER'S CLAW is far less interesting or entertaining than its setup might imply. Though only a bit over an hour long, it feels eternal! Beaudine once again demonstrates his ability to make time stand still by inserting lifeless characters spewing mindless dialogue.

Dreadfully dull, even for a Beaudine epic, before the first homicide you could very well be in a coma...
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