SABADO (1995) was the biggest hit ever at the Brazilian Box Office as of 1997, when I first saw it. Brazilian B.O. is measured by entrances, so it's not clear whether SABADO still holds the all-time popularity record or not. It's a very Brazilian-specific movie, featuring many known TV and movie stars (like Giulia Gam) as well as guest appearances by the likes of Jo Soares, possibly Brazil's greatest comedian and political satirist. As the name implies, the movie takes place on a Saturday in a big Brazilian city (undoubtedly Sao Paulo). The action is centered on a commercial being filmed in a crumbling building downtown, Edificio Las Americas) no longer frequented by "normal" people. This screwball comedy serves as a statement on the abandonment of center city areas by the middle class, and gets its laugh by exploiting the stereotypical characters who still live downtown, their milieu and "odd" lifestyles. Everything is seen through the eyes of the Brazilian urban middle class (and wannabes), which explains the film's huge success in its home country. It is available in NTSC video, without subtitles. It's not a bad slice-of-life film for locals and Brazilians living abroad, but probably hard to grasp for outsiders.
3 Reviews
A little masterpiece
cbrites1 August 2021
Other reviews missed a key point of the movie: its take on the huge Brazilian social apartheid.
A commercial filming crew takes over the lobby of a decadent building in downtown São Paulo to use its beautiful elevator, a reminder of its glorious past. The crew art director gets stuck in the other elevator, together with two morgue workers, a helper and the corpse they were removing from the building.
The movie goes around the clash between the middle class filming crew and the poor, marginal inhabitants of the now decadent building. This relationship is brilliantly developed in the attitudes of the crew towards the tenants, which goes from disgust to downright manipulation: the tenants get mesmerized by the filming spectacle, forgetting they are only stuck on the floor, unable to get home, by the same crew that took over the spare elevator. But the poor are not idealized either: street smart, some take advantage of the visitors up to the point of theft.
The script is perfectly crafted along three story lines ran in parallel: the commercial filming, the Felliniesque group of five people (one of them dead) in the damaged elevator, and the crew assistant looking for help to fix it.
A final nice touch happens towards the end, when the identity of the dead man is revealed in a smart, unexpected, and almost poetic way.
The many details make this movie a little masterpiece, worth viewing a second time.
A commercial filming crew takes over the lobby of a decadent building in downtown São Paulo to use its beautiful elevator, a reminder of its glorious past. The crew art director gets stuck in the other elevator, together with two morgue workers, a helper and the corpse they were removing from the building.
The movie goes around the clash between the middle class filming crew and the poor, marginal inhabitants of the now decadent building. This relationship is brilliantly developed in the attitudes of the crew towards the tenants, which goes from disgust to downright manipulation: the tenants get mesmerized by the filming spectacle, forgetting they are only stuck on the floor, unable to get home, by the same crew that took over the spare elevator. But the poor are not idealized either: street smart, some take advantage of the visitors up to the point of theft.
The script is perfectly crafted along three story lines ran in parallel: the commercial filming, the Felliniesque group of five people (one of them dead) in the damaged elevator, and the crew assistant looking for help to fix it.
A final nice touch happens towards the end, when the identity of the dead man is revealed in a smart, unexpected, and almost poetic way.
The many details make this movie a little masterpiece, worth viewing a second time.
A Funny Urban Chronicle
Rodrigo_Amaro29 December 2010
"Sábado" (Saturday) is a great comedy that presents the extraordinary and at times bizarre day in the lives of a group of people inside of a building during the shoot of a TV commercial.
The whole story happens on a Saturday afternoon on a almost decadent building where Magda (Maria Padilha) a producer returning to Brazil, after long travels around the world, to shoot a commercial. In the city of São Paulo she finds the perfect location to film but then everything starts to go wrong: she gets trapped in a elevator with a dead man's corpse and the three guys who want to take him to the coroner; Magda's friend tries to help her and calls 'The Birdman of Alcatraz' (reference from Burt Lancaster's film), the guy who takes care of countless birds and the only one who can repair the elevator; the commercial's director tries to shoot it but the people around him (his crew, the angry building residents, a lady with a dog who thinks her animal will appear in the advertising and many others) will give him some trouble. And the drunk caretaker (Vandi) who does nothing but get more and more drunk avoiding work, not knowing what's happening downstairs.
The film directed by Ugo Giorgetti is simple, funny, entertaining, it only gets critical on the view that he presents us of São Paulo as a confused city filled with thieves (Magda's friend is robbed on the building several times), hungry and disrespectful people (some of the curious who are watching the commercial being filmed are hungry homeless people who simply entered the building), Fellinian's characters and troubles which are quite comical when they're not overreacting or downplayed. As a São Paulo resident I must say that the movie is totally accurate about the city's downtown decadence where many of the ancient and majestous constructions of the 20th Century ended ruined, old, without care, a real shame. That was true back in 1995 and it still true even now on the 21st Century although now this trend seems to be disappearing a little, downtown is more revitalized, there's some good real infrastructure to welcome visitors in cultural events but there's some abandoned buildings and abandoned spaces too.
My disappointment with "Sábado" is that the film doesn't features many exterior images of the city even though the city is referred a lot, that might bother the viewer who wants to know the things about the city, see it how it was in the 1990's. These exterior scenes doesn't appear much because this movie is like a play, with one scenery and we must live in this place, feel suffocated with it just like the characters in the elevator, trying to get out, to breathe.
The movie deals with the absurd and the troubles that many people might have witnessed and that's why the comedy is appealing, charming, very odd. The main characters are well performed by a talented group of actors that includes singer Tom Zé, Otávio Augusto, Décio Pignatari (who is the best on scene playing the Birdman of Alcatraz), Giulia Gam, André Abujamra and Jô Soares in a funny brief appearance as a man who lives in the house of machines of the elevator.
Here's a funny urban chronicle about the problems of a busy world and just when people have a good day to take a rest they need to get up and work for things to get right. And who wants to work on a Saturday afternoon? 10/10.
The whole story happens on a Saturday afternoon on a almost decadent building where Magda (Maria Padilha) a producer returning to Brazil, after long travels around the world, to shoot a commercial. In the city of São Paulo she finds the perfect location to film but then everything starts to go wrong: she gets trapped in a elevator with a dead man's corpse and the three guys who want to take him to the coroner; Magda's friend tries to help her and calls 'The Birdman of Alcatraz' (reference from Burt Lancaster's film), the guy who takes care of countless birds and the only one who can repair the elevator; the commercial's director tries to shoot it but the people around him (his crew, the angry building residents, a lady with a dog who thinks her animal will appear in the advertising and many others) will give him some trouble. And the drunk caretaker (Vandi) who does nothing but get more and more drunk avoiding work, not knowing what's happening downstairs.
The film directed by Ugo Giorgetti is simple, funny, entertaining, it only gets critical on the view that he presents us of São Paulo as a confused city filled with thieves (Magda's friend is robbed on the building several times), hungry and disrespectful people (some of the curious who are watching the commercial being filmed are hungry homeless people who simply entered the building), Fellinian's characters and troubles which are quite comical when they're not overreacting or downplayed. As a São Paulo resident I must say that the movie is totally accurate about the city's downtown decadence where many of the ancient and majestous constructions of the 20th Century ended ruined, old, without care, a real shame. That was true back in 1995 and it still true even now on the 21st Century although now this trend seems to be disappearing a little, downtown is more revitalized, there's some good real infrastructure to welcome visitors in cultural events but there's some abandoned buildings and abandoned spaces too.
My disappointment with "Sábado" is that the film doesn't features many exterior images of the city even though the city is referred a lot, that might bother the viewer who wants to know the things about the city, see it how it was in the 1990's. These exterior scenes doesn't appear much because this movie is like a play, with one scenery and we must live in this place, feel suffocated with it just like the characters in the elevator, trying to get out, to breathe.
The movie deals with the absurd and the troubles that many people might have witnessed and that's why the comedy is appealing, charming, very odd. The main characters are well performed by a talented group of actors that includes singer Tom Zé, Otávio Augusto, Décio Pignatari (who is the best on scene playing the Birdman of Alcatraz), Giulia Gam, André Abujamra and Jô Soares in a funny brief appearance as a man who lives in the house of machines of the elevator.
Here's a funny urban chronicle about the problems of a busy world and just when people have a good day to take a rest they need to get up and work for things to get right. And who wants to work on a Saturday afternoon? 10/10.
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