User Reviews

In spite of the cheesy special effects and some over the top histrionics, I found this movie to be quite engaging and entertaining in its entirety. I judge a movie on two merits---- its ability to entertain, and its potential to educate, and I felt "Dahshat" delivered on both counts. It is the Gothic story of a scientist/doctor obsessed with acquiring animal traits and powers, ending in tragic and disastrous consequences. I would commend the famous Ramsay Brothers on writing, directing and producing movies that were off the beaten path, and for charting new and unexplored territories in terms of Hindi cinema. The atmosphere, lighting,outdoors shots and palatial mansions depicted as well as the vintage cars all contributed to the eerie and disturbingly claustrophobic feel that perfectly complemented the script. I mean, we get to see Om Shivpuri handle an enormous LIVE BAT in his hands and dip it in some sort of a solution, along with myriad shots of monitor lizards, owls, sloths, venomous snakes and boas, and what appeared o be a very sad and demented lemur nailed to a wall! That in itself is worth the price of the ticket! I cannot recall a single movie, Hindi or Hollywood or otherwise, where live animals were used for these graphic experiments depicted. It certainly goes to the director and producer's credit to have incorporated such realism in the movie. The transformation sequences regarding Dr. Vishal were quite good too. Honestly, some of the recent movies have more cheesy graphics than what Ramsay Brothers portrayed back in the early 80s! It was a pleasure to see a slim and fit Indian heroine for once in Sarika, a rare commodity in the long line of overweight/obese Indian heroines in skimpy outfits showing more blubber than skin. Not a bad watch for some light entertainment and re-visiting the nostalgic Hindi Gothic horror of the early 80s.

Let me say this right off the bat...Dahshat is one of the best Indian horror films I have seen. And I don't mean this in the campy sense, this is one genuinely brilliant movie. Of course one suspects that the Ramsays may have ripped the storyline lock stock and barrel from some other source, but even then I give them kudos for having presented it in a compelling unsullied form.

The plot is a fine reworking of Jekyll and Hyde. The hero Dr. Samir (Navin Nischol) comes to his hometown after a gap of many years to find that it has become a gloomy sepulchral place with people afraid to move out after dark and rumors of corpses escaping their graves. Determined to investigate, he discovers a towering hooded grave-robber and a scuffle ensues. This quickly leads to a mob chase in which the dastardly fellow is apprehended. Although nothing can be got out of the fellow who is a mute, Samir's suspicions lead him to the door of the local physician Dr. Vishal.

Dr. Vishal (Om Shivpuri) is a straight port of a Victorian era medical man / scientist complete with frock coat and bow-tie. This Jekyll is dabbling in research to make man "complete" by imbuing him with the heightened sense attributes of various animals. While not inherently vicious,Vishal is an overzealous investigator, not averse to trying out his new researches on patients without their knowledge and consent. He is also an unsatisfied and unfaithful husband to a drunk crone (harangue queen Nadira) with whom he has frequent showdowns. It is during one of these showdowns that the vengeful wife injects him with his prepared serum, which has the effect of converting him into an animal. Thus ensues a saga of horror in which Vishal is forced at various instances to convert to a grotesque hybrid animal form with murderous consequences.

The main strength of Dahshat is the absolutely cracking lifetime performance by Om Shivpuri. This is a brilliant portrayal of the mad doctor archetype, which skilfully avoids the ham trap that such roles fall into, and even it's most grotesque moments holds your sympathies for the character. Nadira as the alcoholic wife of the deranged scientist lends great support. The other and equally notable aspect is that apart from a couple of songs and some footage devoted to the idiotic antics of comedian Rajendranath, almost every scene in this movie is propelling the narrative onward at a frantic pace. It also helps that the story provides plausible motive for all the murders the monster commits and not just aimless boob-groping of assorted extras; this is first-rate stuff. The film also has a lot of atmosphere, although some of its location shifts can be confusing. The visual FX are a mixed bag but one admires that the make-up concepts are grounded in the story.

On the whole, Dahshat is a terrific achievement of Hammer-style horror by the Ramsays and one of the few films that lends substance to their reputation as this country's answer to Hammer.