User Reviews

A relatively quiet and simple movie, but in a good way that leaves the viewer with a nice, somewhat melancholic wistfulness.

The movie excellently captures the world it portrays (one summer holiday season with the owner, staff and guests of a Catskill hotel that has seen better days). As others have noted, Maureen Stapleton makes the movie worthwhile on her own, and it's a special pleasure for anyone who has an appreciation for the history of such resort hotels, and the role they played giving many entertainers a start in "the old days."

The Nat King Cole song of the same title captures in song much of what the movie captures on film.

Sweet Loraine captures the Catskills experience like no other film. Much more authentic and emotionally honest than Dirty Dancing and other films of this genre,Sweet Loraine communicates the innocence and tenderness of the post-war generation of Jewish adolescents and celebrates the bittersweet passing of a a more gentle and carefree time. Toward this end, the writers employ a clever cross-generational plot design in which the challenges facing the owner of a declining Catskill resort hotel are balanced by the struggles of her visiting granddaughter. Maureen Stapleton's portrayal of the grandmother communicates the wisdom and experience of age without any of the stereotypical clichés which often accompany such roles. As her granddaughter, Trini Alvarado offers an understated performance that perfectly captures the transition from the blind certainty of youth to awareness of forces beyond her control. Sweet Loraine is one of the top five indie films of all time, and the gold standard for films about the Catskill Mountain resorts.

Small, sweet, enchanting movie. It's real nice to see a movie with original characters, no explosions and no big stars. Drama that puts a smile in your face.

The final season of a Catskill hotel that has seen its best days provides the framework for this film, featuring Maureen Stapleton as the owner who must decide whether or not to sell, Trini Alvarado as her granddaughter who wishes to soldier on as a partner, and a raft of others performing as employees of the hotel whose activities comprise numerous subplots. The work is highly episodic, but most scenes are permitted to pass with virtually no development, leading to a rather downbeat feeling in the viewer, with the significance of reminiscence for the players being largely unappreciated; an entirely unfocussed exercise.

Although I personally think this movie is a 10, I have to give it an 8, because there are a fair number of lines in this movie that will cruise directly over the head of any viewer who has never been to the Borscht Belt.

I used to work at a resort in the Catskills in the summers of the 80's, and every time I watch this movie -- I've got goose bumps from start to finish. It's accurate. Dang accurate. Yes, I too used to wave and yell hello to Jerry. Once airfares became affordable to "normal" people, East Coasters started vacationing all over the country, and every single one of the grand old resorts of the Catskills went through a period of struggling to maintain guest counts, afford repairs on demand, etc. etc. A few have managed to survive and weather the changes. Others went fallow for many years before being purchased and turned into vast corporate golf resorts. Still others remain fallow to this day. Nope, I'm not going to spoil which of these three categories the Lorraine fits into. You'll have to watch to find out.

As Lillian, Maureen Stapleton captured the quintessential Catskills resort matron. Every "character" I ever worked with up there, I saw a piece of them in one or another of the characters in this movie. The hotshots, the quiet workers, the social butterflies, the lovable curmudgeon head chef, etc. etc. The Lorraine was no bed-and-breakfast. "She" was a full fledged resort with a dining room that could sit a couple hundred and enough guest rooms to accommodate even more, dance classes, calisthenics, sports, evening variety shows, etc. etc. Like a page straight out of Ulster County history.

As Molly, Trini Alvarado really brought out the yearning that was in all of us in the 80's -- to recreate the bygone glory of the Catskills all of our parents and grandparents waxed nostalgic about, that real never-give-up spirit. As Sam, Lee Richardson portrays a cook for whom I would be delighted to return to the iceline -- hard-driving but warm-hearted.

I'm glad to see new life being breathed back into the region now, but it will never again be like the old days when the resorts were owned by families, the staff became family, and time hung in a bubble from Fathers Day until Labor Day every single year. The warmth was so genuine, and this movie captures it. If it hadn't, I would feel as completely ambivalent toward this movie as I do toward Dirty Dancing.

This is a heartwarming story of human hearts, a couple of love stories between characters, as well as each main character's own little love story with the Lorraine, wrapped around a bit of a history lesson looking into a vital but bygone period of East Coast life. For the viewers who EVER visited the Borscht Belt during its heyday, or particularly during its decline, this is a must own movie! Pocono folks will understand it too!

If you're looking for the tale of a formerly glorious resort/hotel now shut-down, with wild conflict and action, sorry, but you'll have to watch The Shining for that.

If you know someone who used to summer or work in the Catskills or Poconos and just can't seem to understand what was so magical about the place for them -- this movie will show you that magic better than any other out there. If you want "Hollywood", watch Dirty Dancing; if you want a heartwarming story served atop a heaping helping of the REAL DEAL, watch Sweet Lorraine.

One summer in the 1960's, 3 girls from Florida packed a car and went to work in a family resort in the Poconos. For me it was utter culture shock. South Florida, and I don't mean Miami, was so very different. I yet remember the 3 year old twins from New Jersey who asked their dad, "Is this the country?" But so much of this movie was like my summer. The relationship of the college kids to the owners/family. The motley group of kids working at the resort. I happened to have a job as a chambermaid, which had real advantages over being a waitress. We were off work for the day after the rooms were cleaned! Our inn was no way near as large, the entertainment was even more corny, but the the experience, the memories. They are golden. It was a great summer job, a place to meet people from very different backgrounds, to see new places. Thanks for "Sweet Lorraine".

This is the only film in existence that truly captures the spirit, the era, and even the birdsong, of summering in the Catskills.

That the Director, Steve Gorman, and crew, (all of whom should have received awards), made certain that even the flora of the place was captures, is further testimony to the fact that this film should be meticulously preserved. They have made the movie so experiential, that the viewer feels they are there, picking wildflowers and herbs. The movie should also be housed and shown in the Smithsonian, if it isn't already. The film should be shown at movie festivals.

Awards and all honors should be given to.writers Michael Zettler, Shelly Altman, and George Malko; cinematographer Rene Ohashi, the entire art and production department..And the music could not better invoke the place and time.

The costuming, set decoration - Oh the set decoration - I can't very well say, "superb" again.

The casting and acting is outstanding. The local extras, were not simply "background." They exude every aspect of the experience. To own this film is to own history..Grateful to all who created this truly iconic masterpiece.

After watching Memphis Belle, I never thought it was possibly to make a good movie without any sort of major conflict in the plot. That is, until I saw Sweet Lorraine.

There isn't much to this film, Sweet Lorraine. I thought it was going to be something like Cafe Bagdhad, but it wasn't. Maureen Stapelton is Lorraine. She is the owner of Hotel Lorraine, a summer bed and breakfast in the Catskills. But, business isn't what it used to be, so she is considering selling the place to some very persistent, yet tempting buyers who wish to modernize the place. The story, however, does not concern eccentric guests, or anything like that. It is mostly about the staff regulars that work at Hotel Lorraine each summer.

Lots of familiar faces here, such as Edi Falco, Ginacarlo Eposito, and others, with good performances by all, especially the very charming Maureen Stapelton and the actor who played the chef, Sam. If for nothing else, I would really recommend this movie if you've like Maureen Stapelton's other performance.