Welcome to this week’s Nxt review, right here on Nerdly. I’m Nathan Favel and as we take part in the yuletide festivities, let us take this time to enjoy the season and with cast-iron good reason, because…Hookers!!!!!!! F— Yeaaaaaaaaahhhhhhh!!!!!! I’M Gonna Let These ——– Nail Me In The — So Hard That I Won’T Be Able To —- Right For A Week! Okay folks, while I…talk to these hoo…people, I’ll let you read my thoughts on these darling matches.
Match #1: Oney Lorcan & Danny Burch def. Killian Dain & Drake Maverick – Street Fight Match For The Nxt Tag Team Championships The following is courtesy of wwe.com:
Killian Dain & Drake Maverick kicked off Nxt by giving Oney Lorcan & Danny Burch a dose of their own medicine, ambushing the Nxt Tag Team Champions from behind during their entrance and immediately overwhelming them. They wasted no time making use of the stipulation,...
Match #1: Oney Lorcan & Danny Burch def. Killian Dain & Drake Maverick – Street Fight Match For The Nxt Tag Team Championships The following is courtesy of wwe.com:
Killian Dain & Drake Maverick kicked off Nxt by giving Oney Lorcan & Danny Burch a dose of their own medicine, ambushing the Nxt Tag Team Champions from behind during their entrance and immediately overwhelming them. They wasted no time making use of the stipulation,...
- 12/28/2020
- by Nathan Favel
- Nerdly
[This piece was co-written with Gian Giacomo Petrone.]
[This October is "Gialloween" on Daily Dead, as we celebrate the Halloween season by diving into the macabre mysteries, creepy kills, and eccentric characters found in some of our favorite giallo films! Keep checking back on Daily Dead this month for more retrospectives on classic, cult, and altogether unforgettable gialli, and visit our online hub to catch up on all of our Gialloween special features!]
"The old dies and the new cannot be born: in this interregnum, the most diverse and morbid phenomena occur."
In this maxim penned by Italian Marxist theorist, writer, and politician Antonio Gramsci, depleted of its penetrating political significance, but not of its universal character, lies a stringent and clarifying reading of that pre-eminent period of popular Italian cinema, between the end of the ’70s and the beginning of the ’80s. A short history of this irreversible crisis finds a first turning point in the Year of Grace 1974, and specifically in the Constitutional Court ruling 225, which authorized cable broadcasting for private companies; a second judgment, no. 202 in 1976, also of the Constitutional Court, will sanction the first liberalization of the ether, albeit only on a local level. In this context it is not obviously essential to examine the entire recent history of Italian television, with the allocation of Rai to the three...
[This October is "Gialloween" on Daily Dead, as we celebrate the Halloween season by diving into the macabre mysteries, creepy kills, and eccentric characters found in some of our favorite giallo films! Keep checking back on Daily Dead this month for more retrospectives on classic, cult, and altogether unforgettable gialli, and visit our online hub to catch up on all of our Gialloween special features!]
"The old dies and the new cannot be born: in this interregnum, the most diverse and morbid phenomena occur."
In this maxim penned by Italian Marxist theorist, writer, and politician Antonio Gramsci, depleted of its penetrating political significance, but not of its universal character, lies a stringent and clarifying reading of that pre-eminent period of popular Italian cinema, between the end of the ’70s and the beginning of the ’80s. A short history of this irreversible crisis finds a first turning point in the Year of Grace 1974, and specifically in the Constitutional Court ruling 225, which authorized cable broadcasting for private companies; a second judgment, no. 202 in 1976, also of the Constitutional Court, will sanction the first liberalization of the ether, albeit only on a local level. In this context it is not obviously essential to examine the entire recent history of Italian television, with the allocation of Rai to the three...
- 10/30/2020
- by Eugenio Ercolani
- DailyDead
Alex Rodrigo, a director on the acclaimed Netflix drama series “Money Heist,” is making his feature film directorial debut with “The Last Shot,” one of 16 film projects being pitched to prospective buyers this week during Rome’s Mia market.
“The Last Shot” is a biopic about the late Spanish photographer and humanitarian Luis Valtueña (pictured), who was killed in Rwanda in 1997. Recreating the Spaniard’s final days amid a rapidly unraveling humanitarian crisis in the East African nation, it centers on the mysterious final photo that Valtueña took before he was killed alongside two other aid workers.
The film is produced by Miguel Menéndez de Zubillaga of Mono Films and Acid Media’s José Barrio, a close friend of the late photographer, who shares writing credits with Luis Murillo.
Rodrigo said he was drawn to the magnetic character of Valtueña, who he called “idealistic, a little naïve, bold, authentic,” though...
“The Last Shot” is a biopic about the late Spanish photographer and humanitarian Luis Valtueña (pictured), who was killed in Rwanda in 1997. Recreating the Spaniard’s final days amid a rapidly unraveling humanitarian crisis in the East African nation, it centers on the mysterious final photo that Valtueña took before he was killed alongside two other aid workers.
The film is produced by Miguel Menéndez de Zubillaga of Mono Films and Acid Media’s José Barrio, a close friend of the late photographer, who shares writing credits with Luis Murillo.
Rodrigo said he was drawn to the magnetic character of Valtueña, who he called “idealistic, a little naïve, bold, authentic,” though...
- 10/16/2020
- by Christopher Vourlias
- Variety Film + TV
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