Directed by
Peter Lord |
Writing Credits
Peter Lord | ... | (written by) |
Produced by
Jo Allen | ... | producer |
Peter Lord | ... | executive producer |
Michael Rose | ... | producer |
David Sproxton | ... | executive producer |
Music by
Andy Price |
Cinematography by
Andy MacCormack |
Editing by
Tamsin Parry |
Art Direction by
Jan Sanger |
Art Department
Jo Conrad | ... | props maker |
Paul Drake | ... | Set builder |
Tim Farrington | ... | scenic artist |
Virginia Mason | ... | model maker |
Rachel Moore | ... | set designer |
Cathy Price | ... | model maker |
Debbie Smith | ... | model maker |
John Wright | ... | model maker |
Matt Sanders | ... | set/prop construction (uncredited) |
Sound Department
Ben Jones | ... | foley artist |
James Mather | ... | sound effects |
Andrew Wilson | ... | re-recording mixer |
Visual Effects by
Jan Sanger | ... | model coordinator |
Camera and Electrical Department
Philip Eason | ... | lighting assistant camera |
Marcus Goddard | ... | electrician |
Jeremy Hogg | ... | trainee assistant camera |
Matthew Kitcat | ... | electrician |
Animation Department
Mike Booth | ... | animator |
Sam Fell | ... | animator |
Peter Lord | ... | animator |
Editorial Department
Lawrence Mischel | ... | negative cutter |
Sue Mischel | ... | negative cutter |
Music Department
Jeremy Adamson | ... | assistant score mixer |
Additional Crew
Michael Charles Hill | ... | distribution and marketing coordinator (uncredited) |
Thanks
Tara Bacon | ... | thanks |
Lisa Bilbe | ... | thanks |
Maxine Guest | ... | thanks |
Patrick Haines | ... | thanks |
Martin Houghey | ... | thanks |
Jason Marshall | ... | thanks |
Arthur Sheriff | ... | thanks |
Karina Thompson | ... | thanks |