Writer Lee Gambin calls them Natural Horror films, other writers call them Revenge of Nature or Nature Run Amok films and writer Charles Derry considers them a type of Apocalyptic Cinema.
Of course we’re speaking of one of the great horror subgenres for which we’ll employ writer Kim Newman’s tag: The Revolt of Nature.
Since the end of the 1990s, lovers of animal attack films have been subjected to copious amounts of uninspired Nu Image, Syfy Channel and Syfy Channel-like dreck like Silent Predators (1999), Maneater (2007) Croc (2007), Grizzly Rage (2007) and a stunning amount of terrible shark attack films to name a few that barely scratch the surface of a massive list.
These movies fail miserably to capture the intensity of the unforgettable films they are imitating and the recent wave seems to carry with it the intent of giving the Revolt of Nature horror film a bad name.
Of course we’re speaking of one of the great horror subgenres for which we’ll employ writer Kim Newman’s tag: The Revolt of Nature.
Since the end of the 1990s, lovers of animal attack films have been subjected to copious amounts of uninspired Nu Image, Syfy Channel and Syfy Channel-like dreck like Silent Predators (1999), Maneater (2007) Croc (2007), Grizzly Rage (2007) and a stunning amount of terrible shark attack films to name a few that barely scratch the surface of a massive list.
These movies fail miserably to capture the intensity of the unforgettable films they are imitating and the recent wave seems to carry with it the intent of giving the Revolt of Nature horror film a bad name.
- 10/27/2013
- by Terek Puckett
- SoundOnSight
Director William Girdler.s 1974 film Abby was a clone of The Exorcist with an all-black cast starring William Marshall, fresh off his triumph as Blacula, in the Max Von Sydow role. Shot for a meager $200k, Abby was an urban hit, grossing four million dollars in its first month of release. Apparently the powers-that-be at Warner Brothers, who had produced The Exorcist, thought Abby.s plot was too similar to that of their cash cow so successfully sued Girdler and the films distributor, American International. Aip was ordered to destroy all of their theatrical prints, and the film has never officially been licensed for home viewing. The Exorcist was the top grossing film of 1973 and spawned a virtual cottage industry of knock-off imitators, mostly from Europe, that flourished for the rest of the decade, so it seems an odd fate that Abby was singled out for legal punishment and remains...
- 4/1/2010
- by Tom
- WeAreMovieGeeks.com
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