I'm a fan of director Jim Enright and George Kaplan for their many fine Adult movies in the story and character-driven vein, but here's a rare assignment for them going closer to all-sex. Thanks to the participation of star Tera Heart, this one's a winner.
She is featured in all but one of the vignettes representing her erotic dreams and fantasies, and is extremely sexy, especially with the stylized approach Enright takes. The first scene has an abstracted set with a checkerboard patterned floor, where T. T. Boy is the masseur who services Tera sexually after the rub-down, and she returns for a sex scene with Peter North and a strange lesbian scene with Kirsty Waay.
That scene is worht the price of admission, as with the current increased interest in LBGTQ+ content in porn, it is something of a novelty, even viewed 28 years later.
That's because Kirsty is styled as a male shrink/therapist (she looks a lot like porn actor Jon Martin wearing a mustache), so convincingly that even after the reveal (nudity provides transparency) she doesn't look any more like a woman in drag but rather like a trans-male. That illusion makes the lesbian sex scene quite unusual. And to top it off, Waay is back to a femdom styling in BDSM fetish gear for the next vignette opposite Peter North.
She is featured in all but one of the vignettes representing her erotic dreams and fantasies, and is extremely sexy, especially with the stylized approach Enright takes. The first scene has an abstracted set with a checkerboard patterned floor, where T. T. Boy is the masseur who services Tera sexually after the rub-down, and she returns for a sex scene with Peter North and a strange lesbian scene with Kirsty Waay.
That scene is worht the price of admission, as with the current increased interest in LBGTQ+ content in porn, it is something of a novelty, even viewed 28 years later.
That's because Kirsty is styled as a male shrink/therapist (she looks a lot like porn actor Jon Martin wearing a mustache), so convincingly that even after the reveal (nudity provides transparency) she doesn't look any more like a woman in drag but rather like a trans-male. That illusion makes the lesbian sex scene quite unusual. And to top it off, Waay is back to a femdom styling in BDSM fetish gear for the next vignette opposite Peter North.