Directed by
Peter Maxwell |
Writing Credits
Peter Yeldham | ... | (written by) |
Cast (in credits order) verified as complete
Produced by
David Hannay | ... | executive producer |
Peter Maxwell | ... | executive producer |
John Pellatt | ... | producer |
Peter Yeldham | ... | executive producer |
Music by
Jon English | ||
Charlie Hull |
Cinematography by
John R. McLean |
Editing by
Sara Bennett | ||
Paul Maxwell |
Production Design by
David Copping |
Art Direction by
Lindsay Hewson |
Costume Design by
Kate Duffy |
Makeup Department
Jenny Brown | ... | hair stylist |
Jill Porter | ... | makeup |
Brita Kingsbury | ... | makeup assistant (uncredited) |
Production Management
Michael McKeag | ... | production manager |
Second Unit Director or Assistant Director
Ken Ambrose | ... | assistant director |
Art Department
Derrick Chetwyn | ... | props |
Sound Department
Sara Bennett | ... | sound editor |
Gethin Creagh | ... | second mixer |
Andy Duncan | ... | boom operator (as Andrew Duncan) |
Peter Fenton | ... | sound mixer |
Paul Maxwell | ... | sound editor |
Brian Morris | ... | sound recordist |
Phil Judd | ... | sound effects recordist (uncredited) |
Camera and Electrical Department
Russell Dority | ... | camera assistant |
Frank Heffernan | ... | chief electrician |
Kevan Lind | ... | camera operator |
Chic Stringer | ... | still photographer |
Paul Thompson | ... | key grip |
Paul Moyes | ... | lighting technician (uncredited) |
Editorial Department
Arthur Cambridge | ... | film grading |
Margaret Cardin | ... | negative matching |
Bill Gooley | ... | laboratory liaison |
Jane Hanckel | ... | assistant editor |
Duncan Taylor | ... | assistant editor |
Location Management
Tim Sanders | ... | location manager |
Script and Continuity Department
Margaret Rose Stringer | ... | continuity |
Additional Crew
Lea Collins | ... | production accountant |
Carlie Deans | ... | publicist |
Vivien Hobbs | ... | producer's assistant |
Sue Parker | ... | production secretary (as Suzi Parker) |