Patrolling the Ether (1944) Poster

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5/10
Spy Stuff
boblipton5 June 2021
A amateur radio buff is told by a Radio Intelligence Division man that he can't chat with his friends in South America because spies use radios to transmit their information elsewhere in a "this is why we can't have nice things" way. Then we go into a made-up story about tracking down some spies in Pennsylvania because CRIME DOES NOT PAY.

It's not a particularly interesting entry in MGM's long-running crime series, which is probably why its first appearance was on television, twelve days before it was released into theaters.
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6/10
Just how true is all this? Probably not very.
planktonrules24 November 2013
Up until WWII, the Crime Does Not Pay series from MGM was exceptional and very realistic. However, with the advent of the war, the studio began using the shorts more and more for propaganda purposes and realism began to wane. In fact, when this film begins, you'll probably notice that the format has changed--there is no MGM crime reporter or introduction by some fake government official. In fact, there's no introduction at all--the first like this in the series.

The film begins just before the US enters WWII and an FCC agent is shown, briefly, visiting the home of a young HAM radio operator to ask him to stop broadcasting but begin monitoring for unusual activity. Then, the film jumps ahead to 1944 and the story is about a ring of spies who are broadcasting information to the German fleet about the movement of American cargo ships. Here's where it gets really crazy, as one of the broadcasting locations is in a cemetery--under the earth in a fake grave!!! But these evil scum have escaped--is there any chance they'll catch them and save democracy? While there were a few substantiated cases of Axis spies in the US during the war, they were very few and far between. However, if you watched a lot of Hollywood films at the time, you'd think they were just about everywhere! And, having them working inside a subterranean fake grave is just silly. Overall, a ridiculous but reasonably enjoyable propaganda film--and clearly not up to the standards of the usual Crime Does Not Pay short.
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5/10
Ham radio's very own "Plan 9 From Outer Space"
karn19 February 2014
Warning: Spoilers
Way back in the 1980s, watching this movie almost became a tradition for a group of us hams after meetings. We enjoyed it in the same way that general audiences enjoy Plan Nine from Outer Space.

It had all the same elements: overwrought acting, absurd characters, silly dialog, ridiculous plot elements, strong propaganda overtones and incompetent direction. A young ham is *happy* to get a personal visit from the FCC telling him he can't transmit until further notice? A German spy transmitter hidden in a cemetery grave? A spy furiously sending out Morse Code from the back seat during a car chase? The courageous hero overjoyed to die for his country?

As we've come to expect from a film with any technical content, especially one as low-budget as this one, the actors obviously didn't understand a word of their techie dialog.

Non-hams may not be able to relate to the campy nature of this film, but hams who are in the right frame of mind may get a big kick out of it. Watch it in a group, and bring popcorn.
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Crime Does Not Pay
Michael_Elliott2 June 2011
Patrolling the Ether (1944)

** (out of 4)

Pretty weak entry in MGM's "Crime Does Not Pay" series takes a look at how foreign agents are using radio broadcasts to stay in touch and how the U.S. government came up with the RID (Radio Intelligence Division) to try and locate them. That's pretty much all the "story" you get here and while the Crime Does Not Pay series is my favorite of all the MGM dramas this one here is without question the worst I've seen. This isn't a really awful movie but at the same time it comes across rather boring without an inch of energy to be found. One of the biggest problems is that there's just not too much that happens because there are so many drawn out sequences where we see the agents just driving around hoping to pick up on one of the signals. This constant driving around and not accomplishing anything might have been a reality but it doesn't translate to the screen very well. There are two long sequences where nothing much happens and one can't help but grow tired of the lack of action going on. The director doesn't manage to build up any suspense and there's never a drop of drama. There's no question that when the war started every studio transformed their shorts to fit war subjects but this thing here certainly doesn't belong in the series. We don't get the narration that normally opens these shorts and in the end the entire thing is worth skipping.
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6/10
Up until the release of this "Crime Pays" fright fest . . .
oscaralbert5 June 2021
Warning: Spoilers
. . . Americans were buried in accordance with the Biblical Commandment, six feet under within the Good Earth (add another 6.6 inches for incorrigible sinners). This allowed famous people, such as Beethoven and Washington, to be dug up each generation or so to enable Science to further pinpoint their actual cause of death. However, the crime lords running the Many Greedy Mobsters movie studio soon realized that the Forensics Sleuths of the Far Future would surely be able (eventually) to discover clues as to why so many "stars" were dying mysteriously when contract talks broke down under their insidious "studio system" IF these luminaries' mortal remains were subject to continual exhumations. Therefore, these Money-Grubbing Miscreants produced PATROLLING THE ETHER to terrify the entire U. S. Public into believing that Uncle Sam's hallowed cemeteries were actually hollowed out vipers' nests full of enemy spy bunkers! This led to the cremation rate for ALL Americans (not just for "cinema stars") to skyrocket from 2.6% to the current ungodly 60.66% tally!
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3/10
Historically interesting mediocre short
njmm19 February 2006
FCC has a video of this film and with the studio's permission uses it for training - hence I saw it. It was part of a series of WWII propaganda films on how obscure agencies were contributing to the war effort. There is some truth to the wartime role of the FCC in listening for axis spies who used radio and having armed agents look for them. This mission left FCC after the war. The details of the film are highly fictionalized and the acting reminds one of Reefer Madness.

J. Edgar Hoover was reportedly annoyed about the film saying it gave the FCC too much credit.

If you are interested in radio technology or FCC this is a good movie to watch with a beer in hand. It is historically significant in that it was the first film shown on TV before theatrical release - but at that time TV was an experiment and viewership was minimal.
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3/10
Not one of the better entries in the series.
radiomattm15 March 2012
I catch this series whenever an episode comes on and I was rather disappointed in this one. From the early part of the film when the mother says, "Son this man from the FCC wants to talk to you" I knew it was going to be lame. As having been an amateur radio operator and a professional broadcaster, I can tell you that people from the FCC don't come by to talk sports with you. Such a visit would have been as welcome as "Hey Charlie, this motorcycle cop who has been following you for three miles wants to talk to you." It doesn't make sense.

And someone who was 16 in 1940 is a Federal agent in 1944? While I can't say for sure, my guess is that the kid would have had to have had an engineering degree to work for the FCC. The film was interesting, but with too many gaps in logic to make it really enjoyable.
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5/10
Fortunately, my circle of cyber space sleuths encompasses enough individuals . . .
pixrox15 June 2021
Warning: Spoilers
. . . to counteract the Evil Bots trying to Filch the Facts from the American Public, because the miscreants behind them feel that You Can't Handle the Truth. PATROLLING THE ETHER is a perfect case in point. This morning I proof-read a proposed review of this live-action short that made stunning revelations about the ulterior motives behind it, and the far-reaching social engineering consequences of its subsequent dissemination. Though concise, this cutting-edge piece was composed in impeccable academic language, with no objectionable content to be seen even under the most microscopic sort of peer review. However, it was censored and suppressed by the nefarious bots because it threatened to blow the lid off a far-reaching scandal involving a corrupt capitalist communist corporation of the 1900's that has been in the news this past week as it remnants were shuffled from one Fortune 500 conglomerate to an even bigger and more prominent pernicious oligarchical monstrosity. Therefore, YOU will never know how PATROLLING THE ETHER has a perfidious hidden agenda which swept swamps of scandal under the rug, and changed a holy American Tradition for the worse as a "side effect" of the wealth hoarders' monopolistic ways.
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