Sleepless Nights (1932) Poster

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7/10
Happy Insomnia
boblipton22 April 2019
Stanley Lupino saves Polly Walker from scoundrel Gerald Rawlinson, and is mistaken for her newly married husband in this blithe little musical comedy.

By this point, Lupino and his production unit at British International had gotten the hang of making film musicals. The songs fit the moment, even if they don't advance the plot, and director of photography Jack E. Cox -- who was also Hitchcock's cinematographer from THE RING through NUMBER SEVENTEEN -- shoots the dance numbers in medium long shot, to show the dancers in their entirety. The jokes and physical gags serve to pepper rather than to overwhelm the story, and there are even a few gags about the form; when Miss Walker complains that she can't sing because there is no music, Lupino strikes a few notes upon a convenient object and raises an unseen orchestra.

Polly Walker made only two movies, but she was active on the stage, where she was featured by George M. Cohan in two of his shows. She had been born in Chicago in 1904 and lived to be 78. I can't find much else about her because a Google search confuses her with another actress by the same name, born in 1966. Such are the vicissitudes of a none-too-diligent researcher!
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6/10
Lupino shines in bright musical
malcolmgsw6 July 2011
Stanley Lupino,father of Ida,is an unjustly forgotten comedy actor.In this film,which he wrote he is a journalist sent to the South of France to interview a reclusive millionaire..He offers his hotel bedroom to the millionaires daughter to use to avoid her boyfriend,who is actually a crook,Gerald Rawlinson.Lupinos boss arrives unexpectedly and as there is no other room available expects to share the hotel room with Lupino.Lupino explains the situation by saying he had just married the girl.Obviously lots of comedic situations arise because of this.There is a lot of physical comedy particularly between Lupino and Rawlinson.Some of it a bit childish but there is a dinner scene which although a bit predictable is still funny.There are 5 not just the one song listed above.However none of them are particularly memorable when you appreciate that the songs are written by Noel Gay.To sum up it is amusing but not one of Lupinos best films.
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10/10
Amazing musical
jimmaclellan71430 January 2016
I believe that one of the greatest song and dance productions in British cinematic history was the number where Stanley Lupino performs "I Don't Want To Go To Bed" during this film. It is set during what appears to be a New Year's party at a very posh hotel. Stanley Lupino was a multi-talented personality. I am so pleased that more of his films have been released in the last couple of years. However, I believe that this number shines out as his finest dance performance with a particular "rubber legs" style. He moves with incredible speed and alacrity. The music reaches a kind of manic excitement which accentuates he overall mood. Sir John Mills noted these points in an anthology of "The Best of British Cinema" video that was released in around 1991. Therefore, I feel it is such a shame that this has not been released on DVD !
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9/10
I don't want to go to bed
yrussell27 April 2021
Warning: Spoilers
Stanley Lupino was a consummate comedian, master of both physical, verbal, and romantic comedy. In most of his films, his character has a buddy or two -- and much of the comedy consists of the two characters playing off each other. In contrast, in Sleepless Nights (1932), it's Lupino who takes centre stage and provides nearly all of the funny moments. However, there is a bit of two-man comedy here, when Lupino plays off Gerald Rawlinson (who plays a nasty love rival, himself pulling goofy faces when getting hit on the head, consuming too much pepper, etc. No spoiler, really, to say that the villain gets his just desserts in the end -- last seen lost at sea in his underwear!). Some of the verbal comedy is really funny, as when Rawlinson angrily says to Lupino: "I live to dance on your grave"; and Lupino replies: "I hope you do. I'm going to be buried at sea." Ha! Overall, I enjoyed all the performances here and I never tire of seeing Lupino's masterful comic timing and facial expression. Obviously, the social mores portrayed in this film are really dated. It's hard to imagine a time that even being discovered in someone's bedroom, fully clothed, acting normally, with a member of the opposite sex, is enough to cause a major scandal. A lot of the comedy must have derived from the titillation of portraying behaviour that is right on the edge of being outright scandalous. While the scandal is more of a curio than titillating nowadays, the comedy is strong enough to make the film highly enjoyable.
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