![Image](https://m.media-amazon.com/images/M/MV5BZDczMTgyNTMtMmNiOC00YzM1LTgxZWItYmY0OTI1ZGRiODI4XkEyXkFqcGc@._V1_QL75_UY140_CR35,0,140,140_.jpg)
![Image](https://m.media-amazon.com/images/M/MV5BZDczMTgyNTMtMmNiOC00YzM1LTgxZWItYmY0OTI1ZGRiODI4XkEyXkFqcGc@._V1_QL75_UY140_CR35,0,140,140_.jpg)
Matthew Rankin’s Universal Language will fly the flag for Canada as the country’s international feature film submission for the 97th Academy Awards in March 2025.
‘Universal Language’: Cannes Review
A pan-Canadian selection committee organised by non-voting chair Telefilm Canada met on Tuesday to select its top choice from 26 submissions.
Produced by Metafilms, the absurdist Winnipeg-set caper premiered in Cannes and will receive its North American premiere at Toronto International Film Festival, before screening in New York Film Festival and Fantastic Fest.
Universal Language transposes Iran to Winnipeg and weaves together several episodes: children discover money frozen in ice...
‘Universal Language’: Cannes Review
A pan-Canadian selection committee organised by non-voting chair Telefilm Canada met on Tuesday to select its top choice from 26 submissions.
Produced by Metafilms, the absurdist Winnipeg-set caper premiered in Cannes and will receive its North American premiere at Toronto International Film Festival, before screening in New York Film Festival and Fantastic Fest.
Universal Language transposes Iran to Winnipeg and weaves together several episodes: children discover money frozen in ice...
- 8/27/2024
- ScreenDaily
![Image](https://m.media-amazon.com/images/M/MV5BNTEyYzJkMzQtZWIxOS00YWEyLTk1YzctOTU0YzJiNDY2ZDg4XkEyXkFqcGc@._V1_QL75_UY281_CR56,0,500,281_.jpg)
The final wave of this year's Fantasia International Film Festival has been announced! Along with many new movies and special screenings, they have horror events you'll want to make time for, including panels and a career achievement award for Mike Flanagan. Fantasia's 28th edition continues tradition of putting together a stellar, eclectic mix of screenings and events you won't want to miss. For the full list of films and events, and to find out how to attend the fest, visit: https://fantasiafestival.com/en
The Fantasia International Film Festival will celebrate its upcoming 28th edition with an electrifying program of screenings, workshops, and launch events running from July 18 through August 4, 2024, returning to the Concordia Hall and J.A. de Sève cinemas, with additional screens and events at Montréal’s Cinémathèque Québécoise, Cinéma du Musée, Théâtre Plaza, and Bbam! Gallery.
The festival website is now live with the complete lineup...
The Fantasia International Film Festival will celebrate its upcoming 28th edition with an electrifying program of screenings, workshops, and launch events running from July 18 through August 4, 2024, returning to the Concordia Hall and J.A. de Sève cinemas, with additional screens and events at Montréal’s Cinémathèque Québécoise, Cinéma du Musée, Théâtre Plaza, and Bbam! Gallery.
The festival website is now live with the complete lineup...
- 7/3/2024
- by Jonathan James
- DailyDead
![Mike Flanagan](https://m.media-amazon.com/images/M/MV5BZjllMjQwODItOGI3ZS00MzI0LWI4YzMtMWNlZTZiNjcwZjk4XkEyXkFqcGc@._V1_QL75_UX140_CR0,1,140,207_.jpg)
![Mike Flanagan](https://m.media-amazon.com/images/M/MV5BZjllMjQwODItOGI3ZS00MzI0LWI4YzMtMWNlZTZiNjcwZjk4XkEyXkFqcGc@._V1_QL75_UX140_CR0,1,140,207_.jpg)
The 28th edition of the Fantasia International Film Festival is set to run from from July 18th through August 4th at the Concordia Hall and J.A. de Sève cinemas in Montreal, with additional screens and events at Cinémathèque québécoise and Cinéma du Musée. Over the last couple of months, the festival announced the first wave and the second wave of titles that will be screening this year, and now the final wave has been unveiled, along with an announcement that genre filmmaker Mike Flanagan will be receiving a career achievement award at the festival!
Here’s the information on the final wave of titles (and Flanagan’s achievement award), courtesy of the Fantasia press release:
2024 Career Achievement Award: Mike Flanagan
For his imaginative and heartfelt horror visions; boundary-breaking achievements in making soulful, character-driven genre television commercially viable without compromises; and the extraordinary work he’s done in popularizing...
Here’s the information on the final wave of titles (and Flanagan’s achievement award), courtesy of the Fantasia press release:
2024 Career Achievement Award: Mike Flanagan
For his imaginative and heartfelt horror visions; boundary-breaking achievements in making soulful, character-driven genre television commercially viable without compromises; and the extraordinary work he’s done in popularizing...
- 7/3/2024
- by Cody Hamman
- JoBlo.com
![Image](https://m.media-amazon.com/images/M/MV5BOTM3ZjdkOWUtNGZjOS00NWRmLWEzMjUtMmNlNmRmNjlkZmYwXkEyXkFqcGc@._V1_QL75_UY281_CR87,0,500,281_.jpg)
The Fantasia International Film Festival returns very soon with its 28th edition from July 18 through August 4, 2024, returning to the Concordia Hall and J.A. de Sève cinemas, with additional screens and events at Montreal’s Cinémathèque québécoise and Cinéma du Musée. The final wave of programming has been unveiled, adding even more genre premieres to an already packed slate.
The final wave of titles, from the press release:
ABABOUINÉ
ABABOUINÉ takes us back to the 1950s, when the Catholic Church ruled over Quebec with an iron fist, and as a rowdy group of kids goes to war against the church. In his latest masterpiece, André Forcier revisits a dark period of Quebec’s history through an often shocking – yet undeniably and absurdly funny – lens. Starring Rémy Girard, Gaston Lepage (Jesus Of MONTRÉAL), Pascale Montpetit (District 31), Éric Bruneau (An Eye For Beauty), and Mylène Mackay (Nelly), the film brings together an...
The final wave of titles, from the press release:
ABABOUINÉ
ABABOUINÉ takes us back to the 1950s, when the Catholic Church ruled over Quebec with an iron fist, and as a rowdy group of kids goes to war against the church. In his latest masterpiece, André Forcier revisits a dark period of Quebec’s history through an often shocking – yet undeniably and absurdly funny – lens. Starring Rémy Girard, Gaston Lepage (Jesus Of MONTRÉAL), Pascale Montpetit (District 31), Éric Bruneau (An Eye For Beauty), and Mylène Mackay (Nelly), the film brings together an...
- 7/3/2024
- by Meagan Navarro
- bloody-disgusting.com
![Image](https://m.media-amazon.com/images/M/MV5BNTRjMWE4NzMtNTkyOC00ZmFhLTg0YmUtYzZiZDJjZThhOGQ1XkEyXkFqcGc@._V1_QL75_UY281_CR4,0,500,281_.jpg)
What to expect from a genre festival honoring the un-expected? The Fantasia International Film Festival returns to Montréal for its 28th edition from July 18 to August 4 and it promises a killer lineup — with over 125 features and more than 200 shorts in total. The festival’s third and final programming announcement, made exclusive to IndieWire first, includes features from Steven Kostanski, Eugene Kotlyarenko, Scooter McCrae, and more.
André Forcier will show on closing night for the festival with the world premiere of “Ababouiné.” The filmmaker’s latest is a distinctly regional period piece and buzzy potential masterpiece about a group of kids growing up in 1950s Quebec under the harsh eye of the Catholic Church. Fantasia has awarded the film’s director the Prix Denis-Héroux, an accolade “bestowed for exceptional contribution to the development of Quebec genre cinema.”
Oscar-nominated documentarian Pedro Kos makes his narrative feature debut with “In Our Blood,” starring...
André Forcier will show on closing night for the festival with the world premiere of “Ababouiné.” The filmmaker’s latest is a distinctly regional period piece and buzzy potential masterpiece about a group of kids growing up in 1950s Quebec under the harsh eye of the Catholic Church. Fantasia has awarded the film’s director the Prix Denis-Héroux, an accolade “bestowed for exceptional contribution to the development of Quebec genre cinema.”
Oscar-nominated documentarian Pedro Kos makes his narrative feature debut with “In Our Blood,” starring...
- 7/3/2024
- by Alison Foreman
- Indiewire
![Image](https://m.media-amazon.com/images/M/MV5BNWE2Y2Y3YzktOGVlOC00YWE2LWI0MmUtNzc4Yjg4MDAzY2YzXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,26,500,281_.jpg)
Hybrid doc to open in Canada on September 23.
Jason Loftus’s hybrid documentary Eternal Spring has been selected from a pool of 16 films to represent Canada at the 2023 Oscars.
Lofty Sky Entertainment produced and Sideways Film handles international sales on the film, which marks the 20th anniversary of a hack of Chinese state TV in March 2002 by outlawed Chinese religious group Falun Gong’s
Comic book illustrator Daxiong was a member of Falun Gong and fled the country after the hack triggered police raids. Arriving in North America, his views on the incident changed when he met the sole lone...
Jason Loftus’s hybrid documentary Eternal Spring has been selected from a pool of 16 films to represent Canada at the 2023 Oscars.
Lofty Sky Entertainment produced and Sideways Film handles international sales on the film, which marks the 20th anniversary of a hack of Chinese state TV in March 2002 by outlawed Chinese religious group Falun Gong’s
Comic book illustrator Daxiong was a member of Falun Gong and fled the country after the hack triggered police raids. Arriving in North America, his views on the incident changed when he met the sole lone...
- 8/24/2022
- by Jeremy Kay
- ScreenDaily
![Image](https://m.media-amazon.com/images/M/MV5BNzEwMmZlNzUtZjMyOC00ZDdlLTgyNGEtOTAwYTllZDc3ZTdiXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,26,500,281_.jpg)
Ivan Grbovic’s Drunken Bird (Les Oiseaux Ivres) will represent Canada in the best international feature film category as its official Oscar submission.
Telefilm Canada executive director and CEO Christa Dickenson said on Monday (October 4) that 10 films had been submitted to the pan-Canadian selection committee, adding: “Telefilm will support the film’s team on this exciting journey. This vote of confidence is a phenomenal springboard for these creators and a terrific opportunity for Canada to demonstrate the excellence of its film industry.”
‘Drunken Birds’: Toronto Review
Grbovic and Sara Mishara co-wrote the film produced by micro_scope. It premiered...
Telefilm Canada executive director and CEO Christa Dickenson said on Monday (October 4) that 10 films had been submitted to the pan-Canadian selection committee, adding: “Telefilm will support the film’s team on this exciting journey. This vote of confidence is a phenomenal springboard for these creators and a terrific opportunity for Canada to demonstrate the excellence of its film industry.”
‘Drunken Birds’: Toronto Review
Grbovic and Sara Mishara co-wrote the film produced by micro_scope. It premiered...
- 10/4/2021
- by Jeremy Kay
- ScreenDaily
![Image](https://m.media-amazon.com/images/M/MV5BZjNiNjkxY2UtNDdmYi00NzQ0LWFlYjctNTE3NmJjMTA0MDQ0XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,0,500,281_.jpg)
Deepa Mehta’s “Funny Boy” will represent Canada in the race for best international feature film at the 2021 Oscars.
Based on the best-selling novel by Shyam Selvadurai, the film follows a young boy’s sexual awakening in Sri Lanka during the turbulent Tamil-Sinhalese conflict leading up to the civil war. Ava DuVernay’s Array Releasing picked up the film for distribution earlier this month, with a Netflix release planned for Dec. 10, as revealed by Variety.
Mehta’s film “Water,” the third feature in her Elements trilogy, was Oscar-nominated in the international feature film category in 2007.
“Eleven outstanding films were submitted this year, and we are confident that Deepa Mehta’s ‘Funny Boy’ will appeal to Academy members just as her powerful film ‘Water’ did in 2007, when it was nominated in this prestigious category,” said Christa Dickenson, executive director of Telefilm Canada.
Telefilm coordinates and chairs — without voting right — the pan-Canadian...
Based on the best-selling novel by Shyam Selvadurai, the film follows a young boy’s sexual awakening in Sri Lanka during the turbulent Tamil-Sinhalese conflict leading up to the civil war. Ava DuVernay’s Array Releasing picked up the film for distribution earlier this month, with a Netflix release planned for Dec. 10, as revealed by Variety.
Mehta’s film “Water,” the third feature in her Elements trilogy, was Oscar-nominated in the international feature film category in 2007.
“Eleven outstanding films were submitted this year, and we are confident that Deepa Mehta’s ‘Funny Boy’ will appeal to Academy members just as her powerful film ‘Water’ did in 2007, when it was nominated in this prestigious category,” said Christa Dickenson, executive director of Telefilm Canada.
Telefilm coordinates and chairs — without voting right — the pan-Canadian...
- 10/29/2020
- by Manori Ravindran
- Variety Film + TV
![Frances McDormand in Nomadland (2020)](https://m.media-amazon.com/images/M/MV5BZjU3MGYwZjAtNmIzZC00YzkzLWI1NTAtMDQ3YjQzYmRlNjJlXkEyXkFqcGc@._V1_QL75_UX140_CR0,1,140,207_.jpg)
![Frances McDormand in Nomadland (2020)](https://m.media-amazon.com/images/M/MV5BZjU3MGYwZjAtNmIzZC00YzkzLWI1NTAtMDQ3YjQzYmRlNjJlXkEyXkFqcGc@._V1_QL75_UX140_CR0,1,140,207_.jpg)
It’s still very early, but it’s impossible not to take notice of what Chloe Zhao’s film Nomadland is doing right now. The fall film festival season has launched other movies, like Regina King’s One Night in Miami…, but none like Nomadland. Today, the flick added a pretty big feather in its cap, taking the prestigious Audience Award from the Toronto International Film Festival (with the aforementioned One Night in Miami… as runner up). Taking this prize from TIFF is a huge deal, even in an unusual awards season like this one. What does it mean for its Oscar aspirations? Read on to find out… So, what exactly does this mean for Nomadland? Looking specifically at the Audience Award and thinking in terms of its history, this is a somewhat reliable indicator of prestige, especially with the Academy. Nomadland now joins a group that has seen a...
- 9/20/2020
- by Joey Magidson
- Hollywoodnews.com
![American Animals (2018)](https://m.media-amazon.com/images/M/MV5BZGE0ZGU5ZDctOTNkYy00NmY4LTlkNzAtYmFhZGNkZWYyNWFmXkEyXkFqcGc@._V1_QL75_UY207_CR0,0,140,207_.jpg)
![American Animals (2018)](https://m.media-amazon.com/images/M/MV5BZGE0ZGU5ZDctOTNkYy00NmY4LTlkNzAtYmFhZGNkZWYyNWFmXkEyXkFqcGc@._V1_QL75_UY207_CR0,0,140,207_.jpg)
News coming out of Cannes 2019 was upbeat for multiple acclaimed specialized titles. They are still months away from domestic view, per usual. What is different this year is the lack of summer releases to supply the theaters needed to sustain these later films. A year ago, within a week or so of this early June weekend, three notable narrative titles with strong reviews, “American Animals,” “First Reformed,” and “Hearts Beat Loud,” all played to decent business at core theaters. And then “Won’t You Be My Neighbor?” burst into the mix, continuing the current wave of powerful documentary performers.
Whatever the varying quality, no limited opener this weekend is likely to amass a total gross of $250,000. That’s partly because they face serious competition from both “Booksmart” (United Artists) and “Rocketman” (Paramount), which debuted on thousands of screens after launching with splashy major festival attention. Both competed for the same pool of viewers.
Whatever the varying quality, no limited opener this weekend is likely to amass a total gross of $250,000. That’s partly because they face serious competition from both “Booksmart” (United Artists) and “Rocketman” (Paramount), which debuted on thousands of screens after launching with splashy major festival attention. Both competed for the same pool of viewers.
- 6/2/2019
- by Tom Brueggemann
- Indiewire
![Denys Arcand](https://m.media-amazon.com/images/M/MV5BMTI3ODY4MjkzM15BMl5BanBnXkFtZTYwNDYwNjg0._V1_QL75_UX140_CR0,2,140,207_.jpg)
![Denys Arcand](https://m.media-amazon.com/images/M/MV5BMTI3ODY4MjkzM15BMl5BanBnXkFtZTYwNDYwNjg0._V1_QL75_UX140_CR0,2,140,207_.jpg)
You could be forgiven for confusing the title of Canadian filmmaker Denys Arcand’s latest, the capitalist crime lark “The Fall of the American Empire,” with his 1986 battle-of-the-sexes talkathon, “The Decline of the American Empire.” Though they’re different stories, they’re cut from the same Arcand-ian cloth of sophisticated moral handwringing, with barbed lessons about society’s ills pouring from the mouths of cynical characters.
“Fall” has a broader entertainment canvas, however, with its commentary on avarice, inequality and charity sharing space with wry caper elements straight out of an Ealing Studios comedy. The mix is, for the most part, a welcome one, save one unappealing character, a retrograde love story, and an air that’s almost too blasé for its own good.
The set-up feels a little like something Woody Allen would have given his schlemiel persona in the early ’70s: Pierre-Paul (Alexandre Landry) is a mopey delivery service driver (with a Ph.
“Fall” has a broader entertainment canvas, however, with its commentary on avarice, inequality and charity sharing space with wry caper elements straight out of an Ealing Studios comedy. The mix is, for the most part, a welcome one, save one unappealing character, a retrograde love story, and an air that’s almost too blasé for its own good.
The set-up feels a little like something Woody Allen would have given his schlemiel persona in the early ’70s: Pierre-Paul (Alexandre Landry) is a mopey delivery service driver (with a Ph.
- 5/30/2019
- by Robert Abele
- The Wrap
![Sebastián Lelio](https://m.media-amazon.com/images/M/MV5BZWEwOWE2YmMtYzI5OS00N2IwLTk4NzUtMTdjY2M5ZTlkODA1XkEyXkFqcGc@._V1_QL75_UY207_CR6,0,140,207_.jpg)
![Sebastián Lelio](https://m.media-amazon.com/images/M/MV5BZWEwOWE2YmMtYzI5OS00N2IwLTk4NzUtMTdjY2M5ZTlkODA1XkEyXkFqcGc@._V1_QL75_UY207_CR6,0,140,207_.jpg)
Screen’s regularly updated list of foreign language Oscar submissions.
Nominations for the 91st Academy Awards are not until Tuesday January 22, but the first submissions for best foreign-language film are now being announced.
Last year saw a record 92 submissions for the award, which were narrowed down to a shortlist of nine. This was cut to five nominees, with Sebastián Lelio’s transgender drama A Fantastic Woman ultimately taking home the gold statue.
Screen’s interview with Mark Johnson, chair of the Academy’s foreign-language film committee, explains the shortlisting process from submission to voting.
Submitted films must be released theatrically...
Nominations for the 91st Academy Awards are not until Tuesday January 22, but the first submissions for best foreign-language film are now being announced.
Last year saw a record 92 submissions for the award, which were narrowed down to a shortlist of nine. This was cut to five nominees, with Sebastián Lelio’s transgender drama A Fantastic Woman ultimately taking home the gold statue.
Screen’s interview with Mark Johnson, chair of the Academy’s foreign-language film committee, explains the shortlisting process from submission to voting.
Submitted films must be released theatrically...
- 9/20/2018
- by Ben Dalton
- ScreenDaily
![Sebastián Lelio](https://m.media-amazon.com/images/M/MV5BZWEwOWE2YmMtYzI5OS00N2IwLTk4NzUtMTdjY2M5ZTlkODA1XkEyXkFqcGc@._V1_QL75_UY207_CR6,0,140,207_.jpg)
![Sebastián Lelio](https://m.media-amazon.com/images/M/MV5BZWEwOWE2YmMtYzI5OS00N2IwLTk4NzUtMTdjY2M5ZTlkODA1XkEyXkFqcGc@._V1_QL75_UY207_CR6,0,140,207_.jpg)
Screen’s regularly updated list of foreign language Oscar submissions.
Nominations for the 91st Academy Awards are not until Tuesday January 22, but the first submissions for best foreign-language film are now being announced.
Last year saw a record 92 submissions for the award, which were narrowed down to a shortlist of nine. This was cut to five nominees, with Sebastián Lelio’s transgender drama A Fantastic Woman ultimately taking home the gold statue.
Screen’s interview with Mark Johnson, chair of the Academy’s foreign-language film committee, explains the shortlisting process from submission to voting.
Submitted films must be released theatrically...
Nominations for the 91st Academy Awards are not until Tuesday January 22, but the first submissions for best foreign-language film are now being announced.
Last year saw a record 92 submissions for the award, which were narrowed down to a shortlist of nine. This was cut to five nominees, with Sebastián Lelio’s transgender drama A Fantastic Woman ultimately taking home the gold statue.
Screen’s interview with Mark Johnson, chair of the Academy’s foreign-language film committee, explains the shortlisting process from submission to voting.
Submitted films must be released theatrically...
- 9/20/2018
- by Ben Dalton
- ScreenDaily
![Sebastián Lelio](https://m.media-amazon.com/images/M/MV5BZWEwOWE2YmMtYzI5OS00N2IwLTk4NzUtMTdjY2M5ZTlkODA1XkEyXkFqcGc@._V1_QL75_UY207_CR6,0,140,207_.jpg)
![Sebastián Lelio](https://m.media-amazon.com/images/M/MV5BZWEwOWE2YmMtYzI5OS00N2IwLTk4NzUtMTdjY2M5ZTlkODA1XkEyXkFqcGc@._V1_QL75_UY207_CR6,0,140,207_.jpg)
Screen’s regularly updated list of foreign language Oscar submissions.
Nominations for the 91st Academy Awards are not until Tuesday January 22, but the first submissions for best foreign-language film are now being announced.
Last year saw a record 92 submissions for the award, which were narrowed down to a shortlist of nine. This was cut to five nominees, with Sebastián Lelio’s transgender drama A Fantastic Woman ultimately taking home the gold statue.
Screen’s interview with Mark Johnson, chair of the Academy’s foreign-language film committee, explains the shortlisting process from submission to voting.
Submitted films must be released theatrically...
Nominations for the 91st Academy Awards are not until Tuesday January 22, but the first submissions for best foreign-language film are now being announced.
Last year saw a record 92 submissions for the award, which were narrowed down to a shortlist of nine. This was cut to five nominees, with Sebastián Lelio’s transgender drama A Fantastic Woman ultimately taking home the gold statue.
Screen’s interview with Mark Johnson, chair of the Academy’s foreign-language film committee, explains the shortlisting process from submission to voting.
Submitted films must be released theatrically...
- 9/20/2018
- by Ben Dalton
- ScreenDaily
![Sophie Dupuis](https://m.media-amazon.com/images/M/MV5BMTFjMzAxMzMtYTlhNS00YWIyLWFjZGYtY2ViMWYxOGIxOThhXkEyXkFqcGc@._V1_QL75_UX140_CR0,1,140,207_.jpg)
![Sophie Dupuis](https://m.media-amazon.com/images/M/MV5BMTFjMzAxMzMtYTlhNS00YWIyLWFjZGYtY2ViMWYxOGIxOThhXkEyXkFqcGc@._V1_QL75_UX140_CR0,1,140,207_.jpg)
Drama earned three Iris Prizes at recent Gala Québec Cinéma.
Sophie Dupuis’ Chien de garde will represent Canada in the contest for the 2019 best foreign language film Oscar.
The Québecoise filmmaker’s narrative feature directorial debut centres on a man who tries to balance the demands of a needy family, the collections work he does with his brother, and the father figure / uncle who runs a drug cartel.
Jean-Simon Leduc, Théodore Pellerin, Claudel Laberge, Maude Guérin, and Paul Ahmarani star.
Etienne Hansez of Bravo Charlie produced Chien de Garde, which Axia Films distributed in Quebec. Telefilm Canada and others funded the feature,...
Sophie Dupuis’ Chien de garde will represent Canada in the contest for the 2019 best foreign language film Oscar.
The Québecoise filmmaker’s narrative feature directorial debut centres on a man who tries to balance the demands of a needy family, the collections work he does with his brother, and the father figure / uncle who runs a drug cartel.
Jean-Simon Leduc, Théodore Pellerin, Claudel Laberge, Maude Guérin, and Paul Ahmarani star.
Etienne Hansez of Bravo Charlie produced Chien de Garde, which Axia Films distributed in Quebec. Telefilm Canada and others funded the feature,...
- 9/19/2018
- by Jeremy Kay
- ScreenDaily
![Denys Arcand](https://m.media-amazon.com/images/M/MV5BMTI3ODY4MjkzM15BMl5BanBnXkFtZTYwNDYwNjg0._V1_QL75_UX140_CR0,2,140,207_.jpg)
![Denys Arcand](https://m.media-amazon.com/images/M/MV5BMTI3ODY4MjkzM15BMl5BanBnXkFtZTYwNDYwNjg0._V1_QL75_UX140_CR0,2,140,207_.jpg)
Charged with alternating currents of droll wit, sardonic cynicism, and socialist-tinged idealism, writer-director Denys Arcand’s “The Fall of the American Empire” is a richly amusing rumination on the excesses and amorality of capitalism that plays like an ingeniously contrived mashup of film noir melodrama and Ealing Studios comedy. Despite the title, the new film has nothing to do with “The Decline of the American Empire,” Arcand’s classic 1986 roundelay about the lusty lives and endless conversations of eight self-regarding French Canadian intellectuals. But it does share at least a few thematic threads with that movie’s Oscar-winning sequel, “The Barbarian Invasions” (2003), which suggested that, in times of crisis, even a die-hard socialist might appreciate the value of having a great deal of money at his disposal.
Of course, you don’t have to have seen either of those earlier works to enjoy “Fall of the American Empire.” It’s very much a stand-alone work,...
Of course, you don’t have to have seen either of those earlier works to enjoy “Fall of the American Empire.” It’s very much a stand-alone work,...
- 9/7/2018
- by Joe Leydon
- Variety Film + TV
This year’s Canadian feature slate — 25 in all — can be seen in six Tiff sections including Discovery, Tiff Docs and Wavelengths.
Among the selected features are highly anticipated films from fest alumni including Denys Arcand, Barry Avrich and the late Rob Stewart.
Arcand’s “The Fall of the American Empire” stars Alexandre Landry as Pierre-Paul Daoust, who faces a moral dilemma after discovering two bags of money. Sony Classics bought the North American rights to the film during the Cannes Film Festival in May. The film, which will play in Tiff’s special presentations section, is a thematic cousin to Arcand’s Oscar-nominated “The Decline of the American Empire” and the Oscar-winning “The Barbarian Invasions” (2003).
Avrich returns to Tiff’s docu section with “Prosecuting Evil: The Extraordinary World of Ben Ferencz,” a portrait of the United States’ chief prosecutor during the Nuremberg trial. Stewart’s final film, “Sharkwater Extinction” will...
Among the selected features are highly anticipated films from fest alumni including Denys Arcand, Barry Avrich and the late Rob Stewart.
Arcand’s “The Fall of the American Empire” stars Alexandre Landry as Pierre-Paul Daoust, who faces a moral dilemma after discovering two bags of money. Sony Classics bought the North American rights to the film during the Cannes Film Festival in May. The film, which will play in Tiff’s special presentations section, is a thematic cousin to Arcand’s Oscar-nominated “The Decline of the American Empire” and the Oscar-winning “The Barbarian Invasions” (2003).
Avrich returns to Tiff’s docu section with “Prosecuting Evil: The Extraordinary World of Ben Ferencz,” a portrait of the United States’ chief prosecutor during the Nuremberg trial. Stewart’s final film, “Sharkwater Extinction” will...
- 9/7/2018
- by Addie Morfoot
- Variety Film + TV
![Denys Arcand](https://m.media-amazon.com/images/M/MV5BMTI3ODY4MjkzM15BMl5BanBnXkFtZTYwNDYwNjg0._V1_QL75_UX140_CR0,2,140,207_.jpg)
![Denys Arcand](https://m.media-amazon.com/images/M/MV5BMTI3ODY4MjkzM15BMl5BanBnXkFtZTYwNDYwNjg0._V1_QL75_UX140_CR0,2,140,207_.jpg)
Completing the thematic trilogy that Denys Arcand began in 1986 with “The Decline of the American Empire,” and continued in 2002 with the Oscar-winning “The Barbarian Invasion,” “The Fall of the American Empire” is another of the Quebecois auteur’s playful and damning philosophical excoriations of societal values. Less of a sequel than it is a spiritual successor — there are no returning characters, and Arcand newcomers won’t have any trouble following the action — this thoroughly modern financial caper finds that America’s corruptive influence is still creeping up North, infecting its closest neighbor like a gangrenous rot that needs to be cut off at the knees.
What else is new? But if Arcand’s worldview hasn’t changed, his angle continues to grow more acute. Where “The Decline of the American Empire” focused on social ills, and “The Barbarian Invasions” was preoccupied with ideology, “The Fall of the American Empire” finds...
What else is new? But if Arcand’s worldview hasn’t changed, his angle continues to grow more acute. Where “The Decline of the American Empire” focused on social ills, and “The Barbarian Invasions” was preoccupied with ideology, “The Fall of the American Empire” finds...
- 9/6/2018
- by David Ehrlich
- Indiewire
![Denys Arcand](https://m.media-amazon.com/images/M/MV5BMTI3ODY4MjkzM15BMl5BanBnXkFtZTYwNDYwNjg0._V1_QL75_UX140_CR0,2,140,207_.jpg)
![Denys Arcand](https://m.media-amazon.com/images/M/MV5BMTI3ODY4MjkzM15BMl5BanBnXkFtZTYwNDYwNjg0._V1_QL75_UX140_CR0,2,140,207_.jpg)
The Toronto Intl. Film Festival has added Denys Arcand’s crime thriller “The Fall of the American Empire” and 18 other Canadian films to its lineup.
Nine of the films are directed by women and 14 are world premieres.
“We’re especially proud to present such a diverse group of films,” said Steve Gravestock, senior programmer. “Ranging from science fiction to fantasy, myth to documentary, and romance to a dystopic vision of our neighbours to the south, this year’s Canadian films come from every region in the country, stretching from east to west and north to south.”
“The Fall of the American Empire” stars Alexandre Landry, Maxim Roy, Yan England, and Rémy Girard and centers Landry’s character discovering two bags of money and facing a moral dilemma. Arcand was inspired to make the film after learning about the 2010 murder of two people in a Montreal boutique.
Sony Classics bought the...
Nine of the films are directed by women and 14 are world premieres.
“We’re especially proud to present such a diverse group of films,” said Steve Gravestock, senior programmer. “Ranging from science fiction to fantasy, myth to documentary, and romance to a dystopic vision of our neighbours to the south, this year’s Canadian films come from every region in the country, stretching from east to west and north to south.”
“The Fall of the American Empire” stars Alexandre Landry, Maxim Roy, Yan England, and Rémy Girard and centers Landry’s character discovering two bags of money and facing a moral dilemma. Arcand was inspired to make the film after learning about the 2010 murder of two people in a Montreal boutique.
Sony Classics bought the...
- 8/1/2018
- by Dave McNary
- Variety Film + TV
![Spike Lee](https://m.media-amazon.com/images/M/MV5BMTgyMTEyNDgxOF5BMl5BanBnXkFtZTcwNTkzMTA3Nw@@._V1_QL75_UY207_CR8,0,140,207_.jpg)
![Spike Lee](https://m.media-amazon.com/images/M/MV5BMTgyMTEyNDgxOF5BMl5BanBnXkFtZTcwNTkzMTA3Nw@@._V1_QL75_UY207_CR8,0,140,207_.jpg)
Cannes is settling down after a flurry of early-week activity thanks to theater walkouts and the outspoken Spike Lee.
Tuesday night premieres led to Wednesday reflections on the competition films, as there was no giant wookiee on the red carpet to distract reporters and industry types from their duties.
David Robert Mitchell’s “Under the Silver Lake” premiered to mixed reviews, which puts star Andrew Garfield in a familiar position. But the response to actor-director Kevin Connolly’s “Gotti” with John Travolta was about as glaring as a neon “Bada Bing!” sign.
Also Read: Whitney Houston Doc Serves Up Bombshells, Paula Abdul Shade in First Trailer (Video)
Garfield Treads Water
As Spider-Man, Garfield has stated many times how unenjoyable the commercial Hollywood machine became for him. He’s since been playing in Broadway’s sandbox and, while awards campaigning for 2016’s “Silence,” shot the hipster mystery “Under the Silver Lake” with director David Robert Mitchell.
Tuesday night premieres led to Wednesday reflections on the competition films, as there was no giant wookiee on the red carpet to distract reporters and industry types from their duties.
David Robert Mitchell’s “Under the Silver Lake” premiered to mixed reviews, which puts star Andrew Garfield in a familiar position. But the response to actor-director Kevin Connolly’s “Gotti” with John Travolta was about as glaring as a neon “Bada Bing!” sign.
Also Read: Whitney Houston Doc Serves Up Bombshells, Paula Abdul Shade in First Trailer (Video)
Garfield Treads Water
As Spider-Man, Garfield has stated many times how unenjoyable the commercial Hollywood machine became for him. He’s since been playing in Broadway’s sandbox and, while awards campaigning for 2016’s “Silence,” shot the hipster mystery “Under the Silver Lake” with director David Robert Mitchell.
- 5/16/2018
- by Matt Donnelly
- The Wrap
Sony Pictures Classics has picked up U.S. rights to Oscar winner Denys Arcand’s upcoming The Fall of the American Empire. This is a follow-up of sorts to the Canadian helmer’s 1986 Oscar nominee The Decline Of The American Empire. Spc has also acquired all rights in Latin America, Australia and New Zealand.
The film explores the predominance of capitalism in a society where all other values seem to have crumbled. It centers on Pierre-Paul, a 36-year-old intellectual with a PhD in philosophy who is forced to work as a deliveryman to earn a decent living. One day, while delivering a parcel, he gets caught in a hold-up gone terribly wrong. With two dead and millions in money bags laying on the ground, Pierre-Paul is confronted with a dilemma: leave empty-handed, or take the money and run?
Alexandre Landry (Gabrielle) stars as Pierre-Paul with newcomer Maripier Morin, Louis Morissette...
The film explores the predominance of capitalism in a society where all other values seem to have crumbled. It centers on Pierre-Paul, a 36-year-old intellectual with a PhD in philosophy who is forced to work as a deliveryman to earn a decent living. One day, while delivering a parcel, he gets caught in a hold-up gone terribly wrong. With two dead and millions in money bags laying on the ground, Pierre-Paul is confronted with a dilemma: leave empty-handed, or take the money and run?
Alexandre Landry (Gabrielle) stars as Pierre-Paul with newcomer Maripier Morin, Louis Morissette...
- 5/16/2018
- by Nancy Tartaglione
- Deadline Film + TV
Sony Pictures Classics has acquired U.S. and Latin American rights to Canadian director Denys Arcand's comedy The Fall of the American Empire.
The French-language film, now in postproduction, is the follow-up to Arcand's Oscar-nominated The Decline of the American Empire. That 1986 film completed a trilogy by Arcand, a Cannes veteran, that includes The Barbarian Invasions, which won the Oscar for best foreign-language film in 2005.
Thirty years after the original film, Fall of the American Empire explores the dominant role capitalism plays in society when other values appear to have crumbled. Pierre-Paul Daoust, an intellectual played by Alexandre Landry, is ...
The French-language film, now in postproduction, is the follow-up to Arcand's Oscar-nominated The Decline of the American Empire. That 1986 film completed a trilogy by Arcand, a Cannes veteran, that includes The Barbarian Invasions, which won the Oscar for best foreign-language film in 2005.
Thirty years after the original film, Fall of the American Empire explores the dominant role capitalism plays in society when other values appear to have crumbled. Pierre-Paul Daoust, an intellectual played by Alexandre Landry, is ...
- 5/16/2018
- The Hollywood Reporter - Film + TV
![The Decline of the American Empire (1986)](https://m.media-amazon.com/images/M/MV5BYjAxNDE5NjMtYjU4OC00ZDFlLWIzOTgtYzBkNDRlNzZkMGQ3XkEyXkFqcGc@._V1_QL75_UX140_CR0,0,140,207_.jpg)
![The Decline of the American Empire (1986)](https://m.media-amazon.com/images/M/MV5BYjAxNDE5NjMtYjU4OC00ZDFlLWIzOTgtYzBkNDRlNzZkMGQ3XkEyXkFqcGc@._V1_QL75_UX140_CR0,0,140,207_.jpg)
Sony Pictures Classics has acquired the U.S. and Latin American rights to Canadian director Denys Arcand's The Fall of the American Empire comedy.
The French-language film, now in postproduction, will be the follow-up to Arcand's Oscar-nominated The Decline of the American Empire. That 1986 film completed a trilogy by Arcand, a Cannes veteran, that includes The Barbarian Invasions, which won the Oscar for best foreign-language film in 2005.
Thirty years after the original film, The Fall of the American Empire explores the dominant role capitalism plays in society when other values appear to have crumbled. Pierre-Paul Daoust, an intellectual played by ...
The French-language film, now in postproduction, will be the follow-up to Arcand's Oscar-nominated The Decline of the American Empire. That 1986 film completed a trilogy by Arcand, a Cannes veteran, that includes The Barbarian Invasions, which won the Oscar for best foreign-language film in 2005.
Thirty years after the original film, The Fall of the American Empire explores the dominant role capitalism plays in society when other values appear to have crumbled. Pierre-Paul Daoust, an intellectual played by ...
- 5/16/2018
- The Hollywood Reporter - Movie News
Sony Pictures Classics is in exclusive negotiations to buy “The Fall of the American Empire,” Variety has learned.
The Canadian crime thriller was written and directed by Denys Arcand and stars Alexandre Landry, Maxim Roy, Yan England and Rémy Girard. It centers on a man (Landry) who discovers two bags of money and is faced with a moral dilemma. Arcand was inspired to make the film after learning about the 2010 murder of two people in a Montreal boutique.
No deal for the film is in place, so a pact could fall through. However, it appears increasingly likely that the indie distributor will land distribution rights. The film is a thematic cousin to Arcand’s Oscar-nominated “The Decline of the American Empire” and the Oscar-winning “The Barbarian Invasions” (2003).
Sony has a strong track record with art house fare. The company scored a best picture Oscar nod last year for “Call Me by Your Name,...
The Canadian crime thriller was written and directed by Denys Arcand and stars Alexandre Landry, Maxim Roy, Yan England and Rémy Girard. It centers on a man (Landry) who discovers two bags of money and is faced with a moral dilemma. Arcand was inspired to make the film after learning about the 2010 murder of two people in a Montreal boutique.
No deal for the film is in place, so a pact could fall through. However, it appears increasingly likely that the indie distributor will land distribution rights. The film is a thematic cousin to Arcand’s Oscar-nominated “The Decline of the American Empire” and the Oscar-winning “The Barbarian Invasions” (2003).
Sony has a strong track record with art house fare. The company scored a best picture Oscar nod last year for “Call Me by Your Name,...
- 5/13/2018
- by Brent Lang and Elsa Keslassy
- Variety Film + TV
Seville International will handle international sales on Denys Arcand’s (The Barbarian Invasions) upcoming comedy The Fall Of The American Empire, a follow of sorts to his 1986 Oscar-nominee The Decline Of The American Empire.
The French-language film, which is currently in post-production, was written and directed by Arcand and produced by regular collaborator Denise Robert. In 2004, the duo teamed on The Barbarian Invasions which won the Oscar for Best Foreign Language Film and was nommed for Best Original Screenplay.
According to the production, the movie “takes a witty and touching look at the predominance of money in a society where all other values seem to have crumbled.” The protagonist, Pierre-Paul Daoust, 36, an intellectual with a PhD in philosophy is forced to work as a deliveryman to afford a decent living. One day, while delivering a parcel, he gets caught in a hold up gone terribly wrong: two dead and millions...
The French-language film, which is currently in post-production, was written and directed by Arcand and produced by regular collaborator Denise Robert. In 2004, the duo teamed on The Barbarian Invasions which won the Oscar for Best Foreign Language Film and was nommed for Best Original Screenplay.
According to the production, the movie “takes a witty and touching look at the predominance of money in a society where all other values seem to have crumbled.” The protagonist, Pierre-Paul Daoust, 36, an intellectual with a PhD in philosophy is forced to work as a deliveryman to afford a decent living. One day, while delivering a parcel, he gets caught in a hold up gone terribly wrong: two dead and millions...
- 5/1/2018
- by Andreas Wiseman
- Deadline Film + TV
Yesterday afternoon, the Toronto International Film Festival announced their award winners. Notably, the Audience Award, which is the top prize at Tiff, went to Martin McDonagh’s Three Billboards Outside Ebbing, Missouri. The runner ups were, perhaps surprisingly, Craig Gillespie’s I, Tonya, as well as Luca Guadagnino’s Call Me By Your Name. The win for Three Billboards Outside Ebbing, Missouri was slightly surprising, though the word out of Toronto has been incredibly positive. After taking a prize recently at the Venice Film Festival for Screenplay, it’s currently the most awarded contender of the year so far. If nothing else, that’s a nice head start for a movie such as this one. Looking specifically at the Audience Award and thinking in terms of its history, this is a somewhat reliable indicator of prestige. Three Billboards Outside Ebbing, Missouri now joins a group that has five prior Best Picture winners,...
- 9/18/2017
- by Joey Magidson
- Hollywoodnews.com
Yesterday, the Toronto International Film Festival gave out its awards for 2016, with Damien Chazelle’s La La Land taking the top prize. That distinction, the People’s Choice prize, also known as the Audience Award, puts it into some very strong company (for those wondering, the first runner up was Lion, while the second runner up was Queen Of Katwe). The original musical, which stars Ryan Gosling and Emma Stone, has been winning over viewers for a few weeks now, starting out at the Venice Film Festival, continuing at the Telluride Film Festival, and now charming everyone at Toronto. At this point, it was already considered the frontrunner in Best Picture, but now, one can say it with more distinction. Frankly, it’s hard not to consider this the one to beat right now. In terms of this particular award and its history, this is a somewhat reliable indicator of prestige.
- 9/19/2016
- by Joey Magidson
- Hollywoodnews.com
During the afternoon yesterday, the Toronto International Film Festival gave out its prestigious Audience Award, often considered a harbinger for the Academy Awards. The winner at Tiff this year? Well, in a bit of an upset, it was none other than Room, the Lenny Abrahamson directed film that stars Brie Larson in a role that’s generated some major Oscar buzz. The inside word had big time award player Spotlight as the odds on favorite for the prize, but Room is what wound up taking it. As such, this is now a contender worth paying even more attention to than we were already. It’s a player, no doubt about it… For those who aren’t aware of this one, Room is an adaptation of the beloved novel by Emma Donoghue, who also penned the screenplay. It centers on a mother named Ma (played by Larson) and her young son...
- 9/21/2015
- by Joey Magidson
- Hollywoodnews.com
The national film body is behind a Us tour this autumn of 10 new comedies without Us distribution.
Former MoMA senior curator of film Laurence Kardish selected the films, which will arrive in New York and travel to Los Angeles and additional markets.
The Canada Cool tour runs from throughout the autumn and kicks off in New York on September 18 with the premiere of Robert Cohen’s Being Canadian (pictured) at Cinema Village.
The other titles are: Ingrid Veninger’s Animal Project; Shayne Ehman and Seth Scriver’s Asphalt Watches; Jeffrey St Jules’ Bang Bang Baby; and Émile Gaudreault’s Fathers And Guns (De Père En Flic).
Rounding out the slate are Henri Henri by Martin Talbot;
Relative Happiness from Deanne Foley; Kris Elgstrand’s Songs She Wrote About People She Knows; Aaron Houston’s Sunflower Hour; and Maureen Bradley’s Two 4 One.
Classics Selection entries are John Paizs’ Crime Wave and The Decline Of The American Empire (Le Déclin...
Former MoMA senior curator of film Laurence Kardish selected the films, which will arrive in New York and travel to Los Angeles and additional markets.
The Canada Cool tour runs from throughout the autumn and kicks off in New York on September 18 with the premiere of Robert Cohen’s Being Canadian (pictured) at Cinema Village.
The other titles are: Ingrid Veninger’s Animal Project; Shayne Ehman and Seth Scriver’s Asphalt Watches; Jeffrey St Jules’ Bang Bang Baby; and Émile Gaudreault’s Fathers And Guns (De Père En Flic).
Rounding out the slate are Henri Henri by Martin Talbot;
Relative Happiness from Deanne Foley; Kris Elgstrand’s Songs She Wrote About People She Knows; Aaron Houston’s Sunflower Hour; and Maureen Bradley’s Two 4 One.
Classics Selection entries are John Paizs’ Crime Wave and The Decline Of The American Empire (Le Déclin...
- 7/23/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Every generation believes that the generation to follow it, and possibly the generation to precede it, will, or already has, led to the deterioration of civilization.
In Denys Arcand’s 2003 film The Barbarian Invasions, 9/11 has just recently hit American soil, and the tension between the old and the young has been brought to new light. The incoming class are the “puritanical capitalists”, as the ageing Remy (Remy Girard) explains, himself a self-professed “sensual socialist”. But now in Arcand’s Quebec, Remy is dying and stuck in the bureaucratic, underserved system his generation helped create.
We’d hardly bat an eye for the philandering behavior and lifestyle that got Remy in this place to begin with, but The Barbarian Invasions is not the start of Arcand’s story. The Decline of the American Empire, from 1986, endears us to a young Remy and his equally promiscuous friends and lovers. The movie is...
In Denys Arcand’s 2003 film The Barbarian Invasions, 9/11 has just recently hit American soil, and the tension between the old and the young has been brought to new light. The incoming class are the “puritanical capitalists”, as the ageing Remy (Remy Girard) explains, himself a self-professed “sensual socialist”. But now in Arcand’s Quebec, Remy is dying and stuck in the bureaucratic, underserved system his generation helped create.
We’d hardly bat an eye for the philandering behavior and lifestyle that got Remy in this place to begin with, but The Barbarian Invasions is not the start of Arcand’s story. The Decline of the American Empire, from 1986, endears us to a young Remy and his equally promiscuous friends and lovers. The movie is...
- 4/22/2015
- by Brian Welk
- SoundOnSight
For its upcoming third edition (12-16 November), Los Cabos International Film Festival (previously known as Baja International Film Festival) has a brand new image, but it is once again showcasing the cinema of Mexico, the United States, and Canada. The festival revealed yesterday the details regarding the Canadian part of its official selection. It also confirmed a couple of tributes, dedicated to two widely celebrated Canadian filmmakers. It's all about Canada so far for this Mexican film festival, indeed. The directors that are being honored by Los Cabos are Denys Arcand and Atom Egoyan. Arcand is best known for The Decline of the American Empire and its Academy Award-winning sequel, The Barbarian Invasions. Egoyan is a longtime favorite at the Cannes Film Festival, with such awarded...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 9/9/2014
- Screen Anarchy
With just two days left until the Oscars, all of Hollywood is buzzing with anticipation over the Academy Awards. With so many of the races difficult to call, have you got your picks ready for Sunday yet? This week the Academy has been hosting “Oscar® Celebrates” events at the Samuel Goldwyn Theater in Beverly Hills – all of which have been open to the public in order to meet some of the nominees. Those in the Hollywood and Highland area have been getting a special first peek from the sidelines at the red carpet being readied, bleacher seats being assembled and the finishing touches added to the Dolby Theatre.
On Friday morning members of the media had a chance to meet the Foreign Language nominees on the red carpet. The filmmakers and stars shared their reactions to being one of the seventy-one films that originally qualified in the category.
The Kon-tiki...
On Friday morning members of the media had a chance to meet the Foreign Language nominees on the red carpet. The filmmakers and stars shared their reactions to being one of the seventy-one films that originally qualified in the category.
The Kon-tiki...
- 2/23/2013
- by Michelle McCue
- WeAreMovieGeeks.com
![Kim Nguyen](https://m.media-amazon.com/images/M/MV5BNzU2NjAwNTUwNV5BMl5BanBnXkFtZTgwMjQ4NDA1NjE@._V1_QL75_UX500_CR0,18,500,281_.jpg)
Canada has selected Kim Nguyen's "War Witch" (aka "Rebelle") as its entry for the Best Foreign Language Oscar. Telefilm Canada chairs the pan-Canadian Oscar selection committee that chose the film. The film's star, Rachel Mwanza, won Best Actress at Berlin and at Tribeca, where the film also won Best Narrative Feature. Mwanza stars in a brutal tale of child soldiers in the Democratic Republic of Congo, where the film was shot. Tribeca is releasing the film. Says Nguyen, "After 10 years in development and a production marked by many adventures that have provided me with everlasting memories of the Congo and its people, this recognition warms my heart." Canada has had six nominated films in the Oscar race for Best Foreign Language film since 1971, of which three were directed by Denys Arcand: "Jesus of Montreal," "The Decline of the American Empire" and its sequel, "The Barbarian Invasions," which won.
- 9/18/2012
- by Sophia Savage
- Thompson on Hollywood
Generally you can find plenty of information about your favorite stateside filmmaker, and depending on who they are (see: David Gordon Green), you can find a long list of potential upcoming projects to investigate. But being head-over-heels for a foreign director is a different story -- without the Hollywood system or independent film cliques to generate word of mouth or gossip, you can spend years without hearing a peep from even the biggest festival sweethearts, and only last week were were discussing around the Playlist water cooler where some of our favorite international filmmakers had gone in the last few years.
As we were pondering the status of these auteurs, good news hit the trades: Arnaud Desplechin's adaptation of Georges Devereux's "Psychotherapy Of A Plains Indian" found a star in Benicio Del Toro and would be shooting June 18th in Michigan. Titled "Jimmy Picard," Del Toro would play the...
As we were pondering the status of these auteurs, good news hit the trades: Arnaud Desplechin's adaptation of Georges Devereux's "Psychotherapy Of A Plains Indian" found a star in Benicio Del Toro and would be shooting June 18th in Michigan. Titled "Jimmy Picard," Del Toro would play the...
- 6/18/2012
- by The Playlist Staff
- The Playlist
Nadine Labaki, Where Do We Go Now? Lebanese actress-filmmaker Nadine Labaki's second feature, the musical Et maintenant, on va où? / Where Do We Go Now?, was the surprise winner of the Toronto Film Festival's Cadillac People's Choice Award. Toronto doesn't have a jury like Cannes, Berlin, or Venice; festivalgoers pick the winner each year. Apparently inspired by Aristophanes' Lysistrata — which presents women as peace lovers and men as (sex-starved) war lovers — Where Do We Go Now? tells the story of female Lebanese villagers who take some unusual steps to prevent Muslim-Christian strife in their area. Those include hiring Ukrainian casino showgirls and serving hash-laced cookies. Labaki's feature-film debut, the charming romantic comedy-drama Caramel, had its North American premiere at the Toronto festival in 2007. That movie didn't win any awards in Toronto; Labaki wasn't expecting any for Where Do We Go Now?, either, what with the English-language media insisting...
- 9/18/2011
- by Andre Soares
- Alt Film Guide
In honor of Canada Day, we are republishing this post -- Ranylt's first on the site -- from Canada Day 2007.
July 1 is Canada Day, so while my compatriots are busy painting themselves red and perfecting their Maenadic howls in time for tonight's fireworks, I've been tasked with offering up a list of ten nifty Canadian films that are mostly off the radar outside of this country (and I throw my arms around you in delight if you're a foreigner who's actually seen any of these--French kisses for anyone who appreciates them, to boot).
Many readers seem familiar with Atom Egoyan's The Sweet Hereafter and Denys Arcand's The Decline of the American Empire. And David Cronenberg's body of work needs no introduction thanks to The Fly, Naked Lunch, Scanners, Crash (the other Crash!) and Videodrome. As unnatural as it is to omit Egoyan, Arcand and Cronenberg from a Canadian film overview,...
July 1 is Canada Day, so while my compatriots are busy painting themselves red and perfecting their Maenadic howls in time for tonight's fireworks, I've been tasked with offering up a list of ten nifty Canadian films that are mostly off the radar outside of this country (and I throw my arms around you in delight if you're a foreigner who's actually seen any of these--French kisses for anyone who appreciates them, to boot).
Many readers seem familiar with Atom Egoyan's The Sweet Hereafter and Denys Arcand's The Decline of the American Empire. And David Cronenberg's body of work needs no introduction thanks to The Fly, Naked Lunch, Scanners, Crash (the other Crash!) and Videodrome. As unnatural as it is to omit Egoyan, Arcand and Cronenberg from a Canadian film overview,...
- 7/1/2010
- by Dustin Rowles
As you may have noticed, I will not be done with my Decade in Review until sometime into the new year. Hopefully we'll wrap up shortly after the Oscars; You know how distractingly all-consuming the Oscars can be! I hope you'll stay with it even though the rest of the media will move on any second now. They're always in such a rush. No stopping and smelling of the flowers. I've still got to update that "Actors of the Aughts" project for final compilation/statement. For now, let's move on to 2003. What follows is my original top ten list, based on films released in NYC in 2003. If I have anything new to say that'll be in red after the original text.
Special Mentions: The Cremaster Cycle and Angels in America
Most Underappreciated: Hulk (Ang Lee), In the Cut (Jane Campion), Anything Else (Woody Allen), Charlies Angels: Full Throttle (McG) and...
Special Mentions: The Cremaster Cycle and Angels in America
Most Underappreciated: Hulk (Ang Lee), In the Cut (Jane Campion), Anything Else (Woody Allen), Charlies Angels: Full Throttle (McG) and...
- 12/8/2009
- by NATHANIEL R
- FilmExperience
From a media release:
I Killed my Mother submitted as Canada’s representative for nomination in the Best Foreign Language Film category.
Montréal, Quebec, September 22, 2009 – Telefilm Canada is proud to announce that I Killed my Mother (J’ai tué ma mère), directed by Xavier Dolan, has been submitted for nomination as Best Foreign Language Film at the 82nd annual Academy Awards, to be held March 7, 2010.
Telefilm Canada chairs the pan-Canadian selection committee and is a non-voting member. The committee comprises 24 voting members representing major film industry associations and government agencies. This year, I Killed my Mother (J’ai tué ma mère) was selected from among 18 eligible films. The nominations for the 82nd Academy Awards will be announced on February 2, 2010.
“A Canadian film in the race for the Oscars provides outstanding exposure for Canadian productions among domestic as well as international audiences,” stated Sheila de La Varende, Telefilm Canada’s Director...
I Killed my Mother submitted as Canada’s representative for nomination in the Best Foreign Language Film category.
Montréal, Quebec, September 22, 2009 – Telefilm Canada is proud to announce that I Killed my Mother (J’ai tué ma mère), directed by Xavier Dolan, has been submitted for nomination as Best Foreign Language Film at the 82nd annual Academy Awards, to be held March 7, 2010.
Telefilm Canada chairs the pan-Canadian selection committee and is a non-voting member. The committee comprises 24 voting members representing major film industry associations and government agencies. This year, I Killed my Mother (J’ai tué ma mère) was selected from among 18 eligible films. The nominations for the 82nd Academy Awards will be announced on February 2, 2010.
“A Canadian film in the race for the Oscars provides outstanding exposure for Canadian productions among domestic as well as international audiences,” stated Sheila de La Varende, Telefilm Canada’s Director...
- 9/22/2009
- by anhkhoido@hotmail.com (Anh Khoi Do)
- The Cultural Post
![Days of Darkness (2007)](https://m.media-amazon.com/images/M/MV5BZjNmNTI1NjYtOTIzZi00YjBkLTljOTQtMmJjOGM1ZGRiOTNiXkEyXkFqcGc@._V1_QL75_UX140_CR0,1,140,207_.jpg)
Canada sends Arcand's 'Darkness' to Oscars
![Days of Darkness (2007)](https://m.media-amazon.com/images/M/MV5BZjNmNTI1NjYtOTIzZi00YjBkLTljOTQtMmJjOGM1ZGRiOTNiXkEyXkFqcGc@._V1_QL75_UX140_CR0,1,140,207_.jpg)
TORONTO -- "L'Age des tenebres" (Days of Darkness), Oscar-winning director Denys Arcand's latest film, will represent Canada in the foreign-language film competition at the upcoming Academy Awards.
The Quebec film completes a trilogy by Arcand that began with "Decline of the American Empire" and includes "Les Invasions barbares" (The Barbarian Invasions), which won the Oscar for best foreign-language film in 2005.
Produced by Denise Robert, "L'Age des tenebres", a portrait of a Walter Mitty-like everyman who uses fantasy to endure life, bowed In Competition at Cannes and recently screened at the Toronto International Film Festival.
The film was selected to represent Canada at the Oscars by a committee headed up by Telefilm Canada, the federal government's film financier.
In 2006, Deepa Mehta's "Water" was nominated in the foreign-language film category at the Oscars, but lost out to Florian Henckel von Donnersmarck's "The Lives of Others".
The Quebec film completes a trilogy by Arcand that began with "Decline of the American Empire" and includes "Les Invasions barbares" (The Barbarian Invasions), which won the Oscar for best foreign-language film in 2005.
Produced by Denise Robert, "L'Age des tenebres", a portrait of a Walter Mitty-like everyman who uses fantasy to endure life, bowed In Competition at Cannes and recently screened at the Toronto International Film Festival.
The film was selected to represent Canada at the Oscars by a committee headed up by Telefilm Canada, the federal government's film financier.
In 2006, Deepa Mehta's "Water" was nominated in the foreign-language film category at the Oscars, but lost out to Florian Henckel von Donnersmarck's "The Lives of Others".
- 9/20/2007
- The Hollywood Reporter - Movie News
![Denys Arcand](https://m.media-amazon.com/images/M/MV5BMTI3ODY4MjkzM15BMl5BanBnXkFtZTYwNDYwNjg0._V1_QL75_UX140_CR0,2,140,207_.jpg)
Cesars enjoy Quebec 'Invasions'
![Denys Arcand](https://m.media-amazon.com/images/M/MV5BMTI3ODY4MjkzM15BMl5BanBnXkFtZTYwNDYwNjg0._V1_QL75_UX140_CR0,2,140,207_.jpg)
PARIS -- Filmmaker Denys Arcand's The Barbarian Invasions, an ode to friendship and death, was the big winner at France's top film honors, the Cesars. Invasions -- a sequel to Arcand's The Decline of the American Empire, which the Canadian director made 17 years ago -- won Cesars for best French film of the year, best director and best original screenplay at the glittering awards ceremony on Saturday night. Invasions, which reunites a group of friends around the deathbed of one of the film's characters, will compete for two Oscars for best foreign-language film and best screenplay. The film beat out top contenders Bon Voyage and Pas sur la bouche (Not on the Mouth), which had 11 and eight nominations, respectively. Jean-Paul Rappeneau's 1940s drama of romance and political intrigue, Bon Voyage won three Cesars for best cinematography, best production design and best male newcomer, Gregori Derangere.
- 2/23/2004
- The Hollywood Reporter - Movie News
Landmark selling 'Empire' DVDs
The nation's largest independent theatrical chain, Landmark Theatres, on Friday will begin selling in its theaters the DVD version of director Denys Arcand's The Decline of the American Empire, the Oscar-nominated film that introduced the characters of Arcand's latest film, The Barbarian Invasions, which is in theatrical release from Miramax Films. The Los Angeles-based company acquired exclusive rights to the DVD version, offering art house patrons a film that was out of print in the United States. The DVD effort is a first-time experiment for Landmark.
- 12/17/2003
- The Hollywood Reporter - Movie News
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