There are a number of things that are put forth to set up the conclusion. We have a series of events that center around a power plant. It involves two men, one a psychotic, who go around avenging themselves on people who anger them. We are introduced to a female constable who butts heads with Frost over her use of technology while his filing systems are the archaic paper pile that often ends up on the floor. The episode ends with a gun being pointed at Frost during a bank heist which is unrelated to the larger plot. We also have the eternal triangle, with the death of a husband and the finger being pointed at his two-timing wife.
4 Reviews
Intriguing start to a 2-part episode
grantss25 July 2022
Season 7 of A Touch of Frost consists of one episode split into two parts, originally aired on Christmas Day 1999 and New Years Day 2000. It's quite intriguing, especially as the perpetrator is highly likely a policeman.
Great!
jamiecostelo587 December 2006
Warning: Spoilers
A Regional Crime Squad detective is found murdered on Jack's patch. Could his death have something to do with an undercover car theft ring? When Frost takes the lead in the subsequent investigation, he soon comes head-to-head with the dead policeman's boss, as well as suffering severe hostility from the victim's colleagues....
A welcome performance from Nicky Henson as D.S. Larry Finlay, a hard-hitting but sometimes naive officer who understandably takes offence to Jack's techniques to catch the killer. But is Jack pushing his luck too far or is he on the right track?
Line of Fire was the first of three two part specials of A Touch of Frost, which also welcomed the return of a character whom viewers hadn't seen for five years! A great cliffhanger awaits the end of part one and is not to be missed!
A welcome performance from Nicky Henson as D.S. Larry Finlay, a hard-hitting but sometimes naive officer who understandably takes offence to Jack's techniques to catch the killer. But is Jack pushing his luck too far or is he on the right track?
Line of Fire was the first of three two part specials of A Touch of Frost, which also welcomed the return of a character whom viewers hadn't seen for five years! A great cliffhanger awaits the end of part one and is not to be missed!
Terrific, the best 'Frost' episode since "No Other Love"
TheLittleSongbird3 July 2017
'A Touch of Frost' is a personal favourite of mine, and one of my favourite shows from the detective/mystery genre. Do have a preference perhaps for the earlier-mid-show episodes over the later ones, but none of the episodes are less than watchable and none do anything to embarrass the show.
So much appeals about 'A Touch of Frost'. Love the mix of comedy (mostly through Frost's snide comments and quips) and dark grit, the tension between rebellious Jack Frost and by-the-book Mullet which has led to some humorous moments, how he interacts with the rest of the staff, the deft mix of one or two cases and Frost's personal life, how Frost solves the cases, the production values, music and of course David Jason in one of his best roles.
There may have been people initially sceptical about whether the show would work, and with Jason (a mainly comedic actor) in a departure from usual in the lead role. Scepticism very quickly evaporated, with the first season containing three consistently great episodes, even with the darker and grittier approach with less humour, that established the tone and characterisation so brilliantly so early on with no signs of finding-their-feet. Seasons 2 and 3 continued that high standard, "Appropriate Adults" and "Stranger in House" particularly being show highlights. Season 4 was also very good, particularly "Paying the Price" and "Deep Waters", the weakest "Unknown Soldiers" still being pretty good. All four episodes of Season 5 were brilliant, especially "Penny for the Guy" and "No Other Love". Season 6 wasn't quite as consistent, but all episodes ranged from good to great, the best being "Keys to the Car".
"Line of Fire", the first of four two-parters for the show, the others being "Benefit of the Doubt" from Season 8, "Mistaken Identity" from Season 9 and "If Dogs Run Free" from Season 15 (the final season), is just terrific. Can be iffy about episodes being split into half, having been done with variable execution on 'Lewis' for example, but not here.
It's a very well made episode as to be expected. It matches the dark, gritty tone of the episode beautifully with atmospheric lighting and the stylish way it's shot. The music is haunting without being over-bearing.
The script is well written, with a few very amusing quips from Frost, and is thought-provoking with lots of things you don't expect. The story is absorbing with a good deal happening while not rushing through it or trying to do too much.
Frost is a remarkably well-established character , and one cannot help love his interaction with the rest of the officers and his chemistry with Bruce Alexander's stern and by-the-book Mullet, who constantly despairs of Frost's unconventional approach. Frost's new partner is a good character and works well with Frost.
Jason continues to excel impeccably, while Paul Jesson, Bruce Alexander, John Lyons and Nicky Henson support him solidly.
In conclusion, terrific first half to one of the show's generally better two-parters. 10/10 Bethany Cox
So much appeals about 'A Touch of Frost'. Love the mix of comedy (mostly through Frost's snide comments and quips) and dark grit, the tension between rebellious Jack Frost and by-the-book Mullet which has led to some humorous moments, how he interacts with the rest of the staff, the deft mix of one or two cases and Frost's personal life, how Frost solves the cases, the production values, music and of course David Jason in one of his best roles.
There may have been people initially sceptical about whether the show would work, and with Jason (a mainly comedic actor) in a departure from usual in the lead role. Scepticism very quickly evaporated, with the first season containing three consistently great episodes, even with the darker and grittier approach with less humour, that established the tone and characterisation so brilliantly so early on with no signs of finding-their-feet. Seasons 2 and 3 continued that high standard, "Appropriate Adults" and "Stranger in House" particularly being show highlights. Season 4 was also very good, particularly "Paying the Price" and "Deep Waters", the weakest "Unknown Soldiers" still being pretty good. All four episodes of Season 5 were brilliant, especially "Penny for the Guy" and "No Other Love". Season 6 wasn't quite as consistent, but all episodes ranged from good to great, the best being "Keys to the Car".
"Line of Fire", the first of four two-parters for the show, the others being "Benefit of the Doubt" from Season 8, "Mistaken Identity" from Season 9 and "If Dogs Run Free" from Season 15 (the final season), is just terrific. Can be iffy about episodes being split into half, having been done with variable execution on 'Lewis' for example, but not here.
It's a very well made episode as to be expected. It matches the dark, gritty tone of the episode beautifully with atmospheric lighting and the stylish way it's shot. The music is haunting without being over-bearing.
The script is well written, with a few very amusing quips from Frost, and is thought-provoking with lots of things you don't expect. The story is absorbing with a good deal happening while not rushing through it or trying to do too much.
Frost is a remarkably well-established character , and one cannot help love his interaction with the rest of the officers and his chemistry with Bruce Alexander's stern and by-the-book Mullet, who constantly despairs of Frost's unconventional approach. Frost's new partner is a good character and works well with Frost.
Jason continues to excel impeccably, while Paul Jesson, Bruce Alexander, John Lyons and Nicky Henson support him solidly.
In conclusion, terrific first half to one of the show's generally better two-parters. 10/10 Bethany Cox
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