John Lennon discussed Paul & Paula’s “Hey Paula” and several other songs on an episode of a famous television show. In his typical fashion, the “Imagine” singer proved hard to please. However, he didn’t attack every song played on the show.
John Lennon discussed Paul & Paula’s ‘Hey Paula’ and 1 Elvis Presley song on TV
According to Salon, John appeared on an episode of the show Juke Box Jury in 1963. The show was about judging new pop songs. While The Beatles had hits before John’s appearance on Juke Box Jury, the episode helped the band gain more notoriety.
On the show, John was asked to judge Elvis Presley’s “(You’re the) Devil in Disguise,” Tom Glazer’s “On Top of Spaghetti,” Julie Grant’s “Don’t Ever Let Me Down,” Miriam Makeba’s “The Click Song,” and Paul & Paula’s “First Quarrel.”
While discussing “First Quarrel,” John...
John Lennon discussed Paul & Paula’s ‘Hey Paula’ and 1 Elvis Presley song on TV
According to Salon, John appeared on an episode of the show Juke Box Jury in 1963. The show was about judging new pop songs. While The Beatles had hits before John’s appearance on Juke Box Jury, the episode helped the band gain more notoriety.
On the show, John was asked to judge Elvis Presley’s “(You’re the) Devil in Disguise,” Tom Glazer’s “On Top of Spaghetti,” Julie Grant’s “Don’t Ever Let Me Down,” Miriam Makeba’s “The Click Song,” and Paul & Paula’s “First Quarrel.”
While discussing “First Quarrel,” John...
- 9/5/2023
- by Matthew Trzcinski
- Showbiz Cheat Sheet
It sometimes feels like every rock star once publicly trashed another musician’s work. For example, John Lennon criticized “On Top of Spaghetti” on a show about pop music. During his appearance on the show, he also attacked a famous Elvis Presley song. It’s surprising John had so many negative things to say about a beloved kid’s song.
John Lennon compared ‘On Top of Spaghetti’ to ‘a coach trip’
According to Salon, John appeared on the show Juke Box Jury in 1963. Juke Box Jury was a show where judges reviewed new pop singles. During John’s appearance, he dismissed every pop single discussed, including Elvis Presley’s “(You’re the) Devil in Disguise,” Julie Grant’s “Don’t Ever Let Me Down,” Paul & Paula’s “First Quarrel,” Miriam Makeba’s “The Click Song,” and Tom Glazer’s “On Top of Spaghetti.” For context, the latter is based on...
John Lennon compared ‘On Top of Spaghetti’ to ‘a coach trip’
According to Salon, John appeared on the show Juke Box Jury in 1963. Juke Box Jury was a show where judges reviewed new pop singles. During John’s appearance, he dismissed every pop single discussed, including Elvis Presley’s “(You’re the) Devil in Disguise,” Julie Grant’s “Don’t Ever Let Me Down,” Paul & Paula’s “First Quarrel,” Miriam Makeba’s “The Click Song,” and Tom Glazer’s “On Top of Spaghetti.” For context, the latter is based on...
- 9/5/2023
- by Matthew Trzcinski
- Showbiz Cheat Sheet
They were music megastars, and they all opened up to him. As Tony Palmer's best films resurface, the documentarian talks to Phelim O'Neill about Leonard Cohen's tears, John Lennon's fake beard – and the day Liberace invited him into his hot tub
Reading this on mobile? Click here to view video
Tony Palmer was studying moral sciences at Cambridge University in the 1960s when a moderately famous band arrived in town. "I got a call to attend this press conference the Beatles were holding, to cover it for the college paper," he recalls. "They'd had a No 1 single or two by then, so they were very well known – but not yet intergalactic. Afterwards, John Lennon came up and asked me why I hadn't asked them any questions. I told him I found the whole thing pretty silly. He laughed, and when I told him I was studying moral sciences,...
Reading this on mobile? Click here to view video
Tony Palmer was studying moral sciences at Cambridge University in the 1960s when a moderately famous band arrived in town. "I got a call to attend this press conference the Beatles were holding, to cover it for the college paper," he recalls. "They'd had a No 1 single or two by then, so they were very well known – but not yet intergalactic. Afterwards, John Lennon came up and asked me why I hadn't asked them any questions. I told him I found the whole thing pretty silly. He laughed, and when I told him I was studying moral sciences,...
- 7/28/2013
- by Phelim O'Neill
- The Guardian - Film News
They were music megastars, and they all opened up to him. As Tony Palmer's best films resurface, the documentarian talks to Phelim O'Neill about Leonard Cohen's tears, John Lennon's fake beard – and the day Liberace invited him into his hot tub
Reading this on mobile? Click here to view video
Tony Palmer was studying moral sciences at Cambridge University in the 1960s when a moderately famous band arrived in town. "I got a call to attend this press conference the Beatles were holding, to cover it for the college paper," he recalls. "They'd had a No 1 single or two by then, so they were very well known – but not yet intergalactic. Afterwards, John Lennon came up and asked me why I hadn't asked them any questions. I told him I found the whole thing pretty silly. He laughed, and when I told him I was studying moral sciences,...
Reading this on mobile? Click here to view video
Tony Palmer was studying moral sciences at Cambridge University in the 1960s when a moderately famous band arrived in town. "I got a call to attend this press conference the Beatles were holding, to cover it for the college paper," he recalls. "They'd had a No 1 single or two by then, so they were very well known – but not yet intergalactic. Afterwards, John Lennon came up and asked me why I hadn't asked them any questions. I told him I found the whole thing pretty silly. He laughed, and when I told him I was studying moral sciences,...
- 7/28/2013
- by Phelim O'Neill
- The Guardian - Film News
From Never Mind The b******* to This is PiL, John Lydon has created some amazing music in his time, but he's also responsible for some brilliant TV moments. As we prepare for his appearance on BBC's Question Time, and a possible face-off with chick-lit author-turned-Tory MP Louise Mensch, we've been reliving some of them. From Grundy to the Jungle, here are our six favourite non-musical John Lydon moments from the last 35 years. Let's hope tonight provides another. Sex Pistols vs Bill Grundy on The Today Show
"Nothing, a rude word. Next question." John Lydon on Juke Box Jury
On Donna Summer's 'Bad (more)...
"Nothing, a rude word. Next question." John Lydon on Juke Box Jury
On Donna Summer's 'Bad (more)...
- 7/5/2012
- by By Mayer Nissim
- Digital Spy
Composer John Barry may be best known for his 007 scores, but we look beyond Bond for a detailed look at the rest of his extraordinary career...
Timeless, innovative, expansive and sensual, the music of John Barry Prendergast is a thought-provoking testament to a man who set the bar high and kept on raising it.
For many of us, the work of British composer, Barry, is synonymous with the Bond franchise, and there's no mistaking his contribution to that legacy. His work (along with that of Monty Norman) came to signify the arch, dangerously seductive swagger and cool, ambivalent melancholy that is the man behind the martini glass. He captured a world of intrigue, code and double meaning, of subterfuge, ambiguity, covert operation and sexuality. His was a trenchant and identifiable yet intriguingly elliptical and diverse musical sensibility that lassoed widely different vocalists from Louis Armstrong to Duran Duran, invariably producing something magnetic and memorable.
Timeless, innovative, expansive and sensual, the music of John Barry Prendergast is a thought-provoking testament to a man who set the bar high and kept on raising it.
For many of us, the work of British composer, Barry, is synonymous with the Bond franchise, and there's no mistaking his contribution to that legacy. His work (along with that of Monty Norman) came to signify the arch, dangerously seductive swagger and cool, ambivalent melancholy that is the man behind the martini glass. He captured a world of intrigue, code and double meaning, of subterfuge, ambiguity, covert operation and sexuality. His was a trenchant and identifiable yet intriguingly elliptical and diverse musical sensibility that lassoed widely different vocalists from Louis Armstrong to Duran Duran, invariably producing something magnetic and memorable.
- 7/25/2011
- Den of Geek
Composer best known for James Bond music won five Oscars and scored more than 100 films
John Barry, the composer of some of cinema's most memorable scores, from James Bond to Born Free and Dances With Wolves, has died aged 77.
In a short statement, his family said Barry died on Sunday in New York. He is survived by his wife of 33 years, Laurie, his four children and five grandchildren.
Barry was at the top of his profession for nearly 50 years, winning five Oscars and providing the music for more than 100 movies – including Out of Africa, which he once named as his favourite – and TV shows such as The Persuaders! and Juke Box Jury.
But it was his association with James Bond that defined his career. It began in 1962 when he arranged Monty Norman's distinctive theme into an anthem on Dr No and was followed by 11 subsequent 007 movies including Goldfinger, Diamonds Are Forever...
John Barry, the composer of some of cinema's most memorable scores, from James Bond to Born Free and Dances With Wolves, has died aged 77.
In a short statement, his family said Barry died on Sunday in New York. He is survived by his wife of 33 years, Laurie, his four children and five grandchildren.
Barry was at the top of his profession for nearly 50 years, winning five Oscars and providing the music for more than 100 movies – including Out of Africa, which he once named as his favourite – and TV shows such as The Persuaders! and Juke Box Jury.
But it was his association with James Bond that defined his career. It began in 1962 when he arranged Monty Norman's distinctive theme into an anthem on Dr No and was followed by 11 subsequent 007 movies including Goldfinger, Diamonds Are Forever...
- 2/1/2011
- by Mark Brown
- The Guardian - Film News
Composer most closely associated with the golden age of James Bond but whose scores ranged from Midnight Cowboy to Dances With Wolves
John Barry, who has died aged 77 following a heart attack, will always be associated with the golden age of James Bond, but though much of his most famous music was written to accompany the outlandish adventures of 007, his work covered a huge variety of moods and styles. Barry wrote epic, sweeping film scores for Zulu (1964), Born Free (1966) and Out of Africa (1985), introduced blues and jazz themes into The Chase (1966) and The Cotton Club (1984), and conceived the shivery, sinister music for The Ipcress File (1965). He even became something of a pop star in his own right.
He was born Jonathan Barry Prender- gast in York, where his father ran a chain of cinemas. His mother was a talented musician, but had abandoned the attempt to establish herself as a concert pianist.
John Barry, who has died aged 77 following a heart attack, will always be associated with the golden age of James Bond, but though much of his most famous music was written to accompany the outlandish adventures of 007, his work covered a huge variety of moods and styles. Barry wrote epic, sweeping film scores for Zulu (1964), Born Free (1966) and Out of Africa (1985), introduced blues and jazz themes into The Chase (1966) and The Cotton Club (1984), and conceived the shivery, sinister music for The Ipcress File (1965). He even became something of a pop star in his own right.
He was born Jonathan Barry Prender- gast in York, where his father ran a chain of cinemas. His mother was a talented musician, but had abandoned the attempt to establish herself as a concert pianist.
- 2/1/2011
- by Adam Sweeting
- The Guardian - Film News
Diana Dors may be famous for all those flirty, saucy one-liners, but she had a sharp, knowing wit of her own, and was more serious an actor than she gets credit for
The early 50s is remembered as an era smeared with boredom, with Billy Cotton on the wireless and rationed gruel for dinner. In such a country, the beauty and easy charm of Diana Dors must have seemed like an insult to many people.
Dors is frequently referenced as Britain's "answer" to Marilyn Monroe, but a brace of Dors's films – My Wife's Lodger (1952) and Is Your Honeymoon Really Necessary? from 1953 – set for DVD release by the BFI – show a vibrant and underrated star with a decidedly English sass. Aside from her role as a convicted murderer in Yield to the Night, it is usually assumed that her acting talent was wasted on fripperies, yet she also had hefty roles in another prison drama,...
The early 50s is remembered as an era smeared with boredom, with Billy Cotton on the wireless and rationed gruel for dinner. In such a country, the beauty and easy charm of Diana Dors must have seemed like an insult to many people.
Dors is frequently referenced as Britain's "answer" to Marilyn Monroe, but a brace of Dors's films – My Wife's Lodger (1952) and Is Your Honeymoon Really Necessary? from 1953 – set for DVD release by the BFI – show a vibrant and underrated star with a decidedly English sass. Aside from her role as a convicted murderer in Yield to the Night, it is usually assumed that her acting talent was wasted on fripperies, yet she also had hefty roles in another prison drama,...
- 6/10/2010
- by Bob Stanley
- The Guardian - Film News
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