Directed by
| Christopher Scott Cherot | ... | (directed by) |
Writing Credits
| Christopher Scott Cherot | ... | (written by) |
Cast (in credits order)
Produced by
| Paul C. Arianas | ... | post production supervision |
| Christopher Scott Cherot | ... | producer (as Chris Cherot) (produced by) |
| S.J. Cherot | ... | executive producer |
| Bridget D. Davis | ... | executive producer |
| Kenneth 'Babyface' Edmonds | ... | executive producer |
| Tracey E. Edmonds | ... | executive producer |
| Robyn M. Greene | ... | producer (produced by) |
| Dana Offenbach | ... | co-producer |
Music by
| Lisa Coleman | ... | (music by) |
| Wendy Melvoin | ... | (music by) |
Cinematography by
| Henry Adebonojo | ... | director of photography |
| Kerwin DeVonish | ... | director of photography |
Editing by
| Christopher Scott Cherot | ... | (edited by) |
| Dan Edelstein | ... | conform editor |
Production Design by
| Max Biscoe | ||
Makeup Department
| Romell Duresseau | ... | assistant hair and make-up |
| Joseph Farulla | ... | prosthetic teeth by |
| Christina G. Miller | ... | hair & make up / hair: make-up & wardrobe |
| Rick Crane | ... | key special makeup effects (uncredited) |
Production Management
| Paul C. Arianas | ... | post-production supervisor |
| G. Carleton Henrich | ... | production manager |
Second Unit Director or Assistant Director
| J. Yahya Lyons | ... | assistant director |
| Paula Gene Reese | ... | first assistant director / second assistant director |
| Traci Runcie Williams | ... | second assistant director (as Tracie Runcie) |
Art Department
| Wanda Candelario | ... | art production assistant |
Sound Department
| Bram Baouh | ... | boom operator |
| Michael Britto | ... | sound mixer |
| Damian Canelos | ... | location sound mix |
| John Carbonara | ... | assistant sound editor |
| Tim J. Carroll | ... | dolby sound consultant |
| Pam DeMetruis-Thomas | ... | sound editor |
| George A. Lara | ... | foley mixer |
| Kevin Lee | ... | co-supervising sound editor / supervising sound editor |
| Jamie Lowry | ... | assistant sound editor |
| Bill Markle | ... | audio post production |
| Harry Peck Bolles | ... | co-supervising sound editor (as Harry Bolles) |
| Jose Perez | ... | boom operator |
| Ulysses Rivers | ... | apprentice sound editor |
| David Rovin | ... | audio confirmation (as Dave Rovin) |
| Daychia Sledge | ... | sound consultant |
| Matthew Spain | ... | boom operator |
| Matthew Spain | ... | sound mixer |
| Brian Vancho | ... | foley artist |
| Peter Wagner | ... | re-recording mixer |
Camera and Electrical Department
| Mark Banning | ... | assistant camera |
| Bliss Bussant | ... | second assistant camera |
| Jamil Cadogan | ... | grip |
| Maria Calvaruso | ... | second assistant camera |
| Philippe Casseus | ... | best boy grip |
| Bill Gorman | ... | best boy electric 2nd unit |
| Michael Green | ... | gaffer |
| David Kaufmann | ... | third electric |
| Jeffery Keaton | ... | electric |
| Fred Nielsen | ... | first assistant camera |
| Steven C. O'Neill | ... | grip / third grip (as Steve O'Neill) |
| Peter Vietro-Hannum | ... | key grip |
| Jeff Wertz | ... | gaffer |
| Bilal I. Wilson | ... | second assistant camera (as Bilal Wilson) |
Casting Department
| Rori Floyd-Everest | ... | talent coordinator |
| Traci Runcie Williams | ... | casting coordinator (as Traci Runcie) |
Editorial Department
| Ed Beyer | ... | color timer |
| Elliott Gamson | ... | negative cutter |
| Karen McMullen | ... | ADR Editor |
| Cathy Rait | ... | color timer (as Catherine Rait) |
| Richard Skeete | ... | optical print supervisor |
| Michael Yetter | ... | negative cutter (uncredited) |
Location Management
| Tauhid Hakein | ... | location manager |
Music Department
| Teddy Alexander Bishop | ... | music producer |
| Tracey E. Edmonds | ... | music supervisor |
| Michael McQuarn | ... | music supervisor |
| Ty Swaggalee Scott | ... | music department |
Script and Continuity Department
| H.H. Cooper | ... | set supervisor |
Additional Crew
| Steven Alexander | ... | production assistant |
| Habibah Ali | ... | production assistant |
| Arnold Bayley | ... | production assistant |
| Jackie Bazan | ... | publicist |
| Kent Blocher | ... | avid assistant |
| Tracey Bostic | ... | production assistant |
| Wanda Candelario | ... | production assistant |
| Oveta Clinton | ... | craft service production assistant |
| Heidi Clyde | ... | production assistant |
| Mekita Coe | ... | production assistant |
| Beth Cohen | ... | gun for hire |
| Pam DeMetruis-Thomas | ... | effects editor (as Pam DeMetruis) |
| Jacqueline Kelly | ... | cast payroll |
| Denise Neal | ... | talent production assistant |
| John Ortiz | ... | production assistant |
| Janos Pilenyi | ... | additional opticals |
| Damon Skinner | ... | conform assistant |
| Lisa Treadwell | ... | production assistant |
| Julio Yurnet | ... | production assistant / swing |
Thanks
| Diane Barone | ... | thanks to |
| Ralph Barone | ... | thanks to |
| Spencer Baumgarten | ... | thanks to |
| Lisa Davis | ... | thanks to |
| Cassian Elwes | ... | thanks to |
| Michael Gruber | ... | thanks to |
| Hercules Harris | ... | thanks to (as Sir Hercules Harris) |
| Mike Iserman | ... | thanks to |
| Melvin James | ... | special thanks |
| Charles Kiyoshi Jones | ... | In Loving Memory |
| k.d. lang | ... | thanks to |
| Kelley Lee | ... | thanks to |
| Isaac B. Marten | ... | thanks to |
| Marco Materassi | ... | thanks to |
| Hutson Miller | ... | thanks to |
| Robi Reed | ... | thanks to |
| John Rogers | ... | thanks to |
| Haviland Savage | ... | thanks to (as The Real Havilland Savage) |
| Vincent St. Vincent | ... | thanks to |
| Bob Weinstein | ... | thanks to |
| Lowell Williams | ... | thanks to |
