The Road to El Dorado (2000) Poster

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8/10
They don't make movies like that anymore
stamper14 June 2003
You probably think the one line summary of this comment is a bit strange, since The Road to El Dorado isn't in fact that old, but what I meant by it is that they do not make feature films like this anymore. Sure every now and then there is a great animated film that revives the Adventure genre of film-making, but that's basically it. If you're an adventure freak like I am and you simply love Indiana Jones or Stargate or The Mummy for all I care you should definitely watch this film. I bet you'll enjoy it, disregarding your age (although very small kid's might get frightened at times). Thank you Dreamworks for providing me with a fantastic story of adventure. I appreciate it. It's been so long since I've seen any good adventure (The Mummy was last and Indy before that).

TO ALL STUDIOS I MUST SAY THIS: start making feature films like this again please, I miss them. Does it seem ‘right' to you that I I have watch an animated film mostly aimed at children, to get a film with a good plot, a good villain, great action, enough thrills, blood and emotion? It does not sound right to me. No Bad Boys II, no Triple X 2, no stupid and expensive action. You can do big with little as long as elements fit together.

8 out of 10
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8/10
A great movie for grown up animation fans
Elfie-527 April 2001
I watched this movie with my younger brother (who is in his late teens) and we both loved it. This movie, and Titian AE, are part of an interesting new trend- animated films that appeal to teens and adults. I was stuck by how much this movie wasn't for little kids- the whole Tulio/Chel relationship notably- but since I'm not a parent, I don't have to be bothered by that. I got the impression that this movie was animated only because it is easier(ok, cheaper) to draw the elaborate settings than it would have been to constuct sets that showed as rich a setting. My only qualm with the movie is the awful musical numbers that all animated films insist on having in them- why do they all strive to be musicals? But all in all, it's a great movie. If you too find yourself drawn to such shows as Batman Beyond, you might appricate this animation that isn't geared towards small children.
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7/10
Like The Emperor's New Groove, this is underrated
MissSimonetta24 August 2013
The Road to El Dorado (2000), an animated cult film if there ever was one. It's interesting to compare this flick to Disney's The Emperor's New Groove (2000), which came out the same year. Both are traditionally animated. Both are wickedly funny. Both underperformed at the box office. While Emperor has gone on to be one of the most beloved modern Disney films, El Dorado is still only a cult film. That's a real shame, because it's a fun ride with snappy dialogue and cool characters.

If I have any complaints, then it's that the mixing of traditional animation and CG has dated badly. Most of the musical numbers are forgettable and could have been done away with. Luckily, those issues don't hurt the picture much.
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People are Missing the Most Important Point.
krasnegar10 July 2002
Of course, i was missing it too, until about fifteen minutes in.

Okay -- the title is "THE ROAD TO El Dorado" Hands up, everyone with whom that rings a bell.

No?

Okay -- its stars are two fast-talking con men who get out of trouble by faking fights with each other,and who *almost* play pattycake at a point.

Still no bells ringing?

How about if i point out that, at one point, our heroes' images are briefly morphed into the faces of Bob Hope and Bing Crosby for about two frames?

Right.

This is a tribute to/animated version of those hilarious (if you're in the right frame of mind) "B" comedies starring Bob Hope and Bing Crosby (and Dorothy Lamour in a sarong -- does Chel look any more familiar, now?), all of which were entitled "The Road to..." somewhere or other.

Nothing in them was meant to be taken seriously, and very little in this film is.

I have to agree with a number of reviewers who say, with varying degrees of indignation, that this is not a kids' film.

Duh.

It wasn't meant to be. It was meant to ba a general-audience, PG-rated film.

WILL you people PLEASE get it through your heads that "animated" does not, necessarily, equal "kids' movie"?

Animation is just another film-making technique, to be used to make any kind of film the animator wants to make, and if you think that animation is automatically for kids, check out... oh, say... "Akira" or "Fantastic Planet" or "Heavy Metal".

"Road to El Dorado" is an excellent all-ages film, (with the caveat that is IS a PG-rated one, and that you ought to think about what you want your kids to watch) and anyone who sees anything bad or prurient in the scenes that everyone has been complaining about should take a close look at themselves...
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7/10
Very underrated
mattxrt9 May 2019
I absolutely adored this movie as a teen and I still think very fondly of it as an adult. I wish they made more films like this these days, cause the adventure genre is seriously lacking.
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7/10
The Road to El Dorado...hooked from start to finish.
qball_8224 September 2000
What can I say? The Road to El Dorado kept me hooked right from the very start, proving to be an amazing adventure filled with action, comedy, color, breath-taking imagery and music. After The Prince of Egypt, I wasn't too keen on another Dreamworks animated film. Don't ask me why, but Prince of Egypt just failed to reel me in. El Dorado on the other hand has restored my faith in the studio.

I'll keep this short and to the point. El Dorado seemed to deliver the goods in every aspect. The music was great and certainly enhanced the mood and scene, Tim Rice and Elton John did a fantastic job with the instrumental score. The characterisation was done quite well, and you could really sense the strong friendship that Tulio and Miguel had with one another. Chel was also a character favorite of mine, and Rosie Perez did a great job providing her voice! The artwork was also exceptionally good, with the colorful Mayan themes and designs providing an amazing backdrop for the story. Of course the film is not without its fair share of eye-candy, the special effects were excellent and Dreamworks didn't go overboard with them. The story was also a nice change. For once it wasn't the tired, rigid old formula of "good guys meet bad guys, conflict, defeat bad guys and everyone's happy". I mean..sure everyone is happy in the end...and there is the token good guy VS bad guy routine but Dreamworks seemed to mince it up somewhat and introduce all-new elements.

Surely it has its flaws, you say. Well in all honesty, I'm hard pressed coming up with any. I didn't exactly love the character design for Tulio and Miguel but that's just being incredibly petty....

All in all, The Road to El Dorado was very refreshing and a welcome change from the usual Disney-formula-based feature. As for comparisons and similarities with the "brilliance of Disney", I believe that there is no need for that talk. I ask you, why do we need more Disney? The Road to El Dorado shines in a light all of its own.
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7/10
Watch out Mickey, Dreamworks is one step behind.
Dkish1 April 2000
As a new non-Disney animated film debuts I always find myself asking will we ever have one that can match Disney's musical timing and humorous tone. "The Road to El Dorado" is one of those that comes really close to being as brilliant as Disney. The films title talks about a path that leads to the mysterious Mayan "City of Gold". This myth has been passed down for hundreds of years. In the 1500's a lot of Spanish conquistadors went to the New World in search of this city after it seemed to be impossible to find the "Fountain of Youth", the other mythical discovery. This legend was screaming to be a fantasy film. In the Dreamworks interpretation of this legend, we follow the misadventures of two con-artists (voiced by Kenneth Branagh and Kevin Kline) who accidentally win a treasure map in a craps game. When the game goes sour, the cons hide out in some barrels and end up on a boat bound for the New World. To their bad luck the boat happens to be captained by the most famous of the Spanish conquistadors, Cortez. Thrown in the depths of the ship by Cortez, our two heroes plan their escape. Without spoiling anymore of the film, the two end up in the New World to follow their map. The Dreamworks animators deliver lush rich scenery and delightful characters. These characters and scenery were a lot like the brilliance found in Disney's "Jungle Book" and last year's amazing "Tarzan". If you remember back to "Prince of Egypt" we had that magnificent look and the celebrity voices but no real memorable relationships. The intricate relationships between the characters in this film is one more step ahead forward Dreamworks. But what the film lacked was a real memorable song. The team of Elton John and Tim Rice, who dreamed up the brilliant soundtrack of the "Lion King", really never deliver a solid song that your kids will be singing weeks after the film. The songs here really have no heart but instead just play during some of the weaker scenes of the film. Now all they have to do is deliver musical songs and a musical score we will want to listen to after the film closes. Disney still reins supreme as head animation studio. But watch out Mickey, Dreamworks is one step behind. (4 of 5) So Says the Soothsayer.
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10/10
One of my favorites...
demonelipso27 August 2006
One of the few more-modern animated films I still enjoy; maybe that's because it doesn't happen to revolve around "The power of friendship/love/whatever" and isn't some sappy love story, like many of Disney's drek has been (though it does have a minor, slightly sleazey love-ish story in the background). Dreamworks is a breath of fresh air in times like these, it would seem.

The plot works on many levels; it's straightforward enough for the general kid to understand and enjoy, but is piled under levels of wit and more jokes that rely on understanding more of it, making it balanced and still funny the 150+th time I watch it.

The songs are catchy (as can be well-expected from the good man Elton John), the characters are lovable yet total sleazeball con-men, and the humour is on many levels; and with it, it brings many good, memorable lines ("'For three days?!' 'YES! Don't even breathe!'" and "'You're buying your own con!' 'At least I'm not DATING mine!' '... oooh, low blow.'" come to mind).

As a basic rundown, there's Miguel, the fun-loving, more light-hearted of the two con-men; he tends to appreciate the beauty in fun and people. Tulio, the other half of the duo, has a bit more preoccupation with material possessions and wealth, though he still remains human. Then there's Chel; the seducer from the city of gold, able to help the two (at a price). And our main antagonist? Tzekel Khan (spelling unsure), a rather nutsy high priest and speaker for the gods, who proves to be... well, a basket case.

The animation pulls itself off well; the movie is bright and colourful, but not a kiddie flick at all- rather, it's humorous on all scales- my friend's 6-year-old-brother, I, and my 55-year-old dad agree. The Road to El Dorado is enjoyable on all accounts. If nothing else, consider renting it.
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7/10
Good "Buddy Movie"
The WolF31 March 2000
The movie rating is PG, and with good reason. Kids won't get many of the jokes, as they are of a more mature nature than those found in Lion King. The soundtrack isn't quiet as strong as Lion King either, but then Phil Collins won the Oscar for the song from Tarzan, so Elton may well have a shot again...

It's a movie in the style of the Crosby-Hope Road Trip movies, and it does fine job. I gave it a 7 of 10, and would definitely see it again.
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9/10
Underrated Delight
aidanratesmovies27 August 2022
With a sensational animation style and brilliant performances, The Road to El Dorado charms its way into glory by easily being one of the most fun movies i've seen in quite awhile. First off, any company challenging Disney at their own game let alone their signature 2D animation style has usually had no luck at ever capturing that same Disney magic- but with El Dorado I say it succeeds tenfold. Not only is the animation breathtaking and colorful, but every single frame is just so well done. You can see the heart and soul put into creating this film, and not even just in the animated sense. The characters of Miguel and Tulio are about one of the most charismatic duos i've seen in a film like this in a long time, and I couldn't take my eyes off the screen due to their incredible charm and fun personalities. Not only that, but they were also brilliantly voiced by Kevin Kline and Kenneth Branagh who just give so much spirit to the role it's hard not to admire it. Rosie Perez also does a fantastic job in her role voicing Chel, who is just about the most gorgeous female character i've ever seen in an animated film. I'm not simping, you are. The music is also quite good, with a soundtrack composed by the great Elton John. It may not have as many familiar songs as The Lion King, but it stands strong in its own right. The pacing is just so well done, you can admire how entertaining it is even if some flaws feel rather predictable and formulaic along the way. We have familiar tropes here and there, but in the end, The Road to El Dorado is as charming as a film can be- and easily deserves more praise than it received on release. Its colorful and imaginative and completely earns its spot among fellow 2D animated films.

My Rating: 8.6/10.
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7/10
Was my favourite as a kid and after all these years it's still excellent
mistoppi18 September 2015
It's not surprising why so many people loved The Road to El Dorado, whether they were a kid or an adult. The Road to El Dorado charms you right in the beginning. Even if you usually hate songs in animated films, the music of this one is amazing. And they don't ruin the dialogue by turning a conversation to a song (Apart from It's Tough to be a god, but that song was so good it didn't even matter). Instead they are planted in scenes where no words are spoken. It works very well, and is a lot better than characters singing.

And the animation is so beautiful. It's really captivating. The human characters look so much better than what Disney's usually do, especially because they are way more diverse instead of just putting the same face on every Disney prince. And the world around the character is the most beautiful I've seen in an animated movie. It's very colourful, it's lovely.

But what really keeps the movie going and makes the story really stand out, is the main duo. Miguel and Tulio are great characters. They are different from each other, but they want the same things - which is why I would rather see a prequel than a sequel. And thankfully Miguel and Tulio aren't exactly the kind of heroes you'd except. In fact they aren't really heroic, apart from one or two deeds. Above all, they start as criminals. And their chemistry is so good, better than most romantic couples. (It can be debated if Miguel and Tulio were in fact romantic, but that's a whole other conversation).

The Road to El Dorado has always been amazing movie, and that hasn't changed in all these years. If you haven't seen it, do yourself a favour and watch it. It's great, and it's hilarious. I could go on an mention every good thing about this movie, but I think that would be pointless. This movie is one of the best animated films that has been ever made.
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9/10
HOLY SHIP!
TuckMN4 April 2000
Every new animated film seems to break new ground in technique and execution. Technology and computers have brought animation to new heights of excellence.

"The Road to El Dorado" is no exception.

There is a scene in which Cortez' ship is bearing down on the boat that Tulio (voice of Kevin Kline) and Miguel (voice of Kenneth Branagh) are escaping in -- Miguel looks up and, just before their boat is capsized, yells "HOLY SHIP!"

Some parents grabbed their children and stormed out of the theater because of what they THOUGHT they heard. If you are going to watch a movie -- PLEASE pay attention and do not jump to erroneous conclusions.

The soundtrack with music by (Sir) Elton John and lyrics by Tim Rice has Oscar nomination written all over it.

Rosie Perez as 'Chel' is magnificent -- giving just the right amount of innuendo (so the parents will get it) without it being blatantly obvious. She is great -- but then I have always liked her.

There is a hint of "Shangri-La" about this film...

All too rare for an animated film "The Road to El Dorado" has a cohesive story and a real plot.

While it does drag a bit at times the music helps to move the story along and is always a pleasant diversion.

Some of the story was fairly predictable. However, I was wondering right up to the conclusion just how this fable would end.

I was pleasantly surprised.

It was all wrapped up in a neat package complete with a bow.

Of course it left a sequel wide open.
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5/10
A feel good vibe but hasn't aged well
navid-alhossain5 July 2020
Warning: Spoilers
**SPOILERS**

In the beginning when the two heroes are in Spain, I grew to like the characters from the start. What bothered me is the lack of complexity towards the other characters. The natives just worship the heroes upon arrival without any real tests, aside a volcano spontaneously combusting. Turns out the evil 'priest' was trying to sacrifice people and the heroes taught the people to be better. We never learnt why Chel was running away, why she fell in love. She's just promiscuous and has a knack for helping the outsiders execute their con. The other priest finds out that they aren't gods, but chooses to worship them anyway? It almost seems that by some naturally gifted qualities the natives gravitate towards worshipping the heroes. In the end the natives are saved from Cortez and the evil priest who wanted to manipulate them.

It's something I'd write with my highschool best friend, and it'd be our self obsessed adventures. It'd be largely ignorant and lack much complexity. You may say that as a children's film it does it's job, I'd say that it does too. I think it could have been utilized to convey a better message.

In light of the Spanish Conquest of America, this is very depressing. But it's just a movie. I think you'd moderately enjoy it!
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Disney take notes, THIS IS HOW YOU DO IT people !!
Alcaminhante15 January 2001
First TITAN A.E., now EL DORADO. I can´t believe another brilliant animation movie was trashed down by the critics. Trully unbelievable, specialy after inferior works, (in plot or character development) like TARZAN were a big sucess. Marketing realy is a powerfull thing...and being politicaly correct apparently still determines a sucess in the States.

I´d read so many bad reviews about EL DORADO, that i started to believe in them myself, and i was ready to never going to see it, altough i´m a big animation fan. As it is very common in the american reviews, this time EL DORADO was the chosen victim and so it seemed that every critic was playing follow the leader when reviewing it. After reading so many bad reviews , i doubt that some critics ever saw the movie before they wrote about it. Or at least they definetely didn´t saw the same movie i did !

Is there an "european" version or something playing here in Europe ?...

Anyway i went almost dragged to the cinema by my kid this saturday afternoon, and now i´m glad i did, for it´s realy the best animated film i´ve seen in recent years (as good as TITAN A.E. and Princess Mononoke).

And for someone like me who got a little bit disapointed with Chicken Run, and annoyed by yet another politicaly correct animated feature in Disney´s Tarzan, EL DORADO made me think that there is still magic and thrills in modern animation.

I started to suspect that this movie was going to be diferent, when i got in the theater, and i noticed that at least about 80% of the room was filled with an adult audience, and very, very few children, wich for a Saturday afternoon matinée of an animation movie is a particulary strange setting. Did someone knew something about this movie i didn´t ?...

By the end of the movie, i began to understand what was so special about it. First of all this is NOT a Disney movie as so many people seem to think, but a Dreamworks production. The plot altough aparently common for this type of story, ends up being much better than it seems at first glance, because of the characters development and the little details around them all, wich i won´t reveal because part of the pleasure in this movie is exactely the discovery of those scenes. And EL DORADO might look in style like a Disney product, but fortunely has none of those politicaly correct so called educational moments wich infest all Disney products. Contrary to Disney, EL DORADO even has an original story, and doesn´t use the same as in Lion King, wich is the same in Tarzan, wich was re-used again in Dinossaur, etc... EL DORADO doesn´t treat kids like braindead morons but instead presents a good original story in wich they even have to think to realy apreciate the movie wich can only be a good sign.

A good detail , is that, there isn´t realy a "bad guy" so the children can´t separate right away all the plot into good guy Vs bad guy as usual, making them pay more atention to the story to discover what is happening.

I don´t want to spoil anything, but go watch this movie , and notice how the character of Cortez was presented and used in the story without falling into the usual trap of the Disney style villain, and giving a very authentic historicaly correct feeling to the plot Another good twist, is that there is another "bad guy" in the EL DORADO story, but not another abstract villain placed there just to fight with the heros and loose. This second "villain" even has a logical reason to be a bad person, and he´s not just bad just because. Even what happens to him by the end is not the usual cliché used for the villains in the usual Disney movie where the bad guy always has to die to pay for his wrong doings. Well...this time...go watch EL DORADO and you´ll be surprised how cleverly the story uses both "villains".

This is one of the best, surprising and most inteligent moments in this excelent underapreciated film as it connects perfectely the fantasy with the historicaly events of that time.

But there is one thing i can bet was responsible for the faillure of this movie in America. And yes i´m talking about the "erotic" jokes scatered in some scenes and the "sexual" tension as a reason for conflict between the main characters. I can bet that those innocent little subtil scenes must have made plenty of puritane people in America grab hold of their Bibles and cover their kids eyes with thy covers, while the fathers themselves drooled over the sensual curves of the female leading character and the mothers complained how imoral this animation was. I´ve read an hilarious american review, claiming that this movie would incite kids to homossexuality and bigamy ! (WHAT ?!!! Because of the relation of great friendship of the male characters or their relation with the girl ? ARE YOU PEOPLE NUTS ?!! )

I think DreamWorks took a bold risk, in creating an animation including those (innocent "erotic") jokes. They risked and they lost, but that doesn´t mean that their movie is as bad as the reviews say it is. And i don´t agree with the acusation that EL DORADO is nothing but a pale imitation of Disney style. EL DORADO took the Disney visual style and produced a movie way ahead of everything Disney ever did, thematicaly speaking. If anyone still wants to compare this to disney then the only thing i can say is that it´s movies like EL DORADO that Disney should be making, instead of using and re-using over and over again the same plot and formula, withou taking any risks or adding anything realy new to their products.

Think of EL DORADO as a much better and inteligent "Disney" movie with a little spice. One day all animations will be like this.
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6/10
Abundant in charm, lacking in subtance
zahrapicasso28 April 2022
Warning: Spoilers
Truth be told, I probably never would have seen this movie if not for the internet fandom that has exploded forth from it over the years, with the plethora of memes and gifs that are near unavoidable, and that I totally appreciate. On that note, the charm is certainly there. From the timeless animation, the visual expressiveness of the characters, the gorgeous scenery and backdrops... It has that unmistakable oldschool 2D driven charm, magic that ages like nothing else.

After coming off of my first viewing of the film, I feel those things to an extent, but also a major sense of missed opportunity, and unanswered questions all over the place.

Being truly objective paints a lot of problems unfortunately. How in the heck can this isolated tribe, cut off from the world, understand the language of our leads to begin with? How and why did the volcano decide not to erupt, and even recede? Awfully convenient timing. Is there only a single tunnel into El Dorado and nothing more, anywhere? Why did the Armadillo even help them? - These particular questions are just the tip of the iceberg, and ultimately, whether those things phase you or not, have already long been digested as a matter of "how much does it really bother you?". For some people, they won't care about these types of things and will argue that the point was to make a joke. Admittedly, the Armadillo ball game moment did make me laugh!

For me when looking at things objectively, the problems come with these milder elements, but very much at the forefront for me, the primary problems I have come down to the characterisation, motivation and resolution.

Tulio and Miguel have a great buddy relationship that through the course of the film shows signs of splintering as they frankly - start growing up.

I was enjoying this contrast between them and display of growing, to have their own ideals, and how it also started to mirror the sour relationship between the two tribe leaders. It reminded me of The Prince of Egypt in this regard. So where was this going? Were they going to be at odds at the climax and ultimately go their separate ways? How would this affect the tribe's outlook and their religion should they truly come to blows and start giving contradictory directives?

On a side note, other questions raise their heads for me such as Chel. Why was she stealing? Why does she seem so disillusioned with the tribe? Is she the only one? Why does she want to leave so badly? Does she have friends? Family? Motivations? Goals? Does she have any direct history with the tribe leaders? If so, what does that look like? My only conclusion was that she was a bored rebel, but we never get real clarification of her actual character and why she is the way she is, so I'm left with assumptions and questions.

Going back to Tulio and Miguel - I will say that we don't get the classic old "you lied to us!" moment with the tribe, which I was truly anticipating. Some people will say this is a nod to the film's originality by not including such a "trope". I would say that I don't think that to be original is an inherently good quality, especially if it goes against logic and leads to anticlimactic payoffs to obvious setups (Looking at The Last Jedi).

So, the film dabbles with these things on the surface, but my ultimate problem is that all of it just turns out to be... pointless. Reason being is because these concepts never come to a head in any way and feel as though they're brushed under the carpet in favour of a climax involving the characterless, stoney faced Spaniards. The group that nobody cares about. The group that literally have zero characterisation beyond being the bad guys. These guys have less personality than the Huns from Mulan.

Regarding the tribespeople themselves (outside of the two leaders who of course cotton on to the truth about the pair), I have other questions.... Did the general tribespeople realise that Miguel and Tulio weren't gods after all? Did that revelation affect them in a positive or negative way? We don't know. We don't learn anything meaningful about the impact the pair have on the tribe and their beliefs at the end of the day when all is said and done, only that they are god fearing people.

So we have a lot of unanswered questions and flat resolutions here. After having seen it, I feel like the creators desperately wanted to make a sequel to this film and had ideas spiralling in their heads involving this trio, rather than a desire to tell a complete story in one movie. I feel this is the reason Miguel and Tulio couldn't be separated, so we could see more of their adventures. This sadly serves to undermine their growth, and for the people calling this film mature, I have to disagree when you look at the writing and characterisation. The final act has the pair revert to exactly the way they were in the beginning. To change developed personality qualities and flaws on a dime doesn't make for a mature story in my opinion and it has only lead in this case to an unsatisfying conclusion. Again I would bring up The Prince of Egypt by comparison, which is leagues more mature and frankly a far better and more engrossing character driven movie in every way.

The only difference with the pair at the end is that "now they don't care about the gold any more." For Tulio this could be construed as him caring more about saving his own skin than getting rich as he had no choice but to do away with it at that stage anyway due to the circumstances. This one sense of development for the pair is just not good enough, and doesn't at all make up for the missed opportunities we had to tell an engaging story that could have the pair truly change as people in my opinion.

Regardless - Sadly we never saw the result of a sequel to this film, due to its performance at the box office.

Finally, I should comment on the soundtrack which I found to be, alright. I've forgotten most songs already as I finish up this review, about an hour after having seen it, which is a shame. I don't think it's Elton John's best for an animated film, that's for sure.

In conclusion, I'm sure many people will feel like I'm just taking the movie too seriously but I have to be honest to what I see and digest when watching a film. When it raises more questions than it answers, and leaves you with an unfulfilling climax. It adds up to leave me with disappointment in what I just saw. I would like to cut this film slack on account of the positive elements and its obvious charm but for me, there's too many shortcomings in the story, mainly the characters, and I feel like I didn't miss a whole lot by never seeing this film as a kid until now. Were I seeing this as a kid for the first time I'm sure a lot of these things wouldn't bother me but such is life! I hope people are able to enjoy the film more than I did because nobody should hope to be disappointed.
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7/10
Colorful and witty pictures, with impressive animation. *** out of ****.
Movie-129 April 2000
ROAD TO EL DORADO / (2000) ***

By Blake French

DreamWorks Picture's "Road To El Dorado" is an adventuresome journey into the lives of two nomads in the midst of poverty and trouble. Miguel and Tulio are the lifelong friends with very different personalities. We first meet them gambling riches for a map to El Dorado, the secret city of Gold. They win through creating. Therefore Tulio and Miguel devise an improvised escape leading them to hiding in barrels boarding a ship. When the captain discovers the stowaways he is not happy-but at nightfall the friends escape from captivity once again. This is when they become accustomed to their new friend, a horse. As the three pondering souls drift about the massive sea, they begin to lose hope. Just when everything seems hopeless, however, Tulio and Miguel hit the shore, which just so happens to be the island inheriting the road to El Dorado.

"Road To El Dorado" certainly has an action packed, fast paced opening, which works well. We do lose character development, however. The filmmakers obviously presume audiences will relate to Tulio and Miguel through assumptions of lifestyles and cultures. The main characters are believable, colorful, and provoke some interesting and funny moments.

Miguel and Tulio stumble upon the city of gold after meeting a seductive and mysterious young woman named Chel. At El Dorado, the two drifters are mistaken for all powerful gods by the town's sadistic sorcerer, Tzekel-Kan, who convinces the high Chief they are truly miraculous immortals. Miguel and Tulio dream of riches, so play along with the city's hypothesis. With money on their mind and danger lurking beneath every motive, Tulio and Miguel must figure out a way to inherit the riches before the townspeople discover their real identity.

Throughout the production, the story moves along quite steadily. All the events are connected with a strong narrative drive. The movie never explains a few crucial plot nuggets, however, like why the natives presume Tulio and Miguel to be all powerful gods, or El Dorado's reason for existence. The second act stumbles slightly due to the lack of impact of several unnecessary scenes. The sequences do propel the story forward, but do not serve a real dramatic purpose.

"Road To El Dorado" has an effective villain, a character who is muscular and demonic in appearance and gradual in his development of evil. He contains hidden powers and mighty strength, all elements we come to expect modern day bad guys to occupy.

DreamWorks' animation is very impressive in "Road to El Dorado." The landscapes are detailed and visually enticing. The ocean's vast appearance is overwhelming. Previous achievements in DreamWorks' animation include "The Prince of Egypt," and "Antz." Although "Road To El Dorado" is not as mature as "The Prince of Egypt," it still offers an acceptable variety of humorous moments and entertaining characters.

The musical numbers performed in this feature are not memorable nor very involving. But the film as a whole contains a lot of energy and wit. I did not the like the ending, which felt rushed and inconclusive. Still, "Road to El Dorado" is a movie with enough effective material to be worth watching, not purchasing.
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7/10
Dreamworks' sophomore film may not be as grand and epic as Prince of Egypt, but it's a likable buddy film with charming leads and sardonic edge
IonicBreezeMachine16 March 2023
Set in Spain in 1519, two con artists consisting of cynical and street smart Tulio (Kevin Kline) and optimistic dreamer Miguel (Kenneth Branagh) are running a con on several sailors when in a last ditch effort one of the sailors wager's a map that supposedly leads to the fabled golden city of El Dorado in the New World. While Tulio wants to walk away, Miguel convinces Tulio to reluctantly play for the map which they win only for the two's con to be outed leading to them being chased through town. Hiding in some barrels, the two inadvertently stowaway on a boat captained by Hernan Cortes who has no tolerance for Stowaways and imprisons the two with the intention of putting condemning them to slavery in Cuba. With the help of Cortes horse, Altivo, the two eventually escape the ship by boat and along with Altivo wind up on an unfamiliar beach. Discovering the beach has a landmark similar to the one on the map they following it to El Dorado where they're mistaken for Gods by the population and teaming up with a native from the city, Chel (Rosie Perez), they play into the con unaware they're in the middle of a power struggle by the kind but skeptical Chief Tannabok (Edward James Olmos) and the fanatical high priest Tzekel-Kan (Armand Assante).

The Road to El Dorado is a 2000 animated adventure comedy and the sophomore traditional animated feature from Dreamworks following their success on The Prince of Egypt. While initially written as a more dramatic film by screen writers Ted Elliott and Terry Rossio, the film was instead turned into a more light-hearted comedic film inspired by the "road" pictures of Bob Hope and Bing Crosby as Katzenberg wanted the studio's next effort to differentiate itself from the seriousness and dramatic weight of Prince of Egypt. Opening at number two at the box office behind Erin Brockovich, The Road to El Dorado was a box office failure only accruing $50 million stateside against a $95 million budget, and only making $76 million worldwide. Critical reception was more mixed with many calling the film's story predictable and lacking in comparison to the studio's prior effort. The Road to El Dorado isn't super ambitious from a story perspective, but in terms of style and character it does have charm.

Easily the best selling point for the film is in the character and acting on display in the film. Kevin Kline and Kenneth Branagh have fantastic chemistry together and apparently they did their recording sessions together and it shows in the final product as their timing in the verbal exchanges are pitch perfect with Kevin Kline's portrayal of Tulio's world-weary cynicism counter balanced against Branagh's portrayal of Miguel's character as a fanciful exuberant dreamer giving the duo a distinct identity and likability as dashing rogues. Rosie Perez is also very good as Chel who serves as an unofficial third member of their group and love interest for Tulio and she's very much cut from a similar cloth to Tulio and Miguel with a strong knowledge of playing the angles. In terms of setup it's not dissimilar from a mashup of Dirty Rotten Scoundrels mixed with the good natured innocence of the Hope/Crosby road pictures. Edward James Olmos is a likable presence Tannabok whose friendship with Miguel is very endearing as Miguel falls in love with the culture and city of El Dorado and Armand Assante is a fun despicable villain driven by fanaticism and a desire to attain power by fear with Assante committed to the role. The movie builds upon the already impressive animation seen in The Prince of Egypt and with a rich color palette used to create Spain, the Jungle, and El Dorado itself there's a rich level of detail on display even if some of the CGI elements haven't aged as gracefully. The characters are nicely expressive and fluidly animated, and the designs are synced up nicely with the vocal work of the voice actors.

There are some weak points to the movie with probably the most glaring one being the songs by award winning duo Elton John and Tim Rice of The Lion King. Now I don't think the soundtrack is bad, far from it, but the songs have an issue similar to Disney's Tarzan where they don't feel organically woven into the story, and instead feel more clumsily grafted on with Elton John himself singing many of the songs "narration style" in similar fashion to the Phil Collins songs from Tarzan, but unlike Collins' soundtrack Elton John's singing isn't egregiously out of place and does try to integrate itself at least somewhat into the atmosphere of what's presented on screen. The presence of Hernan Cortes also is one of those things that's a little head tilting as Cortes is a remnant from when the film had a more dramatic bent and addressed the slaughter of indigenous peoples by the Spanish Conquistadors and of course being the kind of movie this is of course that's not going to be a thing touched upon and while not as clumsily integrated as historical elements of Disney's Pocahontas it is the kind of thing that should be noted.

The Road to El Dorado isn't a classic (nor does it aspire to be) but in terms of providing an enjoyable ride, the film delivers on all the fronts you expect. The songs aren't as well integrated as they could've been in my opinion and some of the historical details left over from the initial draft could've been refined, but it remains a likable comedy thanks to solid chemistry among the cast and some beautiful animation.
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10/10
Definitely a must see...
Shaun-826 August 2000
This has got to be one of the most hilarious animated movies of all time. The situational comedy is truly amazing.

The voice acting is well done as well however the song are a little disappointing, coming from the duo that brought us the soundtrack of The Lion King. Only a couple are good.

However the comedy and the great visuals definitely make up for it.

This movie is definitely a must see!!!

Rating: 10/10
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7/10
What's Even Better Than Gold?
BabelAlexandria2 February 2021
We all enjoyed this, despite being well aware of its mediocrity. In that respect it's a bit like Pocahontas, which was in some respects a model for this movie, especially, strangely/disturbingly enough, in the facial features of the indigenous leaders. This movie sends a feel-good message of rehabilitation: the violent conquistadors and the human-sacrificing priest are foiled and wander off together, never again to find El Dorado; while the two petty thieves and their indigenous interpreter/love interest (in a Pocahontas-inspired role) reform themselves, and realize that people are more important than gold. El Dorado is ruled by a benevolent leader, and remains undiscoverd (I guess that much is true!)

Also I noticed something weird: the "wanted" sign and the horse (and the rag-tag thief role) very much resemble Tangled, both visually and in terms of the plot elements. When we're talking about Dreamworks-Disney, this sort of borrowing is probably more corporate punking than respectful allusion. So how close is too close? Was it that the same animator worked on both films?

The music and songs were pretty bad, except the one at the end, "you never say goodbye to a friend," which I was impressed that Seb remembered when we watched it a second time as we finished the movie.

Watched January-February 2021.
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8/10
A winner.
prohibited-name-10191 April 2000
This is the best animated movie (rated PG-13 or lower) since The Lion King. The story seems a bit rushed, but it is entertaining. And the animation simply breathtaking. The soundtrack is another winner for Elton John and the songs he performs add depth to the story.
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7/10
Like this one so much
moviewiz-47 February 2001
This cartoon attracts me when i see the characters which are different from other kids movie. The texture is fantastic, colour and imagination is organised perfectly.

Story is not enjoyable at the first 10 minutes but after that, it gets more and more interesting. Maybe the main idea is to create something which is different. Most of the characters react very well with the script and the movie is funny as well.

Thumb up, well done.
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10/10
Greatest animated film ever!
kmaloney765916 September 2005
Warning: Spoilers
First things first, I am 56 years old and I have to say that I adored this movie. It didn't seem childish or silly at all, on the contrary it had language and dialogue that my 6 year old grandson wouldn't understand! The plot was exciting, the characters deep. Towards the end when I thought that Tulio and Chel were leaving Miguel for good, tears sprang into my watery blue eyes. I almost couldn't stand it! The part in which the chief played ball with the village children was so adorable! The movie wouldn't be complete without it.

I also loved the song, "It's Tough to be a God" because I couldn't keep from tapping my foot! It was so exciting!!!! All in all, The Road to El Dorado is an awesome animated film and a masterpiece!
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7/10
Wonderful adventure movie!
Boba_Fett11383 January 2004
"The Road to El Dorado" is a wonderful adventure movie with great music and tons of humor that are good for more then a few laughs. But it has some flaws...

The movie starts of extremely well in a good fast pace and with some nice comical moments. But later on the movie loses some of it's pace and the story takes a not so positive turn and all the feeling of adventure is suddenly gone. A shame because the movie had lot's of potential.

A major problem is that the movie lacks a good villain. Cortes is underused and plays a too minor role to be really considered a villain. And Tzekel-Kan also doesn't play that much of a role in the story. The story focuses a bit too much on the friendship of Miguel and Tulio and leaves a lot of potential unused.

The movie is filled with visual beauty and some really well done scene's. The animation is above average but not as good as Dreamworks previous animated masterpiece "The Prince of Egypt". That might very well be one of the reasons why this movie flopped a bit; People were expecting too much from this movie after "The Prince of Egypt".

The musical numbers are excellent. The combination Hans Zimmer/Elton John pays of once more. But why is the extremely fun soundtrack by Hans Zimmer and John Powell (and co.) not available? Unfortunately the only CD available is the one with the nice Elton John songs on it. A shame because the music was very good and fun! But oh well, I can still listen to it while watching the movie.

An excellent feel good movie.

7/10

http://bobafett1138.blogspot.com/
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5/10
Guys Interrupted - by Music
eileenm2 April 2000
Clever dialogue and appealing characters don't quite overcome the basic flaws of this movie, though they do keep Road to El Dorado from amounting to a complete waste of our spent time and money. The basic story line is exceedingly simple and cliched, the two 'bad guys' (Cortez and Tzekel-Kan) are very standard fare and not well developed in either character or motivation, and the movie suffers from the director's evident inability to commit to an effective target audience. The largest and most difficult barrier to enjoyment of this film, however, was the music. It seemed purely a nod to the apparent modern convention that animated movies must have a certain number of perky songs inserted at regular intervals throughout in order to please the juvenile crowd. The songs seemed stamped from the same mold, were musically uninspiring to say the least, and were an annoying interruption to the flow of the story rather than providing narrative or character development, or serving as an enjoyable interlude. The songs seemed a mailed-in afterthought on Elton John's part, and less than that on Tim Rice's; not one stood out, provided a laugh, or inspired child or adult to hum along or tap a toe. The director would have done better to have provided the economic opportunity to some starving neophytes who might have cared about the outcome.
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