After the Rain (1999) Poster

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7/10
Great acting... but the shoestring budget really shows
adeline7g2 February 2005
This film was based on the director's own play 'Soweto's Burning'. It's a powerful story of testing the bounds of apartheid through friendship, love and hate.

Paul Bettany plays Steph, the reluctant Afrikaan soldier who's pushed to his limits by the events that unfold. Louise Lombard is Emma, Steph's girlfriend, and friend to Joseph, the black man played by Ariyon Bakare.

The story is engaging, and the performances by the 3 leads are brilliant. Particularly Bettany, who manages to pull off this complex character without any difficulty.

With better direction and cinematography this film would have been really great, but instead, the excellent plot is tied down by the TV-series-like style. The entire movie was filmed in just a few locations, and gives the impression of being too closely adapted from the play on a shoestring budget. The essence of Africa which is so important to this story was slightly lost through all this.

Overall, a good drama, and surely one of it's kind. Great dialogue, a powerful story and engaging performances from the actors.
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7/10
A fairly well made movie.
Cablebot300018 August 2008
This movie is somewhat hidden from a lot of people. To my knowledge, the film was made in 1999 but not released until quit a few years later (thought I'm not sure of it). Anyways, this is a good movie, not the best but good. The three main stars of the film really connect well, and the romance is handled in a good and cautious way. I also think the film shows the very real prejudices and racism that I"m sure still goes on in the world (though I can honestly recommend quit a few movies on that subject that are better, but its still well done).. Good movie, not necessarily for the romance, but for the quality as a whole. I recommend to anyone who comes by it. I rate it 7/10 Rated R-language and some violence (also has some sensuality)
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7/10
Apartheid in Eugene O'Neill style
przgzr5 February 2008
Warning: Spoilers
Apartheid is something we will first think of when someone mentions South Africa, and probably this will last for generations. African movie makers don't try to change that impression: most movies that get world distribution deal with interracial relations and usually its plot is put during the apartheid years. Even comedies like Leon Schuster's movies use apartheid at least as a background.

*** MAJOR SPOILERS IN THIS PARAGRAPH*** It is not hard to compare characters in "After the Rain" and "The Power of One". A young white man who doesn't agree with humiliation of another races, but also can't avoid belonging to his own race, culture and tradition; a young woman in love with him who starts to realize what is the system doing not only to certain groups of people but to the whole country as well, a black man who wants the system to change, but tries to keep a distance to his friends who look for solution in weapons... ***END OF MAJOR SPOILERS***

But while "The Power of One" shows the developing period of apartheid, "After the Rain" deals with its decline. And, as a movie, the former one is a rather linear story covering a few decades, while the latter one – except few short flashbacks and last few minutes – ends only few days after the story begun, and in spite of that it is far from being linear (in style, mood, rate...).

The first part of the movie is a rather bright, simple love story made not very different from usual Hollywood (similar) genre movie. Suddenly, due to circumstances and a very unlucky parallel sequence of events, three main characters gather in the same room and the rest of the movie (till last few minutes) it is a slow psychological drama that could have been written by Tennessee Williams, or even more Eugene O'Neill: an excellent performance, but has nothing common with the first part of the movie. Finally, last few scenes have a completely unnecessary Mandela's speech as sound background making the movie look like a pamphlet: we all know what has happened in RSA, and if someone still believes that apartheid was better, there is no movie that will change his opinion. This is even worse, because it hides two great scenes where a white and a black man meet on the court and in jail. After almost an hour long watching their confused and developing emotions during one night in one room, with a lot of talking (white man) and a lot of silence (black man), now we need only a few dozen seconds with not many words to feel condensed emotions, a consequence of what has happened years ago. The last scene in the classroom is powerful, but slightly polluted by that pamphlet feeling, and too similar to "The Power of One".

"After the Rain" is, as all previous comments mention, a movie version of "Soweto Burning"; but Soweto is neighbor to Johannesburg – why then does the movie take place in Capetown?

Many people could have problems with some of the scenes like brutal ones in army action against rebels, many actionmovielovers wouldn't withstand the slow rhythm of the second part; some people might complain because of the language and sexuality in theater scenes etc. But, though the movie would surely disappoint people who want action, the "disturbing" scenes are not long or frequent enough to make other people give up watching.

So, if you are not too easy to be offended and you can handle a drama with so big changes in rhythm, there is no reason to avoid this movie: it is not likely that it will disappoint you if you know what to expect and agree with that.
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8/10
South Africa, the Apartheid, and the Devastating Effect on Three People
gradyharp27 December 2006
AFTER THE RAIN, made in 1999, has only recently been released on DVD. It is most welcome to the library on the examination of human rights as they come into conflict in Africa. Ross Kettle, who based the film on his play 'Soweto's Burning' and directed this cinematic version, achieves more insights into the racial conflagrations as focused on three people than most of the most major films released on the subject.

The film opens when the main characters were children and caught up in the marked division between whites and blacks that interfered with their childhood games and friendships because of the cruel prejudices imposed by their parents. In 1972 Steph (Paul Bettany) a conflicted Afrikaans soldier, is in love with Emma (Louise Lombard), a dancer for the theater. Steph is due to depart with his brigade and spends his final nights with Emma: Emma promises to wait for him, pleading with Steph to come back alive. Steph leaves and Emma returns to her job, a theater where the lighting manager is a black man Joseph (Ariyon Bakare). One evening Joseph aids Emma with her car and Emma in turn offers Joseph refuge: Joseph is without a place to stay except in the streets. The fact that a white woman and a black man even talk is dangerous and it is with great hesitation that Joseph accepts Emma's kindness. Gradually the two become true friends, able to dissolve the disparity that is destroying the nation. But when Emma finally and innocently offers Joseph to sleep in her bed instead of on the floor, the crisis occurs: Steph has deserted the army and returns home to Emma's flat and finds the two in bed: he thinks the worst and becomes enraged.

The bulk of the film is the enclosed argument and confrontation among the three young people, facing all of the ugliness and prejudice that crippled South Africa. When the three are at the peak of being threatened by the conflict, Emma is accidentally shot and the manner in which Steph and Joseph face this with its touching outcome makes this an indelible memory for the viewer.

The cast includes some very fine South African actors who allow us to see the stances of each side of the sociopolitical line. But it is the powerful performances by Louise Lombard, Paul Bettany and Ariyon Bakare that make this film ignite. It is to the credit of Ross Kettle to make the history of the struggle so potent by using significant flashbacks to the characters' childhood dilemmas and the spare use of external shots that make the tension and moments of quiet acceptance so pertinent. A major problem with the DVD, however, is the lack of subtitles, a factor that prevents us from understanding the varying accents with which the general public is not familiar. But that is a small defect in an otherwise very fine film. Grady Harp
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10/10
Am I glad I saw this film
jaybob11 August 2007
Warning: Spoilers
I rented this from NETFLIX mainly because I am a fan of its STAR Paul Bettany,

This motion picture was directed & written by Ross Kettle & is an adaptation of his play SOWETO IS BURNING.

Paul portrays a South African raised to manhood during the Aparteid struggles; Louise Lombard (a TV actress) is a beautiful lady in love with Paul.: Ariyon Bakare ( a very good looking & fine South African actor), He is innocently involved with Louise& thus precipitates the enfolding drama.

This 1999 film was made in South Africa & I actually felt I was there watching it ALL. The production was made on a shoestring budget, & thusly we have a tighter film.

The only negative thing I can add is that those who do not have closed captioning may have trouble with the various accents.

My rating is based on seeing this excellent film with Closed Captioning.

Ratings **** (out of 4) 98 points(out of 100) IMDb 10 (out of 10
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admirable work
Kirpianuscus29 July 2016
an adapted play. impressive performance of Paul Bettany. a great story about past, apartheid, friendship, fear, memories, paranoia, hate. it could be better is the basic observation. not really the best. because the aspect of puzzle, made by different pieces - childhood of Stephan and Joseph, battle, dialogues between Stephan and Emma, the meetings between Emma and Joseph are pillars of a special form of poetry. cold and worm, touching and bitter, a circle of sketches who gives to the viewer the opportunity to discover entire painting. it is an admirable film for the precise, delicate manner to translate in images the aspects of a battle , its deep roots, its victims. and one of the most important details remains the acting. Louise Lombard and Ariyon Bakare - who could be inspired choice for a biopic about Kwame Nkrueh - are exactly the ideal choices for translate the message of characters. and the mixture of street and scene is one of great virtues of Ross Kettle's work.
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